Avik Mukhopadhyay

Avik Mukhopadhyay

약력

Avik Mukhopadhyay is an Indian cinematographer who has worked in Hindi and Bengali films. He has won three National Film Awards for the Best Cinematography.

프로필 사진

Avik Mukhopadhyay

참여 작품

자네 잔: 용의자 X
Director of Photography
홀로 아이를 키우는 여자가 범죄 수사에 걸려든다. 이웃인 천재 수학 교사가 나서서 돕겠노라 제안하고, 집요한 수사관이 사건을 캐기 시작한다.
Lost
Cinematography
Crime reporter Vidhi investigates the sudden disappearance of a college student. While society associates different theories for his disappearance, what really is the true story?
사르다 우드함
Director of Photography
A young Sardar Udham Singh left deeply scarred by the Jallianwala Bagh massacre, escaped into the mountains of Afghanistan, reaching London in 1933-34. Carrying an unhealed wound for 21 years, the revolutionary assassinated Michael O’Dwyer on 13th March, 1940, the man at the helm of affairs in Punjab, April 1919 to avenge the lost lives of his beloved brethren.
바다의 깊은 곳
Producer
좋은 교육을 받고 언론인으로서 괜찮은 직장에 다니는 미툴. 어느 날 할머니가 돌아가시면서 대대로 살아온 오래된 집에 혼자 살게 된 그녀를 향한 주변의 시선은 따뜻하지만은 않다. 식당에 가든 집에서 요리를 하든, 혼밥을 하는 그녀는 사실은 직업과는 어울리지 않게 세상에 대해 별 관심이 없다. 대형 테러 사건, 쓰나미와 같은 자연 재해 등 온갖 뉴스가 넘쳐나지만 그녀 삶의 유일한 재미는 마음에 드는 직장 동료 아티쉬와의 데이트이다. 하지만 그녀를 몇 년째 스토킹하는 전 남자친구는 자살협박까지 하며 그녀의 평화를 흔드는데, 이 와중에 돌아가신 할머니는 유령으로 나타나 다시 집에 머물며 끊임없이 잔소리를 하신다. <바다의 깊은 곳>은 2011년, 34년간의 공산집권이 끝난 캘커타의 한복판에서 묻힌 기억과 묻어야 할 과거가 공존하는 가운데 현실에 발을 딛고 미래로 나가야하는 한 젊은 여성의 일상을 그리고 있다.
구라보 시타보
Director of Photography
미라즈는 꼬부랑 할아버지로 지독한 구두쇠다. 샤일록이나 스크루지쯤 생각하된 될 것 같다. 그는 건물주 -정확히 말하면 미라즈의 부인이 건물주이다.-로 세입자들의 전구를 훔쳐다 팔 정도록 욕심 사나운 사람이다. 어느 날 그는 친구로부터 주변 시세에 비해 자기 건물 세입자의 월세가 훨씬 싸다는 얘기를 듣고는 어떻게 해서든 그들을 쫓아낼 궁리를 하게 된다. 그러던 어느날 세입자 뱅키는 줄 서서 기다리는 공용화장실에서 기다리는 게 화가 나 발로 벽을 차버리는 데 그만 담벼락 일부가 무너져 내린다. 이때다 싶어 미라즈는 변호사 크리스토퍼를 찾아가 자신이 단독 소유권을 갖기 위해서 어떤 조치를 취해야 하는지 알아보는 데, 한편 뱅키는 문화부 소속 기나쉬로부터 그의 도움을 받으면 이 집을 수용하여 미라즈를 쫓아낼 수 있다는 얘기를 듣게 된다. 그러나 기나쉬와 크피스토퍼 모두 건물주 미라즈나 세입자 뱅키의 이익을 위해 일하는 것 같지 않은 상황으로 돌아가는데.....
Borunbabur Bondhu
Director of Photography
Based on Ramapada Chowdhury's novel 'Chhaad', Borun Chakraborty is an irritable, old man whose wife is dead and the only people he talks to are his childhood friend and his grandson. Isolated from the rest of his family, he lives a lonely life but one day his school friend and the President of India, Pranabesh, does not pay him a visit that changes it all. All of sudden, Borun finds himself at the center of all attention.
Password
Director of Photography
A police officer tracks down a cyber criminal that hacks the passwords of innocent people in order to destroy their lives.
바들라
Director of Photography
역동적인 젊은 사업가는 죽은 애인의 시체가있는 호텔 방에 갇혀있는 것으로 나타납니다. 그녀는 변호사를 고용하여 변호사를 고용하고 실제로 일한 것을 파악하기 위해 함께 노력합니다.
Bhobishyoter Bhoot
Director of Photography
A group of ghosts are rendered homeless as all the old haunted buildings in Kolkata have been converted into multi-storied buildings, malls and multiplexes. Some of them, from varied social-economic background, take shelter in an abandoned, dilapidated single-screen theatre, planning to make themselves relevant and fit for the future as contemporary ghosts.
October
Director of Photography
Dan, a 21-year-old carefree boy is always surrounded by a bunch of friends and fellow hotel interns who feed off each other's everyday moments, their ups and downs. Shiuli is also an intern working in the same hotel, who at times is at a receiving end of Dan's audaciousness. Everything was normal in their life until a sudden turn of events smashes Dan and Shiuli's lives together, into a bond.
