Rosa Dias

참여 작품

Rudder of Destiny
Writer
Two women, long-time friends, embark on a love story. They are writers who do not write to publish but for themselves. Their mutual conversation, their desires, the risks and phantoms of existence, the privilege of the wounded and of condemnation, traverse their speech, are a confession.
Nietzsche Sils Maria Rochedo de Surlej
Writer
Bressane (together with his partner Rosa Dias and young filmmaker Rodrigo Lima) guide us through the beautiful Swiss Sils Maria, where Nietzsche spent no less than eight summers. In his letters, Nietzsche indicates which spots brought him to a different understanding of philosophy. He discovered, beyond the philosophical text, a source for ideas in the pure air, in the mountain landscapes, in the water of the lakes, and in the age-old forests.
Nietzsche Sils Maria Rochedo de Surlej
Director of Photography
Bressane (together with his partner Rosa Dias and young filmmaker Rodrigo Lima) guide us through the beautiful Swiss Sils Maria, where Nietzsche spent no less than eight summers. In his letters, Nietzsche indicates which spots brought him to a different understanding of philosophy. He discovered, beyond the philosophical text, a source for ideas in the pure air, in the mountain landscapes, in the water of the lakes, and in the age-old forests.
Nietzsche Sils Maria Rochedo de Surlej
Director
Bressane (together with his partner Rosa Dias and young filmmaker Rodrigo Lima) guide us through the beautiful Swiss Sils Maria, where Nietzsche spent no less than eight summers. In his letters, Nietzsche indicates which spots brought him to a different understanding of philosophy. He discovered, beyond the philosophical text, a source for ideas in the pure air, in the mountain landscapes, in the water of the lakes, and in the age-old forests.
Nietzsche Sils Maria Rochedo de Surlej
Bressane (together with his partner Rosa Dias and young filmmaker Rodrigo Lima) guide us through the beautiful Swiss Sils Maria, where Nietzsche spent no less than eight summers. In his letters, Nietzsche indicates which spots brought him to a different understanding of philosophy. He discovered, beyond the philosophical text, a source for ideas in the pure air, in the mountain landscapes, in the water of the lakes, and in the age-old forests.
Seduction of the Flesh
Editor
A delicate and tenacious writer, widowed three years ago, engages in frequent conversations with a parrot. However, she’s always observed by a large portion of raw meat.
Seduction of the Flesh
Screenplay
A delicate and tenacious writer, widowed three years ago, engages in frequent conversations with a parrot. However, she’s always observed by a large portion of raw meat.
Kid
Writer
Inspired by Jorge Luis Borges’ The Disinterested Killer Bill Harrigan, Garoto follows a young couple who find themselves in an enchanted place where they experience an amorous and spiritual adventure.
센티멘탈 에듀케이션
Writer
Sentimental Education centers on the unique relationship between Áurea, a lonely 40 year old teacher, and a young man she has just met by chance – one of these encounters which mythology and literature are full of. A delicate soul who finds itself attracted to a beauty that seems to demand, disturb and move her. That shakes her up entirely. During the days following their first conversation, she will expose all her feelings through classes in which he will let himself be carried away. Until an unusual episode from the past is revealed and changes everything.
The Herb of the Rat
Writer
The names of the characters are pronouns. She is a teacher, with his father dead just three days ago. Faced with this situation, He intends to take care of her while He is alive. This is the beginning of an odd relationship.
A Love Movie
Writer
Three friends, Hilda, Matilda and Gaspar, meet in a rundown downtown apartment during a weekend to chat, drink and experience pleasure.
Days of Nietzsche in Turin
Writer
A cinematographic essay, without dialogues, about the months Nietszche spent in Turin, Italy, with narration quoted by his original writings.
The Mandarin
Co-Writer
The history of Brazilian popular music in the 20th Century, focusing specially on the life and works of intriguing singer Mário Reis, a loner who, with his special way of singing - whispering and softly saying the words - in a time when singers with potent voices ruled, was in a way a forerunner of Bossa Nova style.
Sermões - A História de Antônio Vieira
Art Direction
Based upon the life story of Father Antonio Vieira, born in Lisbon in 1608 and deceased in Salvador, Bahia, in 1697. He's considered the first Brazilian writer and one of the most important aesthete of linguistic and of the Portuguese language of all times, a master in the art of metaphor, of verbal relations and analogy. He was persecuted and condemned by the Portuguese Court of Inquisition due to his position against native slavery, against the intolerance to the Jewish people and to the colonial politics of exploration.
O Rei do Baralho
Art Direction
In a movie studio, the actors are getting made up and the crew is waiting to begin shooting the film. Grande Otelo, the bungling "king of the deck", and Marta Anderson, the blond and provocative star of the show, recite in the historical scenario of the chanchadas, the abandoned studios of Cinédia. "The photography is splendid, it is a sort of parallel song, of critique, of parody, of understanding of a certain light typical of Brazilian cinema of the times, already re-created, already stylized. And with the older actors, Otelo, Lewgoy and the others, something very important happened in the artistic perception, seeing again, doing again, it was already a concrete metalanguage" (J. Bressane).
O Rei do Baralho
Assistant Director
In a movie studio, the actors are getting made up and the crew is waiting to begin shooting the film. Grande Otelo, the bungling "king of the deck", and Marta Anderson, the blond and provocative star of the show, recite in the historical scenario of the chanchadas, the abandoned studios of Cinédia. "The photography is splendid, it is a sort of parallel song, of critique, of parody, of understanding of a certain light typical of Brazilian cinema of the times, already re-created, already stylized. And with the older actors, Otelo, Lewgoy and the others, something very important happened in the artistic perception, seeing again, doing again, it was already a concrete metalanguage" (J. Bressane).
O Monstro Caraíba
Costume Design