Émile Zola

Tomasz wakes up one morning and he realizes he is dead. According to his wife and friends, at least. However, he considers his catatonic state temporary and he can wake up before his own funeral.

The Bokelberg photographic collection brings to life the Paris of the Belle Époque (1871-1914), an exhibition of workshops and stores with extremely beautiful shop windows before which the owners and their employees proudly pose, hiding behind their eyes the secret history of a great era.

'We have to kill him', the wife and her lover thought. When three childhood friends reunite, it doesn't take long before two of them feel the woman's husband is in their way. They push him into a lake, but the boat capsizes and all three are thrown into the water. The lovers reach the shore, but the husband is nowhere. Has he drowned? They decide to wait at a lakeside hotel for his body to be found.

860년대 프랑스. 어린 시절, 아버지에 의해 고모에게 맡겨진 뒤 병약한 사촌 카미유와 함께 유년 시절을 보낸 테레즈. 청소년기를 고모와 카미유의 수발을 들면서 보내온 테레즈는 자신의 의지와는 상관없이 카미유와 애정 없는 결혼을 하고, 파리로 함께 이사한다. 무의미한 결혼 생활을 이어가던 어느 날, 카미유의 소꿉친구인 로랑이 그들을 찾아오고, 테레즈는 카미유와 달리 완숙한 남성미를 지닌 로랑에게 순식간에 마음을 빼앗긴다. 두 사람은 곧 은밀한 관계로 발전하고, 서로에게 깊이 빠져들기 시작한다. 밀회가 아닌 완벽한 사랑을 꿈꾸던 로랑과 테레즈는 걸림돌인 카미유를 없애기로 계획한다. 한치의 의심도 없는 완전범죄에 성공하고, 부부로서 모든 것이 완벽해진 그 순간… 예상치 못한 파멸의 그림자가 그들에게 드리워지는데…

정체불명의 피를 수혈 받고 뱀파이어가 된 신부 상현. 피를 원하는 욕구와 신앙심 사이에서 갈등하던 그는 우연히 어린 시절 친구 강우와 그의 아내 태주를 만나면서 인간적 욕망에까지 눈뜨게 된다. 상현은 태주의 묘한 매력에 빠져 쾌락을 갈구하고 태주는 히스테리컬한 시어머니와 무능력한 남편에게 억눌렸던 욕망을 깨워준 상현에게 집착한다. 점점 더 대담해져만 가던 둘의 사랑은 급기야 상현이 뱀파이어라는 사실을 알게 된 태주가 자신의 남편을 죽이자고 제안하고, 상현이 제안을 받아들이면서 새로운 국면에 접어드는데...

A period film, set in 19th century China in the Polish community who are there building the railway. A woman enters into an extramarital affair with a painter.

에밀 졸라의 소설을 영화화했다. 프랑스 제2제정 시대. 젊은 실업자 에티엔느 랑티에(레노드 분)는 광부가 되면서 지옥같은 노동자의 삶에 발을 들여놓는다. 프랑스 북부에서 그는 가난과 알콜중독, 난잡한 성생활, 샤발같이 음탕하거나 투생 마유같이 너그러운 사람들 등 버림받아 고통에 빠진 인간성을 발견한다. 그는 사회주의 운동에 나서지만 광산 책임자로부터 찍히게 된다. 봉급이 깍이자, 대대적인 파업이 일어나고 광부들에게 굶주림과 죽음이 다가온다. 이런 속에서도 에티엔느와 카트린느(주디스 헨리 분)의 사랑은 아름답게 빛난다. 파업은 군대에 의해 진압되지만 에티엔느는 그 모든 피가 헛되지 않았다는 희망을 가슴에 담고 다시 떠난다.

Saccard, ready to use all means, however immoral or illegal, tries to gain back the fortune he lost three years ago. All involving business and the exchange market. He has a loyal accomplice, an indifferent son, maybe-friends, partners and investors and of course, enemies.

In a small European country, the king is scheduled to visit a small, quiet and "safe" village. It turns out that while the village may indeed be small, it's neither as quiet nor as safe as it's expected to be.

