Hrishikesh Mukherjee

Hrishikesh Mukherjee

출생 : 1922-09-30, Calcutta - India

사망 : 2006-08-27

약력

Hrishikesh Mukherjee (30 September 1922 – 27 August 2006) was an Indian film director, editor and writer regarded as one of the greatest filmmakers of Indian cinema, known for a number of films, including Anari, Satyakam, Chupke Chupke, Anupama, Anand, Abhimaan, Guddi, Gol Maal, Majhli Didi, Chaitali, Aashirwad, Bawarchi, Kissi Se Na Kehna, and Namak Haraam. Popularly known as Hrishi-da, he directed 42 films during his career spanning over four decades, and is named the pioneer of the 'middle cinema' of India. Renowned for his social films that reflected the changing middle-class ethos, Mukherjee "carved a middle path between the extravagance of mainstream cinema and the stark realism of art cinema"

프로필 사진

Hrishikesh Mukherjee

참여 작품

Jhooth Bole Kauwa Kaate
Director
Abhyankar (Amrish Puri) is an orthodox head of his family, a retired police officer, he has values which he wants his family to also uphold.
Chitrashalabham
Story
Sandeep, a doctor, meets Devan, who is a dying patient. He gets inspired by Devan and decides to give him the best in his last few days.
Namumkin
Director
Namumkin is a 1988 Bollywood mystery film, telling the story of an Asian family exiled from Idi Amin's Uganda.
Jiban
Story
A terminally ill man sets out to live his last days to the fullest. His doctor undergoes metamorphosis due to his optimism and decides to write a book on the deceased.
Jhoothi
Director
This movie proves that speaking truth is not always the right thing to do!!! As the title suggests that the movie is about a female (Rekha) who is a liar, and it is this female who shows how much lying can be a worthy quality. Nice movie with some good comedy. As in all Hrishikesh Mukherjee, the setting is a simple middle class family with ordinary existence. It is totally wonderful to see how Hrishikesh Mukherjee finds stories amongst all of us. Truly a mastermind.
Kissi Se Na Kehna
Director
Kailashpati is a widower, and father of an only son, Ramesh. He feels that his son has come of age, and must get married. He goes to see a number of young ladies for him, but is disappointed with them, as he feels they are too modern, speak English, and listen to foreign music. He feels that Ramesh will be better off marrying a non-English speaking lady, preferably from a small village. But the predicament of Ramesh is that he is already in love with Ramola, a very well qualified, English speaking Doctor, and he knows fully well that she will not be approved by his dad. So Ramesh, Ramola and Lalaji concocts a plot, making Ramola masquerade as a naive, non-English speaking village belle, with hilarious and unpredictable results.
Achha Bura
Screenplay
Shekhar and Birsingh are bosom pals. They come to stay at a small chawl where an angry woman confronts them. But when their hatred turns into love and oneness they form a sister-brother relationship, willing to lay down their lives for each other. On the other side, there are two lovers --Ravi and Rita. Shekhar and Birsingh are also strangely related to Rita.
Achha Bura
Director
Shekhar and Birsingh are bosom pals. They come to stay at a small chawl where an angry woman confronts them. But when their hatred turns into love and oneness they form a sister-brother relationship, willing to lay down their lives for each other. On the other side, there are two lovers --Ravi and Rita. Shekhar and Birsingh are also strangely related to Rita.
Sadma
Presenter
A head injury causes a woman to regresses to childhood. Lost and confused, she is eventually befriended by a school teacher. A remake of the 1982 film Moondram Pirai by the same team.
Rang Birangi
Screenplay
Sparkling comedy about a meddling friend whose attempt to rekindle the spark in his friend's relationship with his wife of seven years leads to complications to their lives, and to the lives of his secretary and her boyfriend he has not 'scripted' ... Splendid performances by Amol Palekar, Deepti Naval, Parveen Babi and Farooq Shaikh, a perfectly pitched script, witty dialogue and a plethora of aptly placed film references make this a film one can watch over and over and never fail to laugh out loud.
