Aziz Beyshenaliev

Olma Djon tells the mystical journey of Bolot, a father who, despite his efforts, doesn’t succeed to communicate with his daughter Sholpan who refuses to speak, as a result of communication problems in their family.

A bride has disappeared from a suite at a five-star hotel, whose wedding to one of the country's most eligible suitors is to take place the next day. Broken phone, torn photo, scattered things in the room - pre-wedding jitters or kidnapping? In the course of the investigation, the operatives reveal many secrets of the guests who were on the same floor that night with the disappeared. Everything becomes completely confusing when a mysterious message comes to the girl's phone, which was discovered by the police - "I am here."

After audacious robbery the crew makes a stop at roadside cafe with unwanted crowd.

Mika falls in love with Anuar who is already engaged with other lady.

1941년 11월. 나치 독일은 러시아를 침공하기 위해 볼로콜람스크 방향으로 침입을 시도한다. 이에 맞서 러시아군은 적의 전차사단으로 부터 볼로콜람스크를 지키기 위해 크로치코프(Aleksey Morozov)의 소대를 포함한 3개의 보병소대가 전선을 지키게 된다. 결전 당일. 독일군은 전날 설치한 위장진지를 향해 포격을 퍼부었고, 이윽고 적의 전차부대가 직격을 시도한다. 이에 러시아군도 일제 사격을 통해 적의 진격을 1차 방어하는 데 성공한다. 하지만 이제 남은 군인은 크로치코프를 비롯하여 28명의 군사 뿐. 하지만 적은 더 많은 숫자로 밀어붙이기 시작했고, 이제 러시아 역사에 남은 가장 큰 전투가 시작된다.

Alma-Ata, 1987. The protagonist of the film is 16-year-old Arsen, who moves from the suburbs to the city center and goes to a new school. At the new school, he makes friends with classmates who are active participants in the so-called "District Movements". Along with this, Arsen faces street, teenage hierarchy and violence. And before him there is a choice, to become like everyone else or to remain true to himself.

A story that spans three periods in Kazakh history, it links mid 19th century struggles against the Russians to two 20th century episodes revolving around the fate of former political prisoner Ermukhan Bekmakhanov, who was sentenced to 25 years imprisonment for writing historical books about Kazakh national hero Kenesary Kasymov and his national liberation movement.

한 기자가 길거리에서 구타를 당해 죽었다. 경호원인 그의 동생 알슨은 그 충격에서 벗어나지도 못한 채, 동료 기자로부터 형이 남긴 봉투를 건네 받는다. 봉투 속 정보를 본 그는 형의 죽음 뒤에 거대한 음모가 있음을 알게 되고, 복수를 위해 직접 그들을 찾아내 처단하려 한다. 하지만 이 사건을 조사 중인 경찰 세력과 맞물려 복수의 길은 쉽지 않은데...

A bipoic about Mustafa Shokai, a distinguished Kazakh politican of 1920's.

In the near future the command of the special setting gets a new important task. On a secret rocket base, where a very tall order brings a command over, they will have face to face to run not only into an external danger but also with each other.

The peoples of the world has finally managed to agree on the most important issues on the planet and there was long overdue balance. Signed an agreement to terminate development of weapons of mass destruction, but in secret all the superpowers continue to build up military power on classified sites, which seemed never existed. Goodwin, a former commander of special forces, is tasked to collect his former people responsible for the mission. Something very serious has happened to the base where secretly working to develop a new combat the virus, and more recent cohorts, who have almost nothing left in common, have come together again...

Pati, a student of journalism, decides to shoot her graduation film in Dzhabana in Kyrgyzstan. She is specially interested in the provincial town's vicinity to the nearby state frontier, which plays a major role in many of the townspeople's lives. Shima, Kycha and Baton use a stretch of fallow ground on the border to smuggle goods in their home-made four-wheel drive. Pati bumps into the threesome soon after her arrival in Dzhabana, when she recognizes her freshly stolen camera in the hands of its new owner: Baton. Pati strikes up an ambiguous relationship with the gang. She joins their tours as an observer at first, but soon takes a more active part. Then Shima comes up with a scheme to smuggle a stolen luxury vehicle: a cross-border wedding procession with the bridal couple in the limousine...

The Nomad is a historical epic set in 18th-century Kazakhstan. The film is a fictionalised account of the youth and coming-of-age of Ablai Khan, as he grows and fights to defend the fortress at Hazrat-e Turkestan from Dzungar invaders.