Benedikt Schiefer

싱글맘 암파로는 공장에서 야간 근무를 마치고 귀가하자 10대 아들 엘리아스가 징병되어 국경 분쟁 지역으로 보내질 위기에 처한 사실을 알게 된다. 내일이면 사선으로 떠날 아들을 지키기 위해 암파로는 (스페인어 '암파로'는 '보호'를 뜻한다) 부정부패로 점철된 체제에 도전장을 내민다. (제26회 부산국제영화제)

Using his personal background, Brazilian Karim Aïnous invites the audience to follow/discover an incredible journey through space and time, with an original and usually unknown prism/aspect : The strong bound between Algeria and Brazil, two countries with political and revolutionary strikes that mould their evolution.

코소보 출신의 중년 남성 자퍼는 독일에서 제약 기술자로 근무하고 있다. 어느 날 그의 집 앞에 죽은 쥐 한 마리가 내걸리는 의문의 사건이 발생하는데, 자퍼는 이것이 자신의 소수민족 배경을 혐오한 회사 동료 중 누군가의 소행일 것이라 의심하기 시작한다. 자퍼의 불안 증세는 시간이 흐를수록 점점 더 심해지고, 그의 독일인 아내 노라는 그런 남편의 모습에 지쳐간다.

Following the disappearance of the glamorous and secretive Evelyne Ducat during a blizzard in the highlands of southern France, the lives of five people inextricably linked to Evelyne are brought together to devastating effect as the local police investigate the case.

1950년, 브라질 리우데자네이루, 구스망 집안의 두 딸, 에우리디스와 귀다는 보수적인 아버지 밑에서 자란다. 아버지 마누엘의 엄격함에 지친 언니 귀다는 잘생긴 항해사와 사랑에 빠져 몰래 그리스로 달아난다. 피아니스트가 꿈인 여동생 에우리디스는 언니를 그리워하며 기다린다. 한편, 임신한 채로 홀로 돌아온 귀다를 아버지는 매몰차게 쫓아내고, 에우리디스는 언니가 돌아온 사실도 모른 채, 귀다의 행방을 찾는데… 언젠가 다시 만날 거라는 희망을 놓지 못하는 자매 이야기, 운명에 맞선 여성 서사의 매혹적인 걸작!

A small town in Japan's exclusion zone searches for normalcy in the five years following the greatest nuclear catastrophe since Chernobyl.

A documentary about Berlin's former airport Tempelhof. A film about Departures and Arrivals. And about those Berliners who come here to escape from their daily lives and those refugees who came here to finally arrive somewhere.

Fabian Groys, a renowned journalist for a political news magazine, enjoys great freedom, since the stories he uncovers make for good sales. When he loses a hot story about the German army, the editor saddles him with a young female intern. Fabian hates teamwork and sticks the intern with what seems a classic tabloid story about the suicide of a man who had himself torn to shreds by a lion at the zoo. But thanks to the intern’s dogged determination, signs emerge that the story Fabian was working on and the gory zoo story are actually interlinked. Is it pure coincidence? And if it isn’t, how can Fabian fight a nebulous enemy?

A man and a woman at an art exhibition share a fleeting moment of attraction, which neither can act upon. Days later, a chance second meeting leads to an innocent coffee and the two strangers – both married - toy with their unexplainable fascination for each other. Svenja is curious and finds herself in a hotel room with Roland, but she does not consummate an affair. A powerful executive at the large bank where Svenja's husband works, Roland is used to getting what he wants. He manipulates the transfer of her husband to Indonesia to replace a recently murdered bank manager. Unaware of Roland’s actions, Svenja now ceases to resist...

Armin Steeb is adrift: just finished with school, living with his middle-class parents, clueless about finding work. He tries connecting with a girl, he engages in risky sex with strangers in public toilets, he goes to job interviews. He also sends an anonymous letter to a local Munich newspaper, claiming responsibility for a fatal road accident. He fitfully pursues notoriety as he goes through life nearly without affect. What will it take to get Armin to smile?

This is the story of Sylvia, who looses her stepchildren on a shopping trip in Poland. For fear of loosing her husband's love, too, she is unable to tell him what has happened and returns home, pretending anything is fine. When realising the missing of his children, the father starts a desperate retrieval. He is ready to give up anything in order to find them. Sylvia supports him in any way; she tries to comfort him and takes care of his hope's vulnerable flame. For the first time he really needs her. While the children are trying their best to get home, the police fails in detecting their whereabouts. When a very vague trace leads to Poland, the parents hit the road to find their children on their own.