Rang Birangi
Director
Sparkling comedy about a meddling friend whose attempt to rekindle the spark in his friend's relationship with his wife of seven years leads to complications to their lives, and to the lives of his secretary and her boyfriend he has not 'scripted' ... Splendid performances by Amol Palekar, Deepti Naval, Parveen Babi and Farooq Shaikh, a perfectly pitched script, witty dialogue and a plethora of aptly placed film references make this a film one can watch over and over and never fail to laugh out loud.
Bemisal
Director
When two twin brothers Sudhir and Adhir get orphaned upon the death of their father, Magistrate Chaturvedi adopts them and brings them up like his own children. Though Adhir goes insane after the death of his father, Sudhir picks up the opportunity, studies hard and becomes a doctor like Magistrate Chaturvedi's son Prashant. When Prashant gets caught for performing an illegal operation, Sudhir takes up the blame to repay the debt of the Chaturvedi family on him and his brother.
Naram Garam
Director
Ramprasad is appointed as a house-keeper for Bhavani Shankar Bajpai's ancestral home, won after a hard-fought legal battle. Ramprasad wants to marry Kusum but cannot as he doesn't earn enough or has a decent place to live. Circumstances change and Kusum and her father come and live in the Bhavani Shankar's ancestral home. Bhavani Shankar, his brother and Bhavani Shankar's manager come one by one to evict the trespassers and are infatuated by Kusum. Ramprasad somehow manages to deal with all of them and marries Kusum after assurances to better pay and a nice place to live.
Khubsoorat
Producer
Nirmala Gupta runs her household and family in a very strict and authoritarian manner. While most of her family resents this, they do obey her and carry out her instructions, so as to be on her good side. Things start to change after her second son gets married to Anju. Manju, Anju's sister, comes over to stay for a few days with the Gupta family, and is accepted by everyone except Nirmala. Nirmala's third son intends to marry Manju. But Manju does not like the manner in which his mom bosses everyone, and feels some changes are needed in the Gupta household
Khubsoorat
Director
Nirmala Gupta runs her household and family in a very strict and authoritarian manner. While most of her family resents this, they do obey her and carry out her instructions, so as to be on her good side. Things start to change after her second son gets married to Anju. Manju, Anju's sister, comes over to stay for a few days with the Gupta family, and is accepted by everyone except Nirmala. Nirmala's third son intends to marry Manju. But Manju does not like the manner in which his mom bosses everyone, and feels some changes are needed in the Gupta household
Jurmana
Director
Amitabh Bachchan plays a rich playboy who makes a bet with his friend, Vinod Mehra, which costs an innocent girl, Rakhee Gulzar, her honor. Kicked out by her father, she flees and makes a new life for herself as a singer. It takes two hours to straighten out the misunderstanding, obtain forgiveness from her father and finally reunite a reformed Bachchan with his heroine.
Gol Maal
Producer
A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.
Gol Maal
Director
A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.
Naukri
Director
A happy family has debts to pay.
Kotwal Saab
Director
Alaap
Producer
Dedicated to the memory of the great singers K. L. Saigal and Mukesh, this charming and unpretentious film offers a palate-cleansing change from the spicy “masala” epics that dominated its era, and features their superstar Amitabh Bachchan in a decidedly offbeat role.
Alaap
Director
Dedicated to the memory of the great singers K. L. Saigal and Mukesh, this charming and unpretentious film offers a palate-cleansing change from the spicy “masala” epics that dominated its era, and features their superstar Amitabh Bachchan in a decidedly offbeat role.
Dweepu
Editor
Chandran has struggled long to find a job. Eventually, he gets a job aboard a ship that's sailing to the Andamans.
Arjun Pandit
Director
Arjun Pandit is a 1976 Hindi movie starring Sanjeev Kumar, Ashok Kumar, and Vinod Mehra, and directed by Hrishikesh Mukherjee. Bindu, Deven Verma, Sachin, and Keshto Mukherjee play other roles in the movie. The film's music is by Sachin Dev Burman.
