Ho Fan

The setting of the Black Brick Castle that harvests poppy seed. But times are tough as the wait for a ship that is picking up the latest batches has either been intercepted by robbers or won't come at all and the boss of the castle, Chen Tsao, once was part of the robbing gang before inheriting the family business slowly loses his mind. Despite the copious amount of concubines around him, he is not able to impregnate a woman. and he made Chen Mao, a worker impregnate a concubine to have a heir. His father's outgoing ways with several concubines and opium smoking, seems to somewhat stop at him. But worldly circumstances possibly having to do with poverty and famine outside of the castle walls doesn't make matters stop at him to turn around in a positive way. On the other hand Chen Mao, has an eye for one of the female workers who is married to abusive Kui Kong who thinks she brings bad luck to him, although she struggles to raise her two children with this curse she's said to carry.

"Wild at Heart" is a love film directed by Ho Fan and Qian Wenji, starring Shen Guanjun, Yang Yijia, Weng Xuehua, Liu Zhi, Xu Zhen, and Chen Zihong. It tells the story of a lascivious man carrying his wife around to provoke flowers, which was finally exposed and tortured by four women.

David is sitting in a bar, musing over why he has bedded and left five or six of Asia's loveliest women in such a short time.

When two prostitutes Wah and Fong find their dreams shattered, they turn to be starred in the sex movies. A second class actress Tracy intentionally exposes her body that brings her lots of movie contract and a wealthy guy. She also seduces her sister's boyfriend and gets him caught. Her despairingly sister, losing all she uses to have, chooses to play in the pornographic movies

Confirmed bachelor Man Suen, a university professor, must get married by the age of 35 otherwise he and his playboy brother Ray Suen won't inherit his father's fortune of 50 million dollars which will then go to his uncle. He is unaware that his colleague, the prim Miss Cheung, is in love with him and that she dreams of being rescued by her super-costumed hero. His brother has met a young heiress and his uncle has hired a sexy siren to prevent his marriage. This is the setting for the three lead actresses to display a surprising amount of softcore nudity and they are very attractive eye candy

After a one night stand, a successful single mother helps her son find his father by placing an ad in the newspaper.

A compelling study of three girls and the paths they choose to stardom when they cross paths with a womanizing artist.

Lung (Tony Poon), a rookie bodyguard falls in love with the first subject he's overseeing, May (May Cheung). She has come to Hong Kong with false hopes of being a singer but she's unwillingly set to enter the world of prostitution instead. Into this equation comes a model agency head (Margaret Lee - We're Going To Eat You) who's determined to conquer the love of Lung. www.sogoodreviews.com

청년시절 여인을 탐하는 꿈을 자주 꾸던 이운생은 소향과 결혼한 후, 과거보러 떠난 길에 명주실 짜는 옥분을 알게 되어 사랑에 빠진다. 옥분의 남편 관녹지는 위자료를 받아낸 뒤, 운생의 집에 머슴으로 들어가 소향과 밀애후 도피행각을 하기에 이른다. 복수가 목적이었던 곽녹지는 소향을 홍루에 팔아버린 후, 절에 들어간다. 한편, 집에 돌아와 장인으로부터 아내가 상사병에 걸려 죽었다는 말을 듣고 다시 길을 떠나다 홍루에서 기생이 된 아내를 만나게 된 운생은 모든 사실을 알게된다. 소향이 고심 씉에 목을 매어 자살하자, 이운생은 삭발 후 절에 들어가 판녹지와 함께 큰스님을 모신다.

Kong Ping has a half brother Kong Shek, a playboy, and another brother Kong Fai, who was adopted by her parents, and is an honest doctor, single. A couple of lover comes to the family Christmas party -- Fan Lin and Daisy Ha. Fan Lin maintains sexual relations with Daisy Ha, but marries Kong Ping, just for better future. As an avenger, Daisy Ha marries Kong Fai. Still, she maintains an affair with Fan Lin. Meanwhile, Kong Shek courts Daisy Ha constantly. The two gradually develop love between themselves.