Based on the Émile Zola same name novel. The life of Nana, a French prostitute of the 19th century. The film includes numerous musical acts performed by Irma Serrano.

20세기 초, 파리 최고의 환락 클럽 '미노테어'에는 많은 상류층 인사들이 출입하고 있다. 청년 헥토르는 이 클럽에 드나들게 되면서 나나라는 댄서에게 반한다. 은행가 스타이너 역시 나나에게 반하여 그녀에게 커다란 저택을 사주고 소유하려한다. 우연히도 그 저택은 헥테르의 아버지 머팻 백작의 저택 근처가 있었다. 나나에게 혼을 빠앗겨 버린 헥토르의 행동에 신경이 쓰인 머팻 백작은 나나의 뒷조사를 하다가 자기 역시 나나의 포로가 되어 버린다. 나나는 백작을 꼬드겨 격투기에 손을 대게 하고, 선수가 스타이너의 흉계에 휘말려 패하고 말자 머팻 백작은 철저히 파산한다. 그 즈음 백작의 유일한 기쁨은 아들의 결혼식이었다. 백작이 아들에게 오래 전에 한 약속을 기억해낸 나나는 헥토르의 결혼이 끝나기 직전 교회에 도착한다. 그녀는 거기서 머팻가를 완전히 파멸시켜 버릴 마지막 음모를 시작한다.

Monier takes advantage of Zaghloul's naivety to take advantage of his family's financial resources to fund his gambling addiction. But he takes it one step further when he throws Zaghloul into the Nile and pretends that he couldn't save him.

An ambitious young woman from a wealthy family, but unsatisfied with her social position, will not hesitate to use all that is within her reach to achieve her ascent in society.

This adaptation of Emile Zola's novel "NANA," is about the sexual liaisons of a woman who through her relationships with different men, enjoys a life of pleasure and luxury. However, her lavish life-style does not always bring happiness.

Serge Mouret is a frail and devout young priest in a tough country parish. When he falls down and loses his memory, he is nursed back to health by Albine, the beautiful carefree niece of the outspoken atheist Jeanbernat. After Serge and Albine fall in love, Serge recovers his memory and realizes the grave sin he has committed.

Renee Saccard is a pampered, selfish young wife of a middle-aged Parisian businessman who falls in love with her stepson but is driven to the point of madness when her husband tricks the stepson into betraying her.

Young, handsome, dashing but cynical, Octave Mouret arrives in Paris, determined to conquer the belles of the capital.

From Emile Zola's novel "La Bete Humaine", tells the story of a jealous husband, a provocative woman and a man with an uncontrollable desire to kill.

19세기 경제 공황 때, 빈곤과 퇴페에 찌든 파리 뒷골목. 남편이 바람나 떠나버린 후, 절름발이 제르베즈는 두 아이와 함께 어렵게 살아간다. 그러던 어느날 그녀는 마음씨 착한 쿠포와 재혼을 하게 된다. 그러나 행복도 잠시 쿠포가 다치면서 비극은 시작된다. 한 여자와 두 남자와의 기구한 동거생활, 마침내 실성해버린 제르베즈는 술주정뱅이로 전락하고 만다.

Nana or Nanà is a French-Italian film by Christian-Jaque starring Charles Boyer. It is an adaptation of Émile Zola's novel Nana.

한국전에서 돌아온 기관사 제프 워렌은 칼 버클리가 아내 비키의 연인 오웬을 죽이는 현장을 우연히 목격한다. 비키의 유혹에 넘어간 제프는 살인을 눈감아주고, 알콜 중독으로 아내를 상습 폭행하는 칼을 죽이라는 제안까지 받는다. 자연주의 대문호 에밀 졸라의 소설이 원작으로, 이미 장 르누아르가 장 가뱅 주연의 로 영화화한 바 있다.

남편과 아는 사이인 트럭 운전수와의 운명적인 만남에 의해 조용하게 그러나 점차로 뜨겁게 타오르는 여인의 정열이 이윽고 남편의 사고라는 사건을 불러일으킨다. 전혀 표정이 없는 테레즈의 얼굴에 슬픔의 자국이 선명하게 남겨진다.