Chaitali
Director
Based on the Bengali novel of the same name by Bengali writer Ashapoorna Devi
Chupke Chupke
Producer
Mischievous botany professor Parimal Tripathi plays a little trick on his brother-in-law Raghav. Jealous of the high esteem in which his own wife, Sulekha, holds the other man, Parimal decides to impersonate Raghav's new driver. Laying the groundwork for a series of hilarious misunderstandings, the disguised professor throws doubt on his wife's fidelity and gets his best buddy, Sukumar, to help out by impersonating Parimal.
Chupke Chupke
Director
Mischievous botany professor Parimal Tripathi plays a little trick on his brother-in-law Raghav. Jealous of the high esteem in which his own wife, Sulekha, holds the other man, Parimal decides to impersonate Raghav's new driver. Laying the groundwork for a series of hilarious misunderstandings, the disguised professor throws doubt on his wife's fidelity and gets his best buddy, Sukumar, to help out by impersonating Parimal.
Mili
Editor
Shekhar Dayal (Amitabh Bachhan) has moved into a new neighborhood, and is unhappy with the new surroundings. He resents the noise children make while playing, as he prefers quiet and solitude. His reclusion is shattered when his neighbor, Mili, comes into his life. At first he hates the intrusion, but then grows fond, and ultimately falls in love with her. When the time comes for him to propose to this sunny, cheerful, and positive young lady, he learns that she has only a few more months to live..
Mili
Producer
Shekhar Dayal (Amitabh Bachhan) has moved into a new neighborhood, and is unhappy with the new surroundings. He resents the noise children make while playing, as he prefers quiet and solitude. His reclusion is shattered when his neighbor, Mili, comes into his life. At first he hates the intrusion, but then grows fond, and ultimately falls in love with her. When the time comes for him to propose to this sunny, cheerful, and positive young lady, he learns that she has only a few more months to live..
Mili
Director
Shekhar Dayal (Amitabh Bachhan) has moved into a new neighborhood, and is unhappy with the new surroundings. He resents the noise children make while playing, as he prefers quiet and solitude. His reclusion is shattered when his neighbor, Mili, comes into his life. At first he hates the intrusion, but then grows fond, and ultimately falls in love with her. When the time comes for him to propose to this sunny, cheerful, and positive young lady, he learns that she has only a few more months to live..
Phir Kab Milogi
Director
Sapna, the daughter of a wealthy businessman likes Rajesh, a simple man. Her father wants her to marry Randhir, a notorious womanizer and drunkard. Will Sapna ever accept Randhir?
Nellu
Editor
On his pilgrimage to a temple to immerse the ashes of his mother in the sacred river, Rakhavan befriends a tribal family. He comes across the lives of the tribal people and their struggle.
Namak Haraam
Story
Somnath (Somu) lives in a shanty house in a Delhi slum with his widowed mom, and unmarried sister, Sarla. He is friendly with Calcutta-based wealthy Vikram (Vicky) Maharaj. When Vicky's dad, Damodar, has a heart attack and is advised to take bed-rest for two months, Vicky fills in his father's shoes, has a confrontation with a senior employee and union leader, Bipinlal Pandey, which results in a strike.. Damodar starts a chain of events that get out of control, events that may well see the death of one of the friends at the hands of the other. Will Vicky's and Somu's friendship see them through or will it also be a casualty?
Namak Haraam
Director
Somnath (Somu) lives in a shanty house in a Delhi slum with his widowed mom, and unmarried sister, Sarla. He is friendly with Calcutta-based wealthy Vikram (Vicky) Maharaj. When Vicky's dad, Damodar, has a heart attack and is advised to take bed-rest for two months, Vicky fills in his father's shoes, has a confrontation with a senior employee and union leader, Bipinlal Pandey, which results in a strike.. Damodar starts a chain of events that get out of control, events that may well see the death of one of the friends at the hands of the other. Will Vicky's and Somu's friendship see them through or will it also be a casualty?