Pin-up photographer meets the girl he wants to marry.

The psychotic son of a rich man continues to get away with raping young women, with the help of an unscrupulous lawyer. A journalist working for a women's magazine becomes involved when her friend becomes a victim. Because of her campaigning efforts, the journalist herself becomes a target of the vicious brat's attentions.

A beautiful young unwed mother-to-be from Tainan arrives in Taipei city in search of the father is sidetracked by a smart-Aleck Hong Kong expatriate taxi driver who aids her search but eventually falls in love with the girl after her efforts to reunite with the absentee father prove fruitless.

A beautiful young unwed mother-to-be from Tainan arrives in Taipei city in search of the father is sidetracked by a smart-Aleck Hong Kong expatriate taxi driver who aids her search but eventually falls in love with the girl after her efforts to reunite with the absentee father prove fruitless.

A sex comedy by the Shaw Brothers studio.

Wang, a womanising businessman miles away from home, makes it a sport to seduce young women. After one of his conquests got pregnant with his child and died after the abortion, one after another of his lovers are found murdered. It is only when he is arrested and convicted for these crimes that he finds himself embroiled in a plot of revenge. Based on the work of Japanese novelist Togawa Masako which was previously adapted by director Nakahira Kō into The Hunter’s Diary (1964 in Japan) and the Hong Kong version Diary of a Lady-killer (1969), Ho Fan’s remake, his third film for Shaw Brothers as director, is a stylistic tour de force and a more authentic rendering than the 1969 version, grippingly suspenseful and provocative with clever shots, dark humour, and sophisticated treatment of contemporary attitudes about sexual liberation, exploring the conflicts over human nature and desire. (By Reel to Reel Institute)

Ho Fan started his career as a Shaw Brothers actor, best known for his role as the monk Tang Seng in the classic Monkey Goes West film series. As a director, however, his forte was erotica. Like Li Han Hsiang, Ho Fan was a pioneer of the aesthetic school of erotica, known for his luscious cinematography and seductive lens. He is certainly one of the few Hong Kong erotica filmmakers to have made a respectable name for himself with Category III offerings like Adventure in Denmark, Yu Pu Tuan, and 1977's Innocent Lust. One of Ho Fan's representative works, Innocent Lust stars Ai Fei, Chan Chun Ho, and Lam Choi as college friends who are unlucky in love. They decide to go to a night club, and are surprised to discover that their innocent-looking classmate (Chan Wai Ying) works as a hostess there. When they step up to defend her from a lecherous old man, the encounter sparks off an unexpected journey of love and lust.

One day, due to carelessness. Ah Chung is fired from his job as a toilet attendant. Out of sympathy, Ah Lien, a waitress who he secretly admires, gives him financial help. When the much indebted Ah Chung found another job, he went to return the money to Ah Lien but was disappointed to learn that she had left and married. Years later, their paths cross again in a strip-tease joint.

“Girl With Long Hair” shows how universal the look of 1970s softcore pornography was. It is populated by hipsters wearing aviator glasses and cool mustaches running after hot chicks with feathered Farrah Fawcett hairstyles and plastic jewelry. There are shag carpets on the floor and oil paintings on velvet on the walls. The decor uses the brightest colors available, especially international orange, a then ubiquitous shade that is now only seen on emergency equipment such as life jackets. The set designer and costume designer also used a lot of school bus yellow, fire engine red, and other bright, high visibility primary colors.

