Victor Cowie

Candice DeLong is Clarice Starling in "Silence of the Lambs," Samantha Waters on "Profiler" and Nicole Scott on "MISSING" all rolled into one tough female FBI agent. Lifetime's spine-tingling Original Movie is inspired by DeLong's harrowing real-life experiences in the field. DeLong (Jean Smart) is on the verge of retiring from the FBI so that she can spend more time with her son, when a serial rapist and murderer attacks one of her best friends. As a single working mom, she feels torn between her child's needs and avenging her girlfriend. Things get more complicated when she has to work the case with her married lover (played by A Martinez). This top cop's decisions will put her life in serious danger. Hold on, it's going to be a suspenseful ride!

When he takes his girlfriend to a seedy abortion clinic in the back room of a combination hair salon / bordello, Guy Maddin meets the madam’s daughter and falls in love. But she won’t let any man touch her until her father’s murder has been avenged.

Based on the novel by the same name, We Were the Mulvaneys is a sensitive portrayal of one family's journey as they face conflict, fear, tragedy and ultimately, themselves.

A new woman comes between a widower and his adult son.

FBI Agent Jason Chandler has devoted his life to enforcing the law. But on the trail of a series of mysterious murders surrounding some of society's deadliest serial killers, Agent Chandler is forced down a path where no one can be trusted. Only this time, sociopathic killers are being meticulously murdered one by one in grisly circumstances - and it's no coincidence. Now, to search for justice, he must uncover the truth. And the life he must protect will be his own.

UFO가 나타나는 미국의 51구역 내 작은 마을 루너에 운전사도 없이 돌아다니는 트럭 한 대가 나타난다. 이 트럭은 온 마을을 미친듯이 질주하며 사람들을 치어 죽인다. 마을 주민들뿐만 아니라 관광객들까지 위협하는 트럭의 존재에 사람들이 공포로 떨고 있을 무렵 설상가상으로 통신이 두절되고 대기엔 치명적인 화학 물질이 방출되어 마을 밖으로 나가지 못하게 된다. 잭은 2주전에 코마 폭발로 흘러 들어온 우주의 미립자가 비정상적인 에너지 파장을 생성해 트럭이 지능을 갖춘 살상 무기로 변한 것이라고 주장한다. 주유소를 운영하는 레이는 트럭들끼리 하는 말을 듣고 탈출 계획을 세운다. 레이가 트럭에 연료를 넣어주는 동안 테드와 딸 애비는 헬기를 구하러 떠나고 이들은 무사히 산꼭대기의 헬기 안에서 만난다. 그러나 테드가 조종하고 있을 것이라고 생각했던 헬기에는 애비만 타고 있을 뿐 조종석은 텅 비어 있는데...

A proofreader at a small-town newspaper decides to try to solve a series of decapitation murders, and reluctantly gets involved with the nutty daughter of his editor. Before long he discovers that he is the prime suspect in the murders.

A young woman on the run from a murderous rogue government agent hooks up with a pony-tailed taxi driver who reluctantly agrees to help her.

In the remote Alpine village of Tolzbad at the turn of the century, people talk quietly and restrain their movements lest avalanches come and kill them. This atmosphere lends itself to repressed emotions - shown through the parallel stories of butler student Johann lusting after his mother (an old flame of the mysterious Count Knotkers) and Klara's attraction to her father (who lusts after his other daughter), leading to duels and suicidal plunges galore. All this is shot in the style of an early German sound film, complete with intertitles, deliberately crackly soundtrack and 'hand-tinted' colour effects.

A recently-deposed Central American dictator re-locates to a small town in Northern Manitoba and starts a new repressive regime.

A surrealistic film in which a strangely assorted group of people come together in the Russian Arctic at the height of the revolution and World War One.

The story of two very different boys in the Canadian wilderness. They must learn to depend on each other in order to survive.

Part of the Daughters of the Country series, this film, set in the 1850s, unfolds against the backdrop of the Hudson's Bay Company's monopoly of the fur trade. In protest, some Métis engage in trade with the Americans. Madeleine, the Métis common-law wife of a Hudson's Bay Company clerk, is torn between loyalty to her husband and loyalty to her brother, a freetrader. Even more shattering, a change in company policy destroys Madeleine's happy and secure life, forcing her to re-evaluate her identity.

Morag Gunn (Sonja Smits), a writer who is having trouble with her teenage daughter, examines her own relationship history, which includes a period of turbulence with Jules (Tom Jackson). While she and Jules have known each other since childhood, he is no rock of stability. In addition, he is white, while she is part Native American, so the teenage Morag (Mairon Bennett) experienced racism he can only imagine. Even after they have a daughter, she struggles against the emptiness within her.