Abhimaan
Writer
Subeer Kumar (Amitabh) is well on his way to becoming India's top pop singer. He has no intention of getting married, but when he goes to visit his Durga Mausi (Mausi=mother's sister), he falls in love with religious, simple Uma, by whose voice he's enchanted. He marries her and returns to Bombay where he announces that he will never sing without Uma again. However, Subeer encourages Uma to sing alone and when her popularity is soon greater than his own, the seed of jealousy begins to grow... The major difference between Uma and Subeer is that she sings for herself, whereas he sings for the public. It is the difference between geet and sangeet. This is the root of the thing that later causes problems, and based on which the movie is named.
Abhimaan
Director
Subeer Kumar (Amitabh) is well on his way to becoming India's top pop singer. He has no intention of getting married, but when he goes to visit his Durga Mausi (Mausi=mother's sister), he falls in love with religious, simple Uma, by whose voice he's enchanted. He marries her and returns to Bombay where he announces that he will never sing without Uma again. However, Subeer encourages Uma to sing alone and when her popularity is soon greater than his own, the seed of jealousy begins to grow... The major difference between Uma and Subeer is that she sings for herself, whereas he sings for the public. It is the difference between geet and sangeet. This is the root of the thing that later causes problems, and based on which the movie is named.
Sabse Bada Sukh
Producer
Village born Lalloo re-locates to Bombay, and returns a wealthy man. He goes to meet his friend, Shankar alias Bhompu, and together they meet and share tales, mostly about women, sex, and playboy magazines' pictures. A Bollywood movie director is shooting a film nearby, and they go and meet him and his beautiful actress, Urvashi. After meeting Urvashi, Shankar feigns a racking cough, and tells his family that he must go to Bombay, and seek medical treatment. Together he and Lalloo take the next train to Bombay to see if they can find the biggest happiness in life.
Sabse Bada Sukh
Director
Village born Lalloo re-locates to Bombay, and returns a wealthy man. He goes to meet his friend, Shankar alias Bhompu, and together they meet and share tales, mostly about women, sex, and playboy magazines' pictures. A Bollywood movie director is shooting a film nearby, and they go and meet him and his beautiful actress, Urvashi. After meeting Urvashi, Shankar feigns a racking cough, and tells his family that he must go to Bombay, and seek medical treatment. Together he and Lalloo take the next train to Bombay to see if they can find the biggest happiness in life.
Bawarchi
Producer
Squabbling Sharma family has a dubious reputation of not having any cook last there for more than a few months. Word spreads out about this family to such an extent that no person wants to be employed as a cook in this household, ironically named Shanti Nivas. Then one day a young man named Raghu offers to work as a cook, and he is hired. Raghu quickly gets a grip on his job and on each of the family members, and soon the squabbles and arguments come to an end. And then the Sharmas find the family jewels and Raghu missing
Bawarchi
Writer
Squabbling Sharma family has a dubious reputation of not having any cook last there for more than a few months. Word spreads out about this family to such an extent that no person wants to be employed as a cook in this household, ironically named Shanti Nivas. Then one day a young man named Raghu offers to work as a cook, and he is hired. Raghu quickly gets a grip on his job and on each of the family members, and soon the squabbles and arguments come to an end. And then the Sharmas find the family jewels and Raghu missing
Bawarchi
Director
Squabbling Sharma family has a dubious reputation of not having any cook last there for more than a few months. Word spreads out about this family to such an extent that no person wants to be employed as a cook in this household, ironically named Shanti Nivas. Then one day a young man named Raghu offers to work as a cook, and he is hired. Raghu quickly gets a grip on his job and on each of the family members, and soon the squabbles and arguments come to an end. And then the Sharmas find the family jewels and Raghu missing
Anand
Producer
Dr. Bhaskar Bannerjee struggles with his patients' suffering and the darkness and poverty he confronts daily. He treats cancer patient Anand who upon learning of his impending death determines to use the time he has left to the absolute fullest.
