Rolf Berg

Edvard Munch was one of the most important artists in the period between the 19th and 20th centuries. His motif Skrik (The Scream), repeated in several techniques, became part of the 20th-century world subconsciousness – an image of fear and loneliness most people probably know, even if they have no idea who created it.

The wife of the Düsseldorf Police Council Rainer Bachmann is kidnapped. While trying to save his mother Monika, the adult son is shot dead. His widow Nicola desperately seeks support.

심장병을 앓고 있지만, 반항기 넘치는 소녀가 특별한 말과 마주친다. 아무도 길들이지 못한 말을 만나고 삶의 의미를 찾아 가는 야나. 목숨을 걸고 경마 대회에 도전한다.

15-year-old Caro is one of the inconspicuous students in her school. One day she get noted by a handsome, wealthy Turkish guy who is 5 years older than her. Since they start seeing each other she turns into a totally different person

Mid-fifties Anne Marie Fuchs lives modestly and withdrawn in Düsseldorf. When a murder happens, it becomes clear that the inconspicuous lady, who is always in short supply, seems to be an absolute investigator with a razor-sharp mind. No wonder, because Anne Marie Fuchs is a former East German spy, especially one who still has a bill from her active time open.

The over-ambitious Koralnik has a dream job: he is a contract killer for a secret EU programme. But even eight years after his training he still hasn't had a single hit. Bored and frustrated, he lives according to the programme's strict rules - withdrawn, no social contact and constantly undercover. One day, the shy Rosa crashes into his car and life. Before he knows it, Koralnik is having dinner with her. For the first time, he can flee his everyday misery for an evening of company. But then the telephone rings. It's Koralnik's first job. With Rosa alongside, Koralnik sets off on a chaotic odyssey through a night in which nothing goes according to plan. It is only when Koralnik's target is revealed to be none other than one of his colleagues that the rigid concept by which he lives finally comes into question. He is confronted with the dilemma of either protecting his secret programme or drawing a line under his unfulfilled existence as a killer.

Heinz Gödicke (Ronals Zehrfeld) is the chief commissioner of the People's Police in the small town of Eberswalde in Brandenburg. Gödicke is called when two bestial murdered children are found in the forest. The investigator tries to get involved in the perpetrators - a rarely used method at the People's Police - and the perpetrator so on the track. The Stasi-Major Witt (Florian Panzer) is no friend of this procedure and leaves the commissioner only reluctantly free hand in the investigation. The matter does not go to the authorities fast enough and is then simply put to the files. When another murder occurs, it becomes clear that Gödicke was much closer to the enlightenment of the act than everyone thought.

This documentary drama recreates some important situations from the political and private life of Konrad Adenauer, former and first chancellor of the Federal Republic of Germany, between 1933 and 1967.

Udo is invisible - no one ever seems to notice him. He makes the most of it, working as a department store detective and living off other people's lives as they never notice him tagging along. Until he meets the one woman who sees him.

The story opens with Bica, a solvent abusing waif, trying in vain to evade the Romanian police with her infant brother in tow. Separated from her sibling she is taken to Germany, concealed in the trunk of a car. There she is trained as a thief, picking the pockets of strangers to fill those of her patron. One of her victims is the separated father of Milka, a brat with razor sharp tongue. From this unlikely start a friendship forms and Bica gets a glimpse into a world of material security, if not emotional closeness...