The documentary tribute to the solitary director Elo Havetta (1938-1975), the author of only two feature films (Celebration in the Botanical Garden and Wild Lilies), which belong to the peaks of Slovak cinema. In their time, they brought playfulness and spontaneity, which the authors of the documentary follow up with a happening in which they search for his legacy on the way to the director's grave.
Director
The second, and unfortunately. the last feature film made by a unique talent among Slovak filmmakers, Elo Havetta, is one of the most originial pictures of Slovak cinematography. The film was conceived as a paraphrase of Vincent Šikula's prose, the tragic episodes of which screenwriter Lubor Dohnal and Havetta composed into a dramatic story. The main characters are veterans coming home from the First World War. And while they feel a need to find A home and settle down, they are also driven by a passion for a vagrant's free life.
One of the lead characters is Maria, an inn keeper; always a bride but never a wife. She meets the newcomer Pierre, who disturbs the peace of the small village and teaches the locals how to enjoy life. The film is full of fireworks of lovely colours, and a warm feeling. It is like a carousel of humour and human situations that carry us away, from the very first frame to the unexpected ending, making the viewer laugh gaily. Using a mosaic approach to the traditional narrative line, the film director creates a picture of fairly anarchic glee. “Celebration in the Botanical Garden” is a world of fantasy, full of summer fun, good humour and delight. E. Havetta´s debut was inspired by naïve art, French impressionism, and silent slap-stick as well as Western Slovakian folk traditions.
Screenplay
One of the lead characters is Maria, an inn keeper; always a bride but never a wife. She meets the newcomer Pierre, who disturbs the peace of the small village and teaches the locals how to enjoy life. The film is full of fireworks of lovely colours, and a warm feeling. It is like a carousel of humour and human situations that carry us away, from the very first frame to the unexpected ending, making the viewer laugh gaily. Using a mosaic approach to the traditional narrative line, the film director creates a picture of fairly anarchic glee. “Celebration in the Botanical Garden” is a world of fantasy, full of summer fun, good humour and delight. E. Havetta´s debut was inspired by naïve art, French impressionism, and silent slap-stick as well as Western Slovakian folk traditions.
Director
One of the lead characters is Maria, an inn keeper; always a bride but never a wife. She meets the newcomer Pierre, who disturbs the peace of the small village and teaches the locals how to enjoy life. The film is full of fireworks of lovely colours, and a warm feeling. It is like a carousel of humour and human situations that carry us away, from the very first frame to the unexpected ending, making the viewer laugh gaily. Using a mosaic approach to the traditional narrative line, the film director creates a picture of fairly anarchic glee. “Celebration in the Botanical Garden” is a world of fantasy, full of summer fun, good humour and delight. E. Havetta´s debut was inspired by naïve art, French impressionism, and silent slap-stick as well as Western Slovakian folk traditions.
It was autumn 1939, shortly after the attack on Poland by the German army. The military component of the Slovak State are allies of the Nazis, and with them came on Polish territory. They're alongside the mighty army of Hitler's occupation force. In the decimated Polish town the Commander of the Slovak company Major Valenta issues orders that all residents surrender weapons if they own any. Insubordination will be punishable by death. Shortly after, the charming young Polish lady Žofie reports Valenta about: Professor Klosowski, who is Professor of Botany at the local high school, said to be hiding out at home in the library of the gun. Valenta reluctantly executes search warrant and weapon is found, but it is immediately clear that the old Professor became the victim of misunderstandings or possible fraud. To his surprise, he soon discovers that Sophie has a close relationship with Klosowski. But just before he fathoms the mystery, the occupation machinery executes havoc.
Director
A tram pasted with posters travels through Prague. The mounted loudspeakers invite passers-by to a series of concerts of Giuseppe Verdi's masterpieces. On the tram a party of young people is getting drunk.
Director
A story about a man in a caravan who checks the suitability and abundance of water wells. A suggestive, sometimes ironic, but always biased portrait of modern Robinson. The film shows the flip side of the modern myth of returning to the bosom of nature.
Director
Elo Havetta's student film.