Anand
Editor
Dr. Bhaskar Bannerjee struggles with his patients' suffering and the darkness and poverty he confronts daily. He treats cancer patient Anand who upon learning of his impending death determines to use the time he has left to the absolute fullest.
Anand
Screenplay
Dr. Bhaskar Bannerjee struggles with his patients' suffering and the darkness and poverty he confronts daily. He treats cancer patient Anand who upon learning of his impending death determines to use the time he has left to the absolute fullest.
Anand
Director
Dr. Bhaskar Bannerjee struggles with his patients' suffering and the darkness and poverty he confronts daily. He treats cancer patient Anand who upon learning of his impending death determines to use the time he has left to the absolute fullest.
Buddha Mil Gaya
Director
Two unemployed slackers, Bhola and Ajay come across a newspaper advertisement about a missing elderly gentleman, whose estate is worth millions. They come across this male in the Hanging Garden Park in Bombay, and decide to make him their paternal uncle and take him to live with them in a rented apartment, which they cannot afford. This elderly man, Girdharilal takes an unusual interest in Ajay's girlfriend, Deepa. While Bhola and Ajay try to find ways and means of getting rich by turning Girdharilal in, a number of horrific homicides are committed, all against former business associates of Girdharilal, and the clues all point toward the hapless duo.
Guddi
Producer
A teenage girl will not accept her family's attempt to arrange a marriage for her, as her heart is currently too full of love for the movies and heartthrob actor "Dharmendra."
Guddi
Screenplay
A teenage girl will not accept her family's attempt to arrange a marriage for her, as her heart is currently too full of love for the movies and heartthrob actor "Dharmendra."
Guddi
Director
A teenage girl will not accept her family's attempt to arrange a marriage for her, as her heart is currently too full of love for the movies and heartthrob actor "Dharmendra."
Dastak
Editor
Tells the story of newly weds Hamid and Salma. They move into a rental flat next door to the local red light district. The flat had been the former home of a well known mujra and qawali singer, Shamshad. Men still come to the door in the hope of seeing Shamshad and do not seem too put out by seeing Salma despite her protestations. The couple struggle to live within the bounds of their own moral code while the earnings of prostitution seem to be flaunted around them. Hamid gets more and more angry and seemingly unable to reconcile his morality with the immorality of the world and at one point beats his wife and then rapes her making her into a 'whore' of his fantasy. The story here bears resemblance to the later 'Ek Chadar Maili Si' by the same director and seems to explore the complex world of women and sexuality as viewed by Indian men: mother, goddess, whore. This film also explores the ethos of prostitution in its reality and as a metaphor for the outside world.
Satyakam
Director
Circa British Rule in India, Satyapriya Archarya lives a modest yet noble lifestyle with his grandfather, Satyasharan. His mother passed away while he was very young, and his dad became a celibate and went off on a pilgrimage, never to return. Satyapriya studies Engineering, and becomes a close friend of fellow-collegian
Pyar Ka Sapna
Director
In order to study abroad in Great Britain, Ramesh agrees to marry an illiterate village girl named Sudha, but refuses to love her. Heartbroken, Sudha tries to kill herself, but is rescued by Shankernath, who coaches her etiquette and teaches her English so she can go to England to win back her husband. The plan seems to work perfectly, until Shankernath discovers his own daughter, Jenny, has fallen in love with Ramesh.
Pyar Hi Pyar
Editor
Film starring Vyjayanthimala, Dharmendra and Pran
Aashirwad
Screenplay
Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.
Aashirwad
Editor
Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.
Aashirwad
Producer
Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.
Aashirwad
Director
Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.
Chotto Jigyasa
Director
Majhli Didi
Director
Bipinchandra breaks family tradition by marrying a city girl, Hemangini, much to the chagrin of his sister-in-law, Kadambini, and her husband, Navinchandra. Things are delicate even after both women give birth to two children each. Then Hemangini testifies against Navinchandra in Court, leading to the division of the property. Things got worse by the arrival of Kadambini's orphaned school-going step-brother, Kishan, who is beaten and abused by not only by Kadambini and Navinchandra, but also by their overweight son. When Hemangini objects to Kishan's ill-treatment, Bipin takes the side of the rest of the family, and may probably force her to abandon Kishan to his fate or divorce her.
