Pablo Cedrón

Rolo, a sailor tired of life on the high seas, loses his boat in a port town. That same night Leo disappears, a man he had met in a bar. Rolo must find him to get rid of Loyola, a policeman who accuses him of complicity in a robbery.

A film adaptation of the TV series "Los siete locos y los lanzallamas" by Roberto Arlt.

몰카를 촬영해 먹고 사는 삼류 범죄자 레오. 우연히 거대 조직의 살인 현장을 목격하게 되고 수상한 계약서까지 훔쳐 도망친다. 거대 범죄 조직의 두목 두제는 거금이 달린 계약서까지 레오에게 빼앗기자 그의 뒤를 쫓기 위해 국제적인 킬러까지 고용한다. 도망치던 레오는 두제의 부하들을 피해 유대교 랍비로 변장하고 유대교 회당에 숨어든다. 유대교에 관해서는 아는 게 1도 없는 레오. 그는 과연 정통 유대교도들의 의심을 피하고 두제의 부하들도 무사히 따돌릴 수 있을까?

Two emotionally charged love triangles collide as Elena accompanies her photographer husband on a work trip, falling for the sublime beauty of Patagonia and the man who guides them through it. Meanwhile, Albert, a director returning home to Los Angeles, adjusts to being a single father in the wake of his failing marriage.

백수로 살아가던 세타르티는 어머니의 사망소식을 듣고 깡촌 라파치토로 온다. 마을 유지로 행세하는 두에르토는 보험료를 더 많이 받을 수 있게 해주겠다며 세타르티에게 접근하고 둘은 어두운 거래를 하게 되는데… 그러나 두에르토는 작은 마을의 무법자, 세상 나쁜 악당 중의 악당이었다.

After years of working on an 'estancia' in Patagonia, the Old Foreman is forced to retire and a younge'r man takes his place. The change is difficult and challenging for both men. Each one must survive the oncoming winter.

지도자를 잃고 혼돈을 겪었던 1835년 아르헨티나가 배경이다. 특히 광활한 사막은 무법지대나 다름없었고, 군부 잔당들은 이곳에서 피비린내 나는 세력다툼을 벌이며 경쟁하듯 폭력을 행사했다. 야심찬 세뇨르 역시 두 부관과 함께 남부 지역 팜파스로 자신의 거점을 옮겨 새로운 정치공동체를 만드는 실험에 착수한다. 이들은 농부와 마을 주민들에게 자신을 따를 것을 강요하고, 협박하고, 심지어 죽이기도 한다. 세뇨르는 자신의 행동이 국가적 결집을 위한 필요악이며 정치 정화 운동이라고 주장하며 공포스러운 독재자로 거듭난다.

Lucho, 48, has been working as a roughneck for a drilling company for the last years. At first, his bulky salary allowed him to explore a life that he had always dreamed of. Over time, the harsh and monotonous work forces him to spend most of his time isolated affecting his ability to think clearly. He becomes trapped... and not even his trailer mate can help him.

A young man from rural Argentina arrives in Buenos Aires to present his graphic novel at a book fair. He gets into a taxi and discovers that he is sitting in a car bomb: the vehicle is packed with explosives. Driver and passenger are now prisoners of one another...

Aballay was a bad tempered gaucho. After killing a man, the terrified look of the victim's son raised his consciousness about his savagery. Years go by, that kid's look doesn't leave him. Aballay knows that the kid will look for him.

A quiet, epileptic taxidermist plans the perfect crime. All he needs is the right opportunity. An accident, perhaps…

After the funeral of his daughter Ema, Frank Osorio travels for the first time to Buenos Aires to tell his granddaughter Alina about her mother's death. But Frank has to big secrets: the first one is about the identity of Alina's father and the second one is related to a crime.

After the May Revolution, Juan José Castelli has instructions to order the execution of ex-viceroy Santiago de Liniers. That put you at a crossroads with respect to your convictions.

Three stories of ordinary people intersect on Christmas Eve: a dentist desperate to find his son's toy; a writer who is not happy and decides to look for the woman of his dreams; and a doctor who intends to flirt with a Spanish woman.

Three stories of ordinary people intersect on Christmas Eve: a dentist desperate to find his son's toy; a writer who is not happy and decides to look for the woman of his dreams; and a doctor who intends to flirt with a Spanish woman.

A young working mother in Buenos Aires, Ana reads a note suggesting a relationship kept hidden by her husband, an executive preoccupied by his job. To solve the mystery she travels a long distance to Rio Escondido, an unimportant river town at the foot of the mountains in western Argentina, and the film becomes a journey of discovery as she finds her heart and her passion. Along the way, truths and perceptions intertwine when Ana meets Martin and she learns who and what he is.

An old man named Geppetto creates a wooden puppet named Pinocchio who comes to life

Silvio, a young poet and inventor, struggles to find employment and to give meaning to his life.

o Jorge Cedrón this was an act of wistful and political affirmation. He could not explain why he made it, but stated: «It necessary to make it». The outcome, never screened publicly in Argentina, is of a joyous creative freedom, a musical collage here the history of tango and its roots get interwoven with Argentine political history. A Buenos Aires street reconstructed in Ariane Mnouchkine 's theatre, a European old man who can play the tunes the bandoneón was made for, but who does not know the tango, a friends gathering at Antonio Seguí's studio, the music of Cuarteto Cedrón, hobbyhorses and a disconcerted Indian are some of the many elements combined by the film-maker in this singular, unique work.

A photographer shoots a documentary film in a small town in Argentina (Uribelarrea) about the filming that a foreign producer is doing on the spot.

The film tells the story of a real life fan of Boca Juniors football club, Mary Esher Duffau, who as a teenage girl adopted the identity of a man in order to survive on the streets of Buenos Aires. The film shows the teenage Raulito wandering between a reformatory for juvenile offenders, prison and psychiatric hospital. Raulito manages to escape, and finds work at Constitución railway station in Barrio Constitución. Raulito meets up with another street child and they become close friends. They both eventually manage to escape to Mar del Plata.