Herbert Kline

The Challenge... A Tribute to Modern Art is a 1974 American documentary film directed by Herbert Kline. The film shows footage of great modern artists in their studios creating and commenting on their work, with narration and commentary by Orson Welles. It was nominated for an Academy Award for Best Documentary Feature.

The Challenge... A Tribute to Modern Art is a 1974 American documentary film directed by Herbert Kline. The film shows footage of great modern artists in their studios creating and commenting on their work, with narration and commentary by Orson Welles. It was nominated for an Academy Award for Best Documentary Feature.

The Challenge... A Tribute to Modern Art is a 1974 American documentary film directed by Herbert Kline. The film shows footage of great modern artists in their studios creating and commenting on their work, with narration and commentary by Orson Welles. It was nominated for an Academy Award for Best Documentary Feature.

In a 16th century kingdom in the Netherlands, the newly crowned King Stephan concludes a secret treaty with the Spanish. This puts him at odds with his younger brother, Prince Roland, who favors a treaty with the French. Stephan orders Roland imprisoned but Roland escapes and leads a revolt.

A boxer, in Mexico, sets out to avenge the murder of his family by using the money from his winnings to purchase weapons.

A boxer, in Mexico, sets out to avenge the murder of his family by using the money from his winnings to purchase weapons.

A sports reporter tries to reform a troubled youngster. Drama.

David, a child refugee from Nazi-occupied Poland, arrives in Palestine and begins a search for his father who promised to meet him there after the war.

During World War II, a young boy and girl, living with their respective families in an apartment house that had restrictions against pets, adopt a lost dog and hide it in a vacant apartment, which may have been the only vacant apartment in the United States at the time this movie was being filmed. A burglar breaks in and the apartment is damaged when the dog and crook have a tussle. This blows the dog's cover, but the kids enlist him in the K-9 Corps, and the dog distinguishes himself in the WWII Italian campaign

The teens of a defense-plant town hop on the road to juvenile delinquency while their parents are busy with the war.

Cinco fueron escogidos taking place in Slavko, a "peaceful town in Yugoslavia," with only Yugoslavians and Germans as characters, not a Mexican or Spaniard in sight. Another interesting point about Cinco fueron escogidos is the existence of an alternate version, shot in English with a different cast (at least in major roles). Sadly, this film, usually referred to as "Five Were Chosen" but sometimes called "Hostages" (not to be confused with the somewhat similar 1943 Hollywood movie with that title), appears to be lost. García Riera indicates the English-language version was screened in Mexico, at least for the press, but does not seem to have been released commercially in the Mexico or the USA. Since Herbert Kline was well-known for his leftist views, it's not surprising to note that many of the imported Hollywood actors were also left-leaning (and in fact more than one was blacklisted during the Red Scare era).

Documentary examining the conflicts between the coming of modernization and the traditional culture of a small Mexican village.

This pulse-pounding documentary from the leftist filmmaker Herbert Kline traces the rise of Hitler up to the very brink of WWII. The commentary, written by James Hilton and read by Fredric March, urges American viewers to abandon neutrality and enter a conflict about to explode.

A documentary about the conquest of Czechoslovakia by the Nazis just prior to World War 2.

A documentary about the conquest of Czechoslovakia by the Nazis just prior to World War 2.

A documentary about the conquest of Czechoslovakia by the Nazis just prior to World War 2.

A documentary about the conquest of Czechoslovakia by the Nazis just prior to World War 2.

A documentary about the conquest of Czechoslovakia by the Nazis just prior to World War 2.

A press agent for a Broadway actress whose career is going downhill, attempts to get her some publicity by having her adopt two orphans, without her knowledge.

In this propaganda film intended to raise money for republicans fighting in the Spanish Civil War, Henri Cartier-Bresson first presents the achievements of the Spanish Republic in the field of public health. He then shows how members of the public and organizations across the world were supporting the fighters.

This advocacy documentary about the Lincoln Brigade was shot during the Spanish Civil War to raise funds for bringing wounded American volunteers home. Some 2,800 Americans enlisted in the International Brigades to fight against fascism in defense of the Spanish Republic. The film was directed by Henri Cartier-Bresson with Herbert Kline and additional photography was provided by Jacques Lemare and Robert Capa. This film is held at New York University’s Tamiment Library and is part of a vast collection of materials in the Abraham Lincoln Brigades Archive.

The first production from Frontier Films, the film production collective that was the successor to NYKino and the Workers Film and Photo League, Heart of Spain focuses on the Spanish Civil War, a conflict that became a touchstone of its era and was the most forceful opposition to the rising threat of fascism in Europe. Heart of Spain was begun by Geza Karpathi and Herbert Kline, who ultimately turned their footage over to Paul Strand, Leo Hurwitz, and Ben Maddow to make the film. It is compelling both for its shrewd formal aesthetics and as a sympathetic human document of the war.

The first production from Frontier Films, the film production collective that was the successor to NYKino and the Workers Film and Photo League, Heart of Spain focuses on the Spanish Civil War, a conflict that became a touchstone of its era and was the most forceful opposition to the rising threat of fascism in Europe. Heart of Spain was begun by Geza Karpathi and Herbert Kline, who ultimately turned their footage over to Paul Strand, Leo Hurwitz, and Ben Maddow to make the film. It is compelling both for its shrewd formal aesthetics and as a sympathetic human document of the war.

Adapted from Mexico's "The Forgotten Village". It deals with the fight that develops from the superstitious and ignorant interpretation of a problem and its real, scientific solution.