Miriam Talavera

참여 작품

Oscuros Amores
Editor
Ricki travels to Cuba after many years to meet his girlfriend Beatriz, but she has changed a lot; Claudia, in a desperate search for money to buy a house, tries to scam a drug dealer; and Celina, a necrophiliac prepares to spend a weekend with a corpse.. Three dark love stories that, thanks to various unforeseen events, will intertwine until they become the revelation of the plot of a film that at the end of the story illuminates the drug dealer.
The Good Demons
Editor
Tito is 23 years old with a mother who loves him and a car that allows him to earn an honest living. His neighbors see him as a formal and educated boy. Nobody knows that behind that façade hides someone with a nihilistic vision of life. And that involves committing terrible acts for which he may have to pay someday. But Tito does not care about the future. There is only the present.
His Wedding Dress
Editor
In 90's Habana, a nurse and a home builder, hopelessly in love, live happily married. A circumstantial fact of her past life will put their feelings to test and undermine the most elemental principles.
Prayer for Marilyn Monroe
Director
Based on the Nicaraguan poet Ernesto Cardenal's tribute to Norma Jeane Mortenson, these Cuban filmmakers link the actresses' overdose/suicide to patriarchy, exploitation, and many of the ills of the twentieth century.
Strawberry and Chocolate
Editor
Havana, Cuba, 1979. Flamboyantly gay artist Diego (Jorge Perugorría) attempts to seduce the straight and strait-laced David, an idealistic young communist, and fails dismally. But David conspires to become friends with Diego so he can monitor the artist's subversive life for the state. As Diego and David discuss politics, individuality and personal expression in Castro's Cuba, a genuine friendship develops between the two. But can it last? Strawberry and Chocolate became an instant hit when it was released, and has become a classic of Cuban cinema due to its charming and authentic exploration of a connection between two people under historical circumstances that seem levelled against them.
Espiral
Writer
An approach to a living myth of dance, Alicia Alonso, from the viewpoint of her passion, tenacity and devotion to art. It includes fragments of the ballet Giselle, choreographed by her, based on the original by Jean Coralli and Jules Perrot, and of La Diva, choreographed by Alberto Méndez.
Espiral
Director
An approach to a living myth of dance, Alicia Alonso, from the viewpoint of her passion, tenacity and devotion to art. It includes fragments of the ballet Giselle, choreographed by her, based on the original by Jean Coralli and Jules Perrot, and of La Diva, choreographed by Alberto Méndez.
Letters from the Park
Editor
Matanzas, Cuba, 1913. Two young people who are in love communicate through letters written by penman. When the young man leaves town, to become a pilot, the girl discovers she is really in love with the one who wrote the letters.
Up to a Certain Point
Editor
A theater director and script-writer falls for a female worker from the Havana docks, but his machismo, social and working conflicts, and the Cuban woman's condition interfere with their relationship.
My Brother, Fidel
Editor
Follows the Cuban leader into the home of a 93 year old acquaintance of Jose Marti, who is now blind and who takes the duration of the film to realize who his illustrious interviewer actually is.
The First Delegate
Editor
The short film El primer delegado (The First Delegate), made by a group of ICAIC directors, recounts the moments in which José Martí announced the foundations and statutes of the Cuban Revolutionary Party, the tireless struggle that the hero sustained throughout his life to obtain independence, his gifts as a political organizer, the final founding of the party, of which he was the first delegate, and his offer to General Máximo Gómez of the military leadership of the insurrection, the final founding of the party, of which he was the first delegate, and his offer to General Máximo Gómez of the military leadership of the insurrection, all narrated live by an announcer who entertains with his reading the work of the cigar makers in a tobacco factory, until the documentary reaches its final climax: the symbolic reconversion of the old Marti's party into a new one.