Bérangère Allaux

It is Christmas Eve. Separated from her young son, Helly struggles for money. A solitary man, Didier pays her to play his fiancée for the night. But the act comes to a tragic end. Left stunned, Helly meets Marie, who takes her in, on her way to the coast. There they encounter Chris. All three will end the night together. It’s their last move in joy and perdition.

A look at French painter/traveler Titouan Lamazou and his work.

경찰학교 졸업 후 막 파리로 배치를 받은 신참경찰 앙트완은 새로운 생활에 대한 기대로 부풀어있다. 한편 알코올 중독으로 휴직했다가 복직한 캐롤린 역시 다시는 술을 마시지 않겠다는 의지를 다진다. 캐롤린의 부하로 일하게 된 앙트완은 어느 날 은행 강도 사건을 맡는다.

One summer in the land of rabbits, Loulou the wolf suddenly finds himself all alone. Wondering how he will survive in this new world he makes friends and discovers a new life.

A handyman in a 1940s Paris brothel tries to help the prostitute he loves with her singing career and romantic life.

A young female writer whose father was a militant activist struggles to come to terms with this cumbersome legacy.

We see how a show, created, improvised and acted by the collaboration of students at Strasbourg's National Theater, is developed from start to finish, in this documentary.

The story revolves around the lives of a group of international fashion models, focusing on the main character, Fabrice. The film examines the hollowness of his glamorous lifestyle, leading to self discovery and ultimately a personal catharsis (and his own death). The film is based on (really, inspired by) the French Book, L'Education Sentimentale, by Gustave Flaubert.

Against the barren wintry backdrop of a psychiatric hospital, inpatients and authority figures drift through turgid psychological states. We meet the artist Jean and his lover Monica, patients of the facility, and several characters circling its periphery: a guard, an Episcopalian priest, and a church organist. Minimalizing dialogue and plot intricacy, Tregenza concedes only kernels of information, demanding that the viewer breathe dimensionality into his archetypes. Acting out primal instincts of lust, envy, fear, and love, subjects teeter vulnerably on the brink of sanity and insanity, freedom and repression in their attempts to navigate their existence.

고다르는 이 영화를 1996년 칸 영화제에 출품하여 건재를 과시했다. 뮈세의 연극, 보스니아 전쟁, 그리고 늙은 감독의 작품 만들기와 그 실패가 모차르트의 음악과 어우러진다. 고다르의 분신이기도 한 노감독을 통해 고다르는 상업이라는 이름으로 감독에게 가해지는 폭력을 보스니아 전쟁과 병치시킨다. 유럽의 장래에 대한 고다르의 우려가 엿보이는 작품.