Molly Bradford

Filmmaker Christopher Quinn observes the ordeal of three Sudanese refugees -- Jon Bul Dau, Daniel Abul Pach and Panther Bior -- as they try to come to terms with the horrors they experienced in their homeland, while adjusting to their new lives in the United States.

Tully Jr. and Earl live on their father's Nebraska ranch, proud and independent to a fault. While the shy, reclusive Earl spends his free time watching movies, the cockier Tully works his way through a succession of short-term affairs and an off-again, on-again relationship with April, a stripper in town. When their childhood friend Ella returns to town to start a veterinary practice, however, Tully falls for her — although the townsfolk have their doubts that he could ever commit to one woman.

A writer having difficulty completing his second novel goes on a journey of self-discovery.

After an expose on NFL players causes a series of lawsuits, a reporter gets fired. A loyal editor nonetheless gives him a freelance story to work on. It seems that an athletic 19-year-old actor had been preparing to star in a low-budget gridiron movie when a mysterious assailant attacked him and destroyed his appearance. He was, of course, dismissed from the film. The reporter is to find out the true story of what happened. His investigation finds a history of beating his wife and a complete disinterest from the movie crew's producer.

After an expose on NFL players causes a series of lawsuits, a reporter gets fired. A loyal editor nonetheless gives him a freelance story to work on. It seems that an athletic 19-year-old actor had been preparing to star in a low-budget gridiron movie when a mysterious assailant attacked him and destroyed his appearance. He was, of course, dismissed from the film. The reporter is to find out the true story of what happened. His investigation finds a history of beating his wife and a complete disinterest from the movie crew's producer.

A parable of the missteps of life enacted in the hothouse world of late 1980’s New York, in which the art market and the stock market each boomed, and in process spawned a smorgasbord of “yuppie” delusions which still persist. Anna, a French actress studying in New York, crosses paths with a successful stock-broker, Mark, standing before a Vermeer portrait at the Metropolitan, thence ensues a peculiar romance of missed meanings and connections, with tangential asides to the steaming arts world and stock market, loft-mate conflicts, and, perhaps, love. Wrapped up in their blindered worlds, Anna and Mark deflect away from their chances, leaving at the conclusion the wistful face of Vermeer’s portrait enigmatically asking questions. All the Vermeers in New York is a comedy of manners which, as gently as a Vermeer, looks beneath the skin of this time and place, and of these characters.