Anupama
Story
Mohan Sharma (Tarun Bose) is a workaholic, whose life changes dramatically after his wife dies upon giving birth to their daughter Uma (Sharmila Tagore).
Anupama
Director
Mohan Sharma (Tarun Bose) is a workaholic, whose life changes dramatically after his wife dies upon giving birth to their daughter Uma (Sharmila Tagore).
Biwi Aur Makan
Director
Four young men re-locate from a village in India, to a big city. While attempting to access accomodation, they are repeatedly told that rooms will only be rented to married couples, not to bachelors. Frustrated at this, two of them disguise themselves as women, and pose as wives for the other two males. They are able to secure accomodation with the Mishra family. Complications arise when the two "women" fall in love with Mishra's two lovely daughters - with results that can only be described as hilarious.
Gaban
Director
Based on novel by Munshi Prem Chand. Believing himself to be a suspect for embezzlement in British India, a man must testify against non-violent freedom-fighters.
Do Dil
Editor
Manu is the princely heir to the kingdom ruled over now by Ranimaa. He likes to know what his going on, and changes his princely get-up, and dresses up as an ordinary man, and goes around the territory. He meets up with gorgeous Bijli, and both fall in love. When Bijli introduces him to her dad, he identifies himself as Badal. Then he notices that soldiers from his palace are molesting the young women from this community. After his return to the palace, he finds out that the soldiers had been acting on the orders of Kunver Pratap Singh, and he immediately puts a stop to this. This angers Pratap Singh, and he plans to avenge this humiliation, with a plan so devious that will endanger the lives of Manu, the Ranimaa, as well Bijli and the people in her community.
Do Dil
Director
Manu is the princely heir to the kingdom ruled over now by Ranimaa. He likes to know what his going on, and changes his princely get-up, and dresses up as an ordinary man, and goes around the territory. He meets up with gorgeous Bijli, and both fall in love. When Bijli introduces him to her dad, he identifies himself as Badal. Then he notices that soldiers from his palace are molesting the young women from this community. After his return to the palace, he finds out that the soldiers had been acting on the orders of Kunver Pratap Singh, and he immediately puts a stop to this. This angers Pratap Singh, and he plans to avenge this humiliation, with a plan so devious that will endanger the lives of Manu, the Ranimaa, as well Bijli and the people in her community.
Sanjh Aur Savera
Director
Shankar Chaudhry, a wealthy man gets married to Maya assuming she is the daughter of Ambala-based Advocate Madhusudan. He is shocked to realize that Maya and her brother Prakash have cheated him.
Asli Naqli
Director
Renu lives a poor lifestyle with her family. Shattered and devastated with the deaths of her father and brother, Renu decides to take up the mantle of feeding her family, hiding her dad's death from her ill and fragile mother, and goes along pretending that her father is still alive. Things brighten up when a homeless young man, Anand, enters her life, both fall in love with each other and want to get married. But once again fate plays a cruel joke on Renu as she subsequently finds out that Anand is not who he claims to be, but is in fact, a playboy, the grandson, nicknamed 'Prince", of one of the wealthiest man in town, Dwarkadas, and Anand is scheduled to get married to Rekha - the only heir to a multi-million rupee estate. Watch as events unfold and the effect this news has on the townspeople and Renu's mom.
Aashiq
Editor
When Pratap learns that his fiancee is in love with his younger brother, Gopal, he steps aside and arranges for them to get married. However, he soon learns Gopal is in love with someone else.
Aashiq
Director
When Pratap learns that his fiancee is in love with his younger brother, Gopal, he steps aside and arranges for them to get married. However, he soon learns Gopal is in love with someone else.
