Jeremiah Munce

Stories of personal connections with orcas, beautiful cinematography featuring B.C’s resident orcas, and an evocative soundscape composed by Jeff Rona and Ben MacDougall provide an uplifting contrast to the environmental challenges we face. Inspired by elders including environmentalist and CBC Broadcaster, David Suzuki, whale researchers Alexandra Morton and Paul Spong, totem carver Wayne Alfred, and lifelong resident of the Broughton archipelago Billy Proctor, this film is anchored by Rob Stewart’s invitation to rise up and create the world we dream for ourselves. Viewers will come to understand the importance of the personal choices we make; it becomes clear that what we do to nature, we do to ourselves.

They say squatting is dead - a term that takes on a sinister double meaning when four homeless art students decide to take up residence in an abandoned London House where a hidden terror lurks.

Mavis Dogblood is a Mohawk painter from Canada haunted by the tragic death of her husband, who was hit by lightning. She paints the stories he used to tell her, but she can’t come to grips with her loss. It is only after she drives to New York City for an art opening, traveling across what were her ancestors’ tribal lands, that Mavis reconciles herself to her new life.

한적한 소도시 폰티풀. DJ 매지는 여느 때처럼 마을의 사소한 소식을 전하며 무료한 방송을 하고 있다. 그런데 수상한 제보들이 하나씩 들어온다. 알코올 중독자와 경찰의 대치, 병원을 둘러싼 폭동, 그리고 주민들 사이의 집단살인까지. 평온하던 폰티풀에서는 찾아 볼 수 없던 사고가 연이어 터지는데 이어 알 수 없는 주파수를 통해 들어온 이상한 메시지. “안전을 위해서는 가족조차 피하시기 바랍니다. 그리고..” 과연 지금 폰티풀에선 무슨 일이 벌어지고 있는 것일까.

Tracey Berkowitz, 15, a self-described normal girl, loses her 9-year old brother, Sonny. In flashbacks and fragments, we meet her overbearing parents and the sweet, clueless Sonny. We watch Tracey navigate high school, friendless, picked on and teased. She develops a thing for Billy Zero, a new student, imagining he's her boyfriend. We see the day she loses Sonny and we watch her try to find him.