Thérèse kills her lover during the very night of her wedding to the count of Vétheul. To gain a night with her, a modest local worker agrees to bury the body.

Toine, the local hunchback, works at the tile manufacturing plant, but during the summer, he gives a hand to Micoulin, the farmer, thereby being able to spend more time close to Nais, Micoulin's daughter. That summer, the estate owner's son, Frederic Rostaing, decides to rest on the farm during his vacation from Law school. But his real motives are to seduce young Nais, whom he knows from their childhood days, after having seen her in town. Who will win the power struggle between the possessive father, the naive daughter, the vile student and the golden-hearted cripple?

Based in the Émile Zola novel of the same name, which details the life of Nana, a French prostitute of the 19th century.

The struggles of a small business owner come to light in this film by director André Cayatte. The proprietor of a fabric shop, M. Baudu (Michel Simon) faces stiff competition when a department store moves in across the street, the first of its kind in 1860s Paris. On top of the stresses associated with the rival retailer, Baudu’s niece and two nephews take up residence with him after recently being orphaned. The niece, Denise Baudu (Blanchette Brunoy), sees the writing on the wall for her uncle’s business so she takes a job as a shop girl with his competitor and despite her success the decision does not register well with the family.

철도를 둘러싼 삼각관계의 비극으로 에밀 졸라의 동명 소설을 각색했다. 장 가뱅이 부역장의 아내와 불륜에 빠지는 철도기관사 랑티에로 출연하여 운명 앞에서 어쩔 줄 모르는 인간의 유약함과 악마적 본성을 훌륭하게 연기해낸다. 세브린느 역을 맡은 시몬느 시몽 역시 연약하면서도 파멸적인 매력을 지닌 팜므파탈의 전형을 보여준다. 랑티에의 분신과도 같은 기차는 인물들 내면의 광기와 분열, 현실세계와의 갈등을 시각적으로 드러내주는 또 다른 주인공이라고 할 수 있다. 주인공의 인간적인 고통을 절실하게 표현해낸 수작.

Young Parisian Nana wards off of a boozed-up military officer at a local restaurant, and fellow diner Gaston Greiner is so impressed with her pluck that he decides to make her a performer at his musical theater. Soon, Nana is a star, and the girlfriend of Greiner and two other men. But when he learns that she's been getting around, Greiner fires her. As she tries to reclaim her singing job while dodging yet another suitor, her treachery might get the better of her.

A young couple's marriage is jeopardized by the husband's descent into alcoholism.

Denise, an orphaned girl, moves to Paris where she hopes to find work at her uncle's store. But the glamorous department store 'Aux Bonheur des Dames' across the street crunches all the little businesses around. She finds a position there.

1920년대 파리의 금융가, 은행가 사카르는 숙적 군데르만 때문에 궁지에 몰린다. 사카르는 증자를 시도하고, 은행의 주가를 올리기 위해 인기 비행사 아믈랭을 끌어들여 남미에서의 석유 시추 사업을 추진한다. 군데르만은 사카르의 계획을 반대하지만, 훗날 무기로 쓸 요량으로 사카르의 주식을 몰래 사둔다. 한편, 아믈랭이 비행을 떠난 사이, 사카르는 그의 아내 린을 유혹하려 한다. 에밀 졸라가 쓴 동명소설을 각색하였으며, 정점에 이른 레르비에의 역량을 볼 수 있다. 웅장한 세트를 누비는 화려한 카메라워크는 지금 보아도 탄복하지 않을 수 없다. 디지털 복원판 상영. (2017 영화의 전당 - [시네마테크] 마지막 침묵: 1928년의 기적, 위대한 무성영화의 기억)

A silent adaptation of the novel by French writer Émile Zola.

르누아르가 존경해마지 않았던 에밀 졸라의 원작 소설을 각색한 장편 무성영화. 르누아르의 아내인 카트린 에슬랭이 주인공 나나 역을 맡았으며, "칼리가리 박사의 밀실"의 베르너 크라우스가 상대역인 무파 백작 역을 맡았다. 원작과 배우의 지명도에 힘입어 상업적 성공을 확신한 르누아르는 대규모 예산을 투여하여 를 제작했지만, 결과적으로는 흥행에 참패, 아버지의 그림을 팔아 청구서를 갚아야만 했다. 하지만 "나나"의 서정성, 그리고 희극과 비극이 교묘하게 어우러진 분위기는 많은 비평가들의 찬사를 받았다.