Gunga Jumna
Editor
Widowed Govindi lives a poor lifestyle in Haripur along with two sons, Gungaram and Jumna. While Jumna is studious, Gungaram is the opposite, but has a good heart and decides to use his earnings to ensure his brother gets a decent education. After her employer, Hariram, accuses Govindi of theft, the shock kills her. After her passing, Gungaram works for Hariram while Jumna goes to the city to study and becomes a police officer. His first assignment is in Haripur, where he will be forced to confront Gungaram, who is now is the leader of a dreaded band of killer bandits.
Chhaya
Director
Young and attractive Sarita Choudhary lives a wealthy lifestyle with her widowed dad, Jagatnarayan in a palatial house with her aunt, Rukmani; cousin, Lalli, and a maid-servant, Manorama Lal. Her dad recruits a tutor, Arun, to teach her essay-writing, and both Arun and Sarita end up falling in love with each other, especially when Sarita finds out that he is really a famous poet by the name of 'Rahee'. But her aunt would like to see her married to her nephew, Ramu alias Romeo, and she has Jagatnarayan recruit him to teach Sarita music. Jagatnarayan himself would like Sarita to get married to the son of a wealthy man, Moti Lal, and openly rejects any alliance with Arun, who comes from a poor family. Watch what happens when Moti Lal gets an anonymous letter informing him that Sarita is not the real daughter of Jagatnarayan, and that her parentage. religion, and caste are unknown.
Char Diwari
Editor
Sunil leads a poor lifestyle along with his widowed mother, and two school-going siblings, Anu and Tikku. He gets married to Lakshmi, who soon gets pregnant. Anu graduates from school and each of the family make individual sacrifices so that she can attend college. During Diwali, Lakshmi falls down the stairs, is hospitalized, has a miscarriage, and will never be able to conceive. Sunil decides to keep this a secret from the rest of the family, but subsequently confides in his mother. When Lakshmi finds out she wants him to re-marry, but he refuses. Then Tikku is sent to live with his maternal uncle for a few days. Shortly thereafter the family will be faced with three crises as Anu prepares to elope with a wealthy fellow collegian, a death, and a theft.
Mem-didi
Screenplay
Memdidi tells a simple and endearing story of Mrs. Roy (Memdidi), who moves in as a new neighbor to the two local tough guys, Bahadur Singh (David) and Sher Khan (Jayant), with a heart of gold. Hrishikesh Mukherjee's direction and screenplay makes this movie a gem and worth watching again and again.
Mem-didi
Director
Memdidi tells a simple and endearing story of Mrs. Roy (Memdidi), who moves in as a new neighbor to the two local tough guys, Bahadur Singh (David) and Sher Khan (Jayant), with a heart of gold. Hrishikesh Mukherjee's direction and screenplay makes this movie a gem and worth watching again and again.
Anuradha
Producer
There are moments in our lives when our whole being is put to the test. Our ideals, our ambitions, are forgotten and we crave for escape. Escape into our world of dreams. And such is Anuradha's (Leela Naidu) story. The daughter of a rich man, she has everything she desired, yet she goes on to marry Dr. Nirmal Chowdhary (Balraj Sahni), an idealistic doctor, who wants to serve the poor in the villages of India. Later when she is shown what she is missing by living with this poor doctor, she has to make the choice. The choice of her life or her love.
Anuradha
Director
There are moments in our lives when our whole being is put to the test. Our ideals, our ambitions, are forgotten and we crave for escape. Escape into our world of dreams. And such is Anuradha's (Leela Naidu) story. The daughter of a rich man, she has everything she desired, yet she goes on to marry Dr. Nirmal Chowdhary (Balraj Sahni), an idealistic doctor, who wants to serve the poor in the villages of India. Later when she is shown what she is missing by living with this poor doctor, she has to make the choice. The choice of her life or her love.