Meghnadbodh Rohoshyo
Director of Photography
A professor mysteriously vanishes, leaving behind a host of suspects, a shadowy history and a clue: the anonymous birthday gift of a Bengali classic.
바이올린 연주자
Director of Photography
뭄바이에서 특별한 직업도 없이 생활하던 발리우드 세션 바이올리니스트에게 드디어 작은 기회가 찾아오지만, 집으로 돌아오는 길에 생긴 사건으로 인생이 뒤흔들린다.
핑크
Director of Photography
성폭행 피해자가 가해자에 대한 살인 미수 혐의로 부당하게 재판을 받게 되자 은퇴한 변호사가 성범죄에 관대한 인도의 문화에 반기를 들고 피해자를 돕기 위해 나선다.
Rajkahini
Director of Photography
In August 1947, the British passed a bill regarding the partition of Bengal. Delving into the grim history of the Partition, Mukherjee's movie Rajkahini is woven around a border between the two nations that runs through a brothel housing 11 women.
The Immortals
Director of Photography
This film is a personal journey travelling through time and space to unravel hidden stories and rediscover objects and images that at one time were an integral part of the lives of these artists through which their creations came into being. It is a visual exploration of physical artifacts, personal spaces and living memories where the image speaks for itself, recreating the impression of each artist whilst telling the story of Indian cinema. The film depicts the paradox of India’s relationship with cinema: the romance and the power, the neglect and the worship.
Kill Dil
Director of Photography
Once upon a time in North India, two killers – Dev and Tutu - roamed free. Abandoned when young and vulnerable, Bhaiyaji gave them shelter and nurtured them to kill! All is normal in their lives until destiny throws free-spirited Disha into the mix. What follows is a game of defiance, deception and love.
Three Obsessions
Director of Photography
Bengal episode film with three stories.
Ashchorjyo Prodeep
Director of Photography
The story of a modern day Aladdin, set against the backdrop of contemporary Calcuttan consumer society.
Sunglass
Director of Photography
A bilingual satirical comedy about the seven-year itch of a married couple, and how their life turns topsy-turvy with the entry of what seems to be an ordinary pair of antique sunglasses.
Satyanweshi
Director of Photography
Satyanweshi is a 2013 Bengali mystery-thriller film directed by Rituparno Ghosh and produced by Shrikant Mohta and Mahendra Soni. This was Ghosh's last full length film as a director. Indian film director Sujoy Ghosh portrayed the character Bymomkesh Bakshi in this film.
Kangal Malsat
Director of Photography
Tired of the corrupt Communist regime and its policies, a group of flying humans and black magicians join forces to hatch a conspiracy and wage a guerrilla attack against the totalitarian government and overthrow it.
영화에 살고 죽고
Director of Photography
인도 영화의 풍요로운 역사를 보존하는 데 평생을 바친 P.K. 나이르의 철학과 업적을 따라가는 다큐멘터리
Chitrangada: The Crowning Wish
Director of Photography
Rudra and Partho's desire to adopt a child leads Rudra to take the most crucial decision. Rudra decides to undergo sex reassignment surgery, so that they can be legally considered a couple and allowed to adopt a baby.
Bhooter Bhabishyat
Director of Photography
A young director listens to a hilariously scary story narrated by a stranger, where a group of ghosts try to save the only place they can haunt in peace.
Ekti Tarar Khonje
Director
Ekti Tarar Khonje
Director of Photography
Abohomaan
Director of Photography
