피터는 여동생을 구하기 위해 신비로운 땅, 바로 달에서 마법 같은 여행을 시작한다. 피터의 여동생은 자신의 아내를 찾고 있던 딱정벌레 미스터 줌제만을 구하려다 사악한 문맨에게 납치를 당하고 말았다. 환상적인 모험에 나선 피터는 스타 메도우에 착륙하게 되고 그곳에서 졸음이 가득한 샌드맨을 만난다. 그는 오직 흐린 날 성에서 벌어지는 나이트 페어리의 저녁 만찬에서만 여동생이 어디 있는지 알아낼 수 있다고 말한다. 하지만 그 만찬을 위한 자리는 모두가 앉을 만큼 충분치 않기 때문에, 이들은 은하수를 따라 펼쳐지는 치열한 경주에 참여한다. 그리고 자연의 다섯 정령인 폭풍 거인, 번개 마녀, 헨리 해일, 레이니 로빈, 마더 프로스트와 경쟁하게 되는데….
Germany, 1931. The youth novel "Emil and the Detectives" is being filmed, which will make its author, Erich Kästner, world famous. An unusual friendship begins between the childless author and fatherless Hans, the 9-year-old playing the character Little Tuesday. Their friendship is put to the ultimate test in the Third Reich when Kästner's books are banned and little Hans becomes a Hitler Youth. Based on a true story.
Thank you for Bombing accompanies three correspondents to their working place in conflict areas and gives an insight into their daily routine aside from cameras and satellite phones - somewhere between bombing alarm, laundry and Bach flower therapy.
Two men and one woman are involved in a dramatic triangle between love and passion, transgression and betrayal. Florian Flicker has set Karl Schönherr's "Der Weibsteufel" in Austria's borderland shortly after the turn of the last century. In the remote swamps next to the March River, Hans and Jana are living in a criminal idyll that comes tumbling down when a young soldier enters the picture.
Think of a really nice person, a friend of yours, someone who could never hurt a fly. Imagine finding out that he is supposed to have killed someone. You're told that he has shot a person in a bar, for no obvious reason. He has already confessed. He says the murder was planned. He expects a life sentence. He even longs for it. He wants to pay for his crime. The psychiatrist cannot see any mental illness. People around him don't think him to be evil. They like him. They want to help him and protect him from himself. And they all ask the same question: Why....?
Together with the ensemble of the Vienna Burgtheater, led by Kirsten Dene and Gusti Wolf, Franz Wittenbrink accounts in a wonderfully funny way with art and commerce in times of Mozart mania.