As Jean is walking across the countryside in search of work, he helps and befriends a young woman, Françoise, who is having trouble controlling the cow that she is leading. Jean finds work at a local farm, but he soon finds himself caught in the middle of the conflicts in Françoise's family.

During this harsh winter, as Christmas approaches, Angélique, a poor child, is found by an old couple, Hubertine and Hubert. But this couple is not the richest, and the life of this small family is hard and laborious. Angélique likes to escape to the city, to dream. One day, she meets Félicien, with whom she falls in love. But she is told that this handsome man is the bishop's son, so marrying him is impossible.

Jacques Lantier, the "human beast" of the title, has a hereditary madness and has several times in his life wanted to murder women. At the beginning of the story he is an engine driver, in control of his engine "La Lison". His relationship with "La Lison" is almost sexual and provides some degree of control over his mania.

Luc Froment, a reform-minded engineer, starts working at a steel mill in a small town. There he founds small groups of workers (and their families) under miserable conditions. Under the influence of Fourier's ideas, Froment tries to turn the mill into a workers' co-operative.

When the vivacious and beautiful Nana bombs at the Théâtre des Variétés, she embarks on the life of a courtesan, using her allure and charisma to entice and pleasure men.

Therese Roger, daughter of a West Indian planter, whose parents are murdered while she is a baby, becomes the adopted daughter of her aunt, Madame Roger, keeper of a haberdashery shop in one of the smaller villages in southern France. She grows up with Camille, Madame Roger's son, a sickly, sexless creature, whom she ultimately marries in deference to her aunt's wishes.

Following some dodgy dealings, stockbroker Saccard is determined to pull himself out of the gutter and regain is reputation. He is of such ill repute that few, not even his own brother, want anything to do with him. Yet against all the odds he manages to establish a bank. Using straw men and secret knowledge of the course of the war, Saccard inflates the bank’s shares to feed his own sordid desire for speculation. Unfortunately, false success rarely endures. The preserved material is a fragment. (stumfilm.dk)

Fernande marries a man and schemes to get his wealth when his expected death occurs. But he dies before he can change his will. She next tries to kill the son who inherits, but he outfoxes her.

Based on the novel Lourdes by Émile Zola.

Two brothers compete for the love of a woman while the impending war threatens to separate them from both sides of the border. Based on the novel "La Débâcle" by Émile Zola.

Based on Emile Zola's novel, an uncompromisingly harsh and realistic story of a coalminers' strike in northern France in the 1860s.

In 1912 Jasset turned from fantasy and spectacle to realism in making the first of two Zola adaptations, as part of Éclair's new series of social dramas. For Au pays des ténèbres, based on Germinal, he took his crew to Charleroi in Belgium to film in authentic locations, and although he updated the story to the present, he went to great lengths to recreate in the studio the detail of the actual mining galleries, exploiting the ability of film to be a recorder of contemporary reality.

First, the eye is introduced to the old mill itself, with a gay betrothal party in progress, and laughter and merriment on all sides. Suddenly the laughter is hushed by the martial tread of feet, and the smile of joy fades from the two young lovers' faces as the French soldiers march into the courtyard and prepare to defend the mill against the oncoming attack of the German army. The mild summer afternoon has but half way run its course towards its western home when a wounded outpost comes staggering into the courtyard with the news of the advancing German army stamped upon his blood-stained forehead. Suddenly the courtyard is filled with the smoke of battle, and we know that the long-expected attack is on.

Everyman Coupeau's attempts to stop drinking are routinely thwarted by the wicked and vengeful Virginie. Based on Zola's novel, Capellani's film is about the free fall of a group of working-class French folk into degradation and tragedy due to carelessness, jealousy, and alcohol abuse. At the time of its release, L'Assommoir was hugely successful.

A father and son are working in a coal mine. An explosion occurs, which kills the son.

A happy family is brought to ruin when the father starts drinking.