Abohomaan tells the story of Aniket, one of the finest filmmakers of Bengal in eastern India and the loves of his life. Devoted to his craft, Aniket met and fell in love with his wife Deepti, an actress, while they worked together on the set of a film. They were so in love that Deepti sacrificed her own career for her husband's and for their son Apratim, but lost a little of who she was in the process. The plot thickens when Aniket auditions a young actress, Shikha, who bares an uncanny resemblance to his wife when she was younger. Deepti enthusiastically begins to coach Shikha for her husband's film - so much so that Shikha becomes even more like the girl Deepti used to be and as a result the aging Aniket falls in love with Shikha, a woman as young as his son, despite the sadness and trouble it brings to his family.
Via Darjeeling
Director of Photography
Via Darjeeling is the story of a honeymooning couple Ankur (Kay Kay Menon) and Rimli (Sonali Kulkarni) who are very much in love. On the day of their departure from Darjeeling, Ankur disappears mysteriously leaving Rimli all alone frantically searching for him. Here enters the policeman Robin Dutt (Vinay Pathak) who tries to trace Ankur, but in vain. The story then moves onto a group of friends partying and having a good time, where Robin who is one of the guests narrates the story of Ankur and Rimli to his friends. How each one of them make their own interpretations as to what happened to Ankur makes the movie an interesting watch.
The Last Lear
Director of Photography
The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.
Khela
Director of Photography
Kolkata-based Sheela Bhowmik feels isolated and neglected, and decides to leave her busy film-maker husband, Raja, to spend sometime with her friend, Renu, her mom, and then subsequently travels to Kashmir to spend some time by herself. Raja gets involved in a new movie depicting the life of Gautam Buddh, and is on the look-out for a male child to play the character. He does find one, a young school-going lad, Abhirup Mitra; introduces him to the Producer, Vikram; as well as other crew including beautiful Anjali, who has a crush on Raja. Neither Vikram, Anjali nor any of the crew are aware that Raja is the prime suspect in the abduction of Abhirup.
Mumbai Cutting
Cinematography
An anthology of eleven short films from eleven directors featuring stories of life in Mumbai.
Antaheen
Director of Photography
Antaheen follows the lives of three couples in tumultous relationships, who lead different lives but are connected by the infinite struggles and pain each of them goes through.
Shoonya
Director of Photography
The Companion
Director of Photography
When a car accident lands her husband, Kaushik, in the hospital, Kaberi's life takes a dramatic turn -- in more ways than one. Anguish over Kaushik's dire condition gives way to anger when Kaberi learns he was having an affair with his co-worker. Torn between sympathy for her bedridden husband and the sting of his betrayal, Kaberi weighs her options.
Chukkallo Chandrudu
Director of Photography
Chukkallo Chandrudu (Telugu: చుక్కల్లో చంద్రుడు) is a Telugu film released on 14 January 2006 and was directed by Mani Ratnam's associate, Siva Kumar. The film has Siddharth Narayan, Sadha, Saloni Aswani, Charmme Kaur, and Akkineni Nageswara Rao playing important roles but this film story lines nearly equals to Jagapathi Babu film Allari Premikudu.
Bunty Aur Babli
