Michael Muhney

During another tumultuous Thanksgiving holiday, one family suffers a tragedy: loss of all cell phone reception throughout the house. The sudden media blackout forces the clan to face all their crises head-on—and uncover a few ugly truths along the way.

Saddened about spending another Christmas alone, Ali meets Ginny, a quirky and spunky woman, at a diner on Christmas Eve. Ali tells Ginny that she was to be married on New Year's Eve last year, but over the course of the holidays she and her fiancé unexpectedly split. When Ali explains that she would do everything differently if she could go back in time, Ginny tells her that "sometimes people do get second chances." The following morning, Ali wakes up to find herself transported back to that Christmas before her planned wedding. While she sets out to avoid the mistakes of her past, she learns that changing the course of history is no easy task.

Lake, a young theater actor with no respect for the elderly, is forced to make himself look old, in order to land a part in a Broadway-bound play. His ego drives his girlfriend away, and when research for the play requires him to spend a week in a nursing home, he is forced to review his life choices. Lake eventually learns to abandon his preconceptions and rid himself of the anger that has been holding him back, in pursuit of his dreams.

Lake, a young theater actor with no respect for the elderly, is forced to make himself look old, in order to land a part in a Broadway-bound play. His ego drives his girlfriend away, and when research for the play requires him to spend a week in a nursing home, he is forced to review his life choices. Lake eventually learns to abandon his preconceptions and rid himself of the anger that has been holding him back, in pursuit of his dreams.

Lake, a young theater actor with no respect for the elderly, is forced to make himself look old, in order to land a part in a Broadway-bound play. His ego drives his girlfriend away, and when research for the play requires him to spend a week in a nursing home, he is forced to review his life choices. Lake eventually learns to abandon his preconceptions and rid himself of the anger that has been holding him back, in pursuit of his dreams.

A distraught college student finds a phone that enables her to talk to her deceased mother in the past. Instead of a heart attack, she learns that her mother was murdered. She tries to use the phone to stop the murder from occurring before the killer finds and kills her too.

Investigators pursuing a bizarre hemorrhagic illness are lead to a strange black painting that they discover is a portal to another dimension.

A thief tries to fix the damage done during the biggest heist of his career.

1978년 어느 한산한 도로에 차 한대가 지나친다. 부랑자가 차를 태워달라고 요구하자 차에 탄 중년의 남자는 험한 동네라 태워줄 수 없다고 한다. 부랑자는 킨타 퍼니라는 연쇄살인마 때문이냐고 묻자 중년 남자는 '그에 대해 들어본 적이 없다'라고 대답하고 차를 타고 떠난다. 그러다가 다시 후진하더니 갑자기 부랑자를 향해 질주한다. 쾅! 이 남자가 바로 연쇄살인마였던 것. 그는 사신의 지시대로 죽을 때까지 계속 살인을 저질렀고 결국 가스실에서 최후를 맞는다. 그리고 현재, 살인마를 잡아 영웅대접을 받은 보안관은 주유소에서 아들(역시 보안관)과 식사를 하다 카지노 강도들과 마주치고 그 와중에 가스실에 처형되었던 리커까지 나타난다.

Fifteen New Yorkers go into a Friday night unaware of the fact that their lives are about to change.

"Lovers, Liars and Lunatics" is a dark, screwball comedy about a neurotic suburban family that gets held hostage in their home by two inept burglars. Only as the night progresses do we realize that the Machiavellian machinations of the family are actually drawing the burglars further and further into their nefarious familial schemes, until reality blurs, and we no longer know who we should be rooting for: the family, or the burglars.

Advertising executive Dale Hunter (Michael Muheny) works at the agency Arora. But after a car accident, his life changed abruptly. He has nightmares at night and by day he suffers from hallucinations. The world looks like from a computer. Numbers and names adhere to the objects. A doctor can not help him and the hallucinations are getting worse. Librarian Wendy seems to be the only person he can trust. Together they try to find out the truth.