Anari
Editor
Raj Kumar is an honest, handsome and intelligent young man. He works as a sole trader and being a painter trade, he is unable to earn a living and unable to pay rent to his kind-hearted but talkative landlady Mrs. D'sa. One day Raj finds a wallet containing money and returns it to the owner Mr Ramnath. Ramnath admires Raj and pleased with his honesty, employs him to work in his office as a clerk. Raj meets with Ramnath's maidservant Asha and soon both fall in love.
Anari
Director
Raj Kumar is an honest, handsome and intelligent young man. He works as a sole trader and being a painter trade, he is unable to earn a living and unable to pay rent to his kind-hearted but talkative landlady Mrs. D'sa. One day Raj finds a wallet containing money and returns it to the owner Mr Ramnath. Ramnath admires Raj and pleased with his honesty, employs him to work in his office as a clerk. Raj meets with Ramnath's maidservant Asha and soon both fall in love.
Madhumati
Editor
Two men take shelter in a derelict mansion situated in the countryside during a storm. One of the men suddenly becomes aware that he once visited this mansion in a past life; he recounts a story about when he was Anand, a painter, who fell in love with a tribal girl named Madhumati.
Yahudi
Editor
In ancient Rome, a mourning Jewish man raises the kidnapped daughter of Roman royalty as his own - and she grows up without learning her true identity. Years later, she falls in love with a Roman prince.
Musafir
Producer
The story is about a house consisting of three families who live in it. It is three stories linked by the house.
Musafir
Screenplay
The story is about a house consisting of three families who live in it. It is three stories linked by the house.
Musafir
Director
The story is about a house consisting of three families who live in it. It is three stories linked by the house.
Naukari
Editor
The comic, tragic and heartrending saga of Ratan Kumar Chaudhary, who leaves his village, aging mom and seriously ill sister, to obtain employment in Calcutta, only to end up in a tiny tenement apartment full of other unemployed youths.
Biraj Bahu
Editor
Nilambhar Chakravorty belongs to a poor family, and lives in a joint family with his married brother, Pitambar, unmarried sister, Punnu, and wife, Biraj. Since his sister is of marriageable age, he arranges her marriage, and borrows some money. When Pitambar comes to know about this, he refuses to share any expense in his sister's marriage, and decides to separate, resulting in a fence being put up between their homes. Nilambher, unable to find employment, is unable to pay back the loan, and soon both he and his wife barely have enough to live on. To complicate matters further, Deodhar, a wealthy young contractor has his eye on Biraj's beauty and would like to be intimate with her, in return for money and a better life.
Two Acres of Land
Screenplay
An impoverished man and his young son travel to Calcutta and look for work, in order to make money that'll save their ancestral land from being seized by a corporation.
Two Acres of Land
Assistant Director
An impoverished man and his young son travel to Calcutta and look for work, in order to make money that'll save their ancestral land from being seized by a corporation.
Two Acres of Land
Editor
An impoverished man and his young son travel to Calcutta and look for work, in order to make money that'll save their ancestral land from being seized by a corporation.
Parineeta
Editor
In Calcutta at the turn of the century, two families (one wealthier than the other but both belonging to the same caste) live in adjoining properties. Their respective patriarchs fall out over the repayment of a loan and the intervention of a member of a lower caste in the families' financial arrangements. The rift causes much heartache to the younger members of the families, two of whom have secretly plighted their troth to each other.
Maa
Editor
Chanderbabu (Nazir Hussain), a retired postmaster, lives in the village with his wife and two sons, Rajan (Paul Mahendra) and Bhanu (Bharat Bhushan). He continues to live there and work for the Zamindar, while his children are getting their education. Rajan is studying for his law exam. He is married to a girl (Padma) from a wealthy family whose haughty ways alarm and frightens him. Bhanu, the younger brother is fun-loving but studious. He gets influenced by the Nationalist Movement in the campus and stops his education in the last year of college. His father is disappointed and feels that Rajan is the one they can depend upon in their old age. Bhanu meets Meena (Shyama), and the two fall in love. Meera's father, Ramnarayan, is the school Principal and is impressed by Bhanu. He decides to get Meera married to Bhanu.