Bunty and Babli are two avid dreamers. Two free souls born into caged small town realities. They grow weary of being two specks on the horizon. They desire the horizon itself.And so they pack their aspirations in worn out bags, whip a scarf of confidence around their proud necks and set forth. On a journey across the length and breadth of the country, spinning circles around the people they meet.
Bunty Aur Babli
Director of Photography
Bunty and Babli are two avid dreamers. Two free souls born into caged small town realities. They grow weary of being two specks on the horizon. They desire the horizon itself.And so they pack their aspirations in worn out bags, whip a scarf of confidence around their proud necks and set forth. On a journey across the length and breadth of the country, spinning circles around the people they meet.
Raincoat
Director of Photography
Tells the story of two lovers, separated by destiny, who meet again one day. This encounter allows each to realize the truth about the lives they are living.
Bhalo Theko
Director of Photography
The film is set in Acharya Jagadish Chandra Bose's home in Falta, West Bengal, masquerading as Uttarpara. It deals with the story of a girl Anandi and her family (including uncle, brother, parents and sister), lover (brother's friend Babua) and few neighbours. Nature, tradition and love are Anandi's pillars of support in difficult times. Her brother will slowly drift away with bad or risky companies, will not return home one day, and will be lost forever. Her parents will die heartbroken and her sister will get married suddenly and will leave the family. Babua will go abroad and marry somebody else.
Patalghar
Director of Photography
Several interested parties go in search of a sleep-generating machine which was made 150 years ago by a scientist. However, a little boy is named the scientist's heir and becomes his legacy.
Chokher Bali
Director of Photography
A young woman is left to her own devices when her sickly husband dies. Based on the novel by Rabindranath Tagore.
Subho Mahurat
Director of Photography
An actress mysteriously dies after the "Shubho Mahurat," a celebration of the first shot of the film. A journalist and her perceptive aunt investigate.
Aamaar Bhuvan
Director of Photography
After Shokhina's marriage to Noor ends, she remarries Meher but faces many complications in her married life. Things get worse when Noor returns to India as a married rich man.
Titli
Director of Photography
The story develops around the evolution of Titli from girl to womanhood.
Utsab
Director of Photography
Family tension runs high when four grown siblings reunite at their elderly mother’s home. When the mother reveals that she might sell off the estate, the announcement stirs up painful memories and uncovers a long-buried secret.
기억의 집
Director of Photography
파로미타는 대학원까지 졸업한 엘리트이지만 결혼하여 대가족의 구성원이 되는 전통적인 인도 여인의 삶을 선택한다. 그러나 이기적이고 억압적인 남편과의 결혼 생활은 결코 행복하지 않다. 더구나 아이는 선천성 장애자이다. 문제가 그녀에게 있다는 남편의 비난 속에서 파로미타는 점점 지치고 황폐해진다. 그녀를 이해해주는 사람은 그 역시 수십년간 정신이상자인 딸을 키우며, 전통적인 힌두 가족인 그 집안에서 견뎌온 시어머니 사나카(Sanaka)뿐이다. 두 사람은 서로를 위로하며, 친구이자 동지로서 깊은 정을 나눈다. 아이가 죽자 파로미타는 새로운 인생을 찾아 이혼을 결심한다. 사나카는 떠나지 말라며 며느리를 원망하지만, 훗날 사나카가 병들었을 때 찾아와 마지막 임종을 지켜준 사람은 이미 재혼을 한 파로미타이다.
Malaise
Director of Photography
Rohini is caught up in an endless whirl of shooting schedules. Her parents are hardly a part of her life. Things change when she discovers that her longtime boyfriend has been having an affair with another actress around the same time her mother is hospitalised.
Aniruddha Roy Chowdhury’s third Hindi film
Director of Photography
An investigative drama with a heartwarming story of a dysfunctional family coming together.