Screenplay
Michel and Paul earn money from passers-by by doing chalk drawings outside the Louvre. They also make the scene at the hot spots of Paris. Sand is a wealthy and luscious blonde artist who paints nude girls and houses at her loft. When Michel's gorgeous sister shows up from out of town, both Paul and Sand fall for her.
Director
The Raffin Commissioner investigates the murder of an industrialist and it soon becomes apparent that the activities of the relatives of the deceased all revolve around the Folies-Bergere.
Director
Costume Design
A twenty year old Anouk Aimée stars as Albertine, the daughter of a bourgeois couple who house a young officer during the Napoleonic wars. Newly promoted, the officer (Jean-Claude Pascal) is quartered by a dull bourgeois couple who treat him with a cold politeness bordering on indifference.
Editor
A twenty year old Anouk Aimée stars as Albertine, the daughter of a bourgeois couple who house a young officer during the Napoleonic wars. Newly promoted, the officer (Jean-Claude Pascal) is quartered by a dull bourgeois couple who treat him with a cold politeness bordering on indifference.
Director
This film illustrates Debussy's works "En bateau", "Arabesques", "Reflets dans l'eau" and "Arabesques en sol". As a visual counterpoint to the music it shows playful reflections, transparencies, and iridescence of water.
Editor
An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on the engine's power and speed. Parallel lines of multiple tracks, telephone wires, and trees confirm a careful composition.
Writer
An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on the engine's power and speed. Parallel lines of multiple tracks, telephone wires, and trees confirm a careful composition.
Director
An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on the engine's power and speed. Parallel lines of multiple tracks, telephone wires, and trees confirm a careful composition.
에밀의 차가 카를의 차고에서 발견된다. 차 안에서 보석상의 시체가 발견되자 모두들 경악을 금치 못한다. 곧 매그레 반장이 수사를 시작하고, 반장은 시체가 발견된 교차로에 면한 에밀의 집, 카를의 집 그리고 오스카의 정비소를 집중 탐문한다. 범죄 추리 소설의 대가인 벨기에 작가 조르주 심농의 소설을 처음으로 영화화한 작품으로, 심농이 탄생시킨 ‘매그레 반장’ 시리즈 중 『교차로의 밤』을 각색했다. 빛과 어둠 사이의 기묘한 거짓말과 비밀 속에서 서서히 진실이 드러난다.
Arsène
에밀의 차가 카를의 차고에서 발견된다. 차 안에서 보석상의 시체가 발견되자 모두들 경악을 금치 못한다. 곧 매그레 반장이 수사를 시작하고, 반장은 시체가 발견된 교차로에 면한 에밀의 집, 카를의 집 그리고 오스카의 정비소를 집중 탐문한다. 범죄 추리 소설의 대가인 벨기에 작가 조르주 심농의 소설을 처음으로 영화화한 작품으로, 심농이 탄생시킨 ‘매그레 반장’ 시리즈 중 『교차로의 밤』을 각색했다. 빛과 어둠 사이의 기묘한 거짓말과 비밀 속에서 서서히 진실이 드러난다.
Director
The first behind-the-scenes documentary in the film industry, from the making of a camera (Debrie) to studio shooting and directing, including animation techniques. Pierre Chenal meets André Rigal who executes, in his workshop, a series of freehand drawings. These sketches are then ground in a coffee grinder, from which a cartoon on film emerges. In Champigny, Alain Saint-Ogan and his host are working on Zig et Puce and developing Alfred the penguin's first steps. In Fontenay-sous-Bois, Ladislas Starewitch presents his future stars. Pierre Chenal described his film as follows: “I had designed to shoot a documentary in which I would show how a film is made in order, at the same time, to learn it myself. "
Assistant Director
나폴레옹의 어린 소년 시절, 사관학교에서 천재적인 용병술로 전쟁 놀이를 승리로 이끄는 에피소드를 효과적인 접사와 이중 인화 미쟝센으로 인상 깊게 묘사하는 장면에서 영화는 시작 된다. 나폴레옹의 고향이자 프랑스, 영국, 이탈리아, 스페인의 접점이기에 늘 국제적으로 쟁점이 됐던 작은 섬 코르시카에서의 성장 과정을 거쳐 쉬이 현실과 타협하지 않는 과감성, 프랑스를 조국으로 인지하면서 생겨난 애국심과 민족주의적 성향, 정확한 판단력과 기회를 놓치지 않는 결단력으로 격변기 프랑스의 동력으로 자리매김 되기까지 나폴레옹의 영웅적, 인간적 내면 세계를 깊이 있게 묘사한다. 그 뿐 아니라 프랑스 혁명, 1793년 영국-이탈리아-스페인 연합군과의 트론 전쟁, 당통의 사형, 로베스 삐에르의 공포정치와 공화제 폭정에 고통받는 민중들, 정치 역학의 소용돌이에서 부침을 거듭하는 나폴레옹의 역경과 국민공회에 의한 최고 사령관 추대, 그의 처 죠세핀이라는 인물의 조망까지 당대의 상황을 아벨 강스는 탁월하게 담아냈다.
Cinematography
Geneviève is an orphan child and living with her little sister Josette. Because of her economic situation, she cancels marriage with an honest and respectful man. Josette, after a short and tremendous love affair, dies leaving a little baby boy. Due to this incident, Geneviève is convicted and imprisoned. Wandering from town to town, village to village, she finally manages to get to her ancient fiance's house.
