Lionel Rogosin
출생 : 1924-01-23, New York City, New York, USA
사망 : 2000-12-08
약력
Lionel Rogosin was an independent American filmmaker. Rogosin worked in political cinema, non-fiction partisan filmmaking and docufiction, influenced by Italian neorealism and Robert Flaherty.
Self
Interwoven with clips from the original film "Come Back Africa", the late Lionel Rogosin tells the story of how he penetrated Sophiatown, Johannesburg during the iron rule of the apartheid regime. In what develops like a political thriller, An American in Sophiatown is one of the most damning portrayals of this police state.
Self
A documentary overview and ideological critique of the South African film industry and cinema's historical relationship with apartheid.
N°124
Reel 13 of Gérard Courant's on-going Cinematon series.
Director
The tenth and final film directed by American independent filmmaker Lionel Rogosin. It is a filmed debate between the Palestinian poet Rashed Hussein and Amos Kenan, shot in the basement of Rogosin's Bleecker Street Cinema by Louis Brigante.
Director
The sixth and final feature-length film produced and directed by American independent filmmaker Lionel Rogosin. The film looks at workers who organize to resist exploitation by pulpwood corporations.
Director
The documentary looks at interracial marriage between black men and white women and the problems and issues associated with it. Featured are black civil-rights worker James Collier and his wife, a white woman.
Producer
Black Roots is the fourth feature-length film produced and directed by American independent filmmaker Lionel Rogosin. The film gathers a number of African American folk and blues musicians in a room, where they share stories and songs about the black experience in America.
Director
Black Roots is the fourth feature-length film produced and directed by American independent filmmaker Lionel Rogosin. The film gathers a number of African American folk and blues musicians in a room, where they share stories and songs about the black experience in America.
Self
“1950년부터 영상 일기를 찍었어요. 언제나 볼렉스 카메라를 들고 다니며, 내가 만나게 되는 상황이나 친구, 뉴욕의 모습, 계절의 변화 등 즉각적인 현실에 반응하고자 했죠. 어떤 날에는 열 프레임, 어떤 날에는 10초, 또 어떤 날에는 10분 정도 촬영을 했습니다. 물론, 아무것도 찍지 않은 날도 있었어요. 일기를 쓸 때는 ‘회상’이라는 절차가 수반되는데, 보통 책상에 앉아서 그날 하루를 되돌아보며 일기를 써 내려가기 때문이죠. 한편 영상(카메라) 일기의 경우, 어떤 순간에 대한 즉각적인 반응을 포착할 수 있습니다. 특정 대상을 카메라에 제대로 담던 담지 못하는 것과 관계없이, 순간의 반응 자체를 카메라가 기록합니다. 어떤 상황에 다시 돌아가 촬영을 재개한다면, 그것은 재연된 영상이 되어버리죠. 이는 사건이나 감정이 수반될 수밖에 없습니다. 일어나는 일을 있는 그대로 포착하려면, 내가 사용하고 있는 도구(여기에서의 도구는 볼렉스 카메라를 말한다)에 대한 온전한 이해가 필수적입니다. 내가 반응을 보이는 현실뿐만 아니라 내가 반응함과 동시에 내 감정의 상태(와 모든 기억)까지 포착할 수 있어야 하기 때문이죠. 다시 말해, 카메라를 들고 촬영이 이루어지는 바로 그 장소에서 영상의 구조화(편집) 작업까지 끝낼 수 있어야 합니다. 월든에서 여러분이 만나는 모든 영상은 카메라에 담겨있는 영상과 동일합니다. 1964년부터 1968년까지 촬영한 영상을 순차적으로 연결한 것입니다. 사운드트랙의 경우, 목소리, 지하철 소리, 길거리 소음 등 촬영 당시 수집한 사운드에 쇼팽의 음악-난 로맨틱한 사람입니다-과 때때로 의미 있고 또 때때로 의미 없는 사운드를 섞어 제작하였습니다.”
Director
Lionel Rogosin's plea for humanity and against war and fascism. For two years, Rogosin traveled to twelve countries to collect footage of war atrocities from their archives. He interspersed these harrowing images with scenes of a London cocktail party's mundane chatter. Good Times, Wonderful Times was released in 1964 at the height of the Vietnam War, and became one of the great anti-war films of the era.
Director
Oysters are in Season feautures the improvised humor of Swede Sorenson, Dean Preece and Molly Parkin as they play out sharply satiric situations. Utter foolishness abounds in short skits that range from an employment interview with an applicant whose previous experience has left him physically uncontrollable, and an unsuspecting golfer who arrives for a first lesson, to scenes of mayhem with a hammock and a chinese lantern masquerading as an artificial kidney.
Director
A clergyman seeks a donation from a banker in this short slapstick comedy.
Producer
Come Back, Africa chronicles the life of Zachariah, a black South African living under the rule of the harsh apartheid government in 1959.
Writer
Come Back, Africa chronicles the life of Zachariah, a black South African living under the rule of the harsh apartheid government in 1959.
Director
Come Back, Africa chronicles the life of Zachariah, a black South African living under the rule of the harsh apartheid government in 1959.
Writer
A mix of documentary and scripted footage on the Bowery, New York City's skid row. Against a backdrop of men (and a few women) drinking in bars, talking and arguing, and sleeping on sidewalks, we have the story of Ray.
Producer
A mix of documentary and scripted footage on the Bowery, New York City's skid row. Against a backdrop of men (and a few women) drinking in bars, talking and arguing, and sleeping on sidewalks, we have the story of Ray.
Director
A mix of documentary and scripted footage on the Bowery, New York City's skid row. Against a backdrop of men (and a few women) drinking in bars, talking and arguing, and sleeping on sidewalks, we have the story of Ray.
Director
Film on the refugee situation in Austria as a result of Hungarian Revolution of 1956.
Producer
A BAFTA award nominated documentary studying Hungarian refugee problems after the October 1956 revolution. Shot on the Austro-Hungarian frontier and in the refugee camp at Traiskirchen.