Haunted by her past, an ailing young woman who recently lost her mother and the roof over her head is reluctant to accept the generosity of an older man who fell out with his own daughter whose affair with his boss's son cost him his job; her reasons are revealed only after her death and when the past is dredged up. Based on Fyodor Dostoyevsky’s Humiliated and Insulted, the film was filmed and distributed in Taiwan however was not released in Hong Kong. It is Ho Fan’s first attempt to fulfil his vision for an art house production in mainstream cinema which breaks the mould by mixing the nuance of art films with popular culture in a confrontation between the old and the new. It was selected in the 1980s by Hsu Li-Kong, director of then Film Library of the Motion Picture Development Foundation (now Taiwan Film and Audiovisual Institute), as part of its permanent collection. (By Reel to Reel Institute)

Two Chinese men go to Copenhagen for some reason. While one of them philanders around with various Danish and Asian women, the other falls in love with his Chinese tour guide, but takes time to have various drawn-out kung fu battles with a seemingly endless amount of thugs sent by his partner's overweight and very jealous girlfriend back home.

Hong Kong 1972. Shiu Pang is a poorly paid photographer with a very jealous fiancee. One day he meet an innocent girl and he falls in love with her. His fiancee decides to give a lesson to the young girl by sending a bunch of youngsters beating her and things goes worse and worse, the photographer's best friend dies in fighting the gangsters and the girl loses his mind, ending up in an asylum.

Golden Rose, an informant for the resistance groups, kidnaps Miss Takamine, her Japanese counterpart who has received special training. Disguising herself as Miss Takamine, Golden Rose frequents the Japanese army barracks and gets information she needs.

Two blind swords women come to the aid of a swordsman tracking down a ruthless martial arts master.

Caught between two entirely different women, an artist finds himself in conflict between the spiritual and the sensual, and at the same time lost creatively in the cultural clash between East and West. Based on Ho Fan’s 1966 experimental short Assignment, Part One, Lost depicts the artistic and carnal obsession of the modern creative mind. A departure from mainstream Cantonese and Mandarin films with European and Japanese new wave influences, it is shot with the colours of the 1960s and Lishan, Taiwan as backdrop. Sun Po-ling, an artist in her own right, co-directed and invested in the film, acting also as producer and make-up artist. She took the film to premiere in Cannes in 1970 and then screened it in Germany and the United States, while her ambition to release it locally in the foreign films theatre circuits did not materialise. Lost for half a century, this pioneering independent feature in the 1960s resurfaced in a print found in Taiwan by Reel to Reel Institute (Hong Kong).

Caught between two entirely different women, an artist finds himself in conflict between the spiritual and the sensual, and at the same time lost creatively in the cultural clash between East and West. Based on Ho Fan’s 1966 experimental short Assignment, Part One, Lost depicts the artistic and carnal obsession of the modern creative mind. A departure from mainstream Cantonese and Mandarin films with European and Japanese new wave influences, it is shot with the colours of the 1960s and Lishan, Taiwan as backdrop. Sun Po-ling, an artist in her own right, co-directed and invested in the film, acting also as producer and make-up artist. She took the film to premiere in Cannes in 1970 and then screened it in Germany and the United States, while her ambition to release it locally in the foreign films theatre circuits did not materialise. Lost for half a century, this pioneering independent feature in the 1960s resurfaced in a print found in Taiwan by Reel to Reel Institute (Hong Kong).

Shaw Brothers musical about three Showgirls chasing millionaires.

The Monk, Monkey and Pigsy find themselves in the title realm, where women can only give birth to women...unless loved by a man

한 남자를 사이에 두고 이복자매가 삼각관계를 벌인다. 질투와 시기가 강한 동생 스잔나는 착한 이복언니 샤오팅을 사사건건 미워하며, 언니의 멋진 연인 팅난을 빼앗아 버린다. 그러던 어느 날 뇌종양으로 6개월의 시한부 생명을 선고받은 스잔나. 그녀는 가족에게 이 사실을 숨기고, 지금까지의 자신의 잘못을 뉘우치기 시작한다. 여배우 리칭을 스크린의 천사로 등극시킨 최루성 멜로물. 주제곡 ‘청춘무곡’과 함께 국내에 엄청난 청춘영화 붐을 일으켰던 작품이다. 아시안 필름 페스티벌 최우수 작품상 수상.

Monkey King, Pig and Friar Sand must rescue his master Buddhist monk from seven witches / spiders who believe themselves to be immortal if they eat the monk's flesh. The third part of the Shaw Brothers film series about Monkey King after the novel "Journey to the West."

Before director Lo Wei helped to discover Bruce Lee and the king of kung-fu comedy Jackie Chan, in Madam Slender Plum, Lo perpetuates the career of yet another Shaw's non-action, femme fatale starlet; the sleek and sexy, puppy-eyed Eurasian Jenny Hu. It's a melodrama with a touch of murder-mystery in the vein of an old Alfred Hitchcock movie where Diana Chang plays the mother with Jenny playing her oldest daughter.

Hong Kong musical directed by Lo Chen.

Ling Bor plays Wen Fei E who is both an excellent academic as well as martial arts expert. Since her childhood days fond of dressing up as a boy, she becomes a village scholar sharing classes with Tu Zi Zheng (Chin Feng) and Wei Zhun Zhi (Ho Fan). When Fei E's innocent father is framed and sent to prison, she rushes to his rescue saving Jing Fu Quan (Kam Fie) who is in the hands of robbers along the way. Mistaking Fei E to be a noble hero, Fu Quan has no greater wish than to get married to her savior...

The mythological tale of a quest from China to India to bring back Buddhist scriptures, famous for the adventures of Sun Wukong, the notorious Monkey King.

Part two of the wartime love story

It's a powerful melodrama about a thwarted romance in 1930s Tientsin, China, during the Japanese occupation, and it stars Linda Lin Dai, one of the era's most popular stars. It was part of Golden Horse's 100 Greatest Chinese-Language Films.

당나라의 삼장법사가 서천으로 불경을 체득하러 가는 길에 천궁에 들렸더니 상제께서 오행산의 손오공을 길잡이로 데려가라 하심에 법사가 이를 앞세우고 가는 험준한 여로에서 일어나는 갖가지 신화를 엮은 내용으로서 중국 고대 소설인 "서유기"를 영화화한 작품임.

It seems that Li Zhenfei was once an imperial concubine, who often found herself competing with her rival Madame Liu for the emperor's sole, undivided attention. When Li gives birth to the Emperor's child, the jealous Liu switches the boy with a cat and commands a servant named Kou Zhu to kill the baby. However, Kou Zhu ignores the order and gives the prince-to-be to the emperor's brother, a decision which eventually leads to the boy being adopted by the emperor himself! But as fate would have it, to go along with his new son, the emperor has a new wife as well - Madame Liu! As this strange new family unit is being constructed, poor Li Zhenfei has been confined to the forbidden palace, condemned to never see or speak to her son, the prince. But destiny reunites her with her son, but will this family reunion be a happy one? And will Madame Liu finally be punished for her treachery?

The tragic love triangle of early 20th century Peking Opera star Chiu Hai-tang, his beautiful stage partner, and the warlord who forces himself between them, has been a favorite with Chinese audiences for decades.

The husband-and-wife team of Ivy Ling Po and Chin Han returned to another Huangmei Opera classic after Lady General Hua Mu-Lan. Helmed by Chow Sze-loke and written by Chang Cheh, the story revolved around two intellectual siblings, Ching Feng-sheng (Chin Feng) and Ching Feng-hsiao (Ivy Ling Po), who were constantly abused by their stepmother Hsia (Kao Pao-shu). Feng-hsiao was engaged to Li Ru-lung (Chin Han) since birth, but the greedy Hsia forced him to forfeit the marriage. When Ru-lung refused, Hsia framed him for thievery and put him behind bars. To rescue her lover, Feng-hsiao dressed as a young man and went to the capital. She then used Ru-lung's name to enter the national exam and was ranked first place. Impressed by Feng-hsiao, the Emperor decided to let her wed the Princess (Fang Ying). On the wedding night, Feng-hsiao revealed the truth to the Princess...

Li Qingqing, an orphan, just arrives in Hong Kong and becomes a singer who sacrifices everything for her man.