Amanda
Pukie
The story of CC2 centers around an investigative journalist named Stanley Mouse, who wants to find out about the legend of an ancient "cat tribe" lost in Africa. He finds them and much more, once again threatening the continued existence of mouse civilization. Special Agent Grabowsky will act to save the day, however. The events are supposed to take place at least 10, possibly 20 years after the first episode, as one of the already leaked cells shows the titular Cat-Catcher mecha rusting away in a shelter.
Female Prisoner
1921년 부다페스트에서 저명한 극작가의 딸로 태어난 한나(Hanna: 마르슈카 데트머스 분)는 히틀러의 유태인 탄압으로 작가의 꿈을 단념하고 팔레스타인 농과 대학에 입학한다. 한나는 제2차 세계대전이 전 유럽을 휩쓸 때 영국 공군 소속 특공대에 가입하여 맹훈련을 받은 후, 유고슬라비아로 투하된다. 이반 소령의 도움으로 헝가리 국경으로 향하던 한나는 독일군에게 잡혀 독방에 감금된다. 모진 고문을 견디지 못한 한나는 자신의 이름을 자백하게 되나, 체포당한 어머니와 함께 잔인한 고문을 이겨낸다. 드디어 소련군이 헝가리 국경으로 진주해 온다. 재판에 회부된 한나에게 예상대로 유죄 판결이 내려진다.
Pukie (voice)
In the year 80 AMM (After Mickey Mouse) on planet X the crime-syndicated Cats try to erase the Mouse-population once and for all. A scientist of the mice, prof. Fushimishi seems to have found the weapon against the threat - so Intermouse calls its best (albeit retired) agent, Nick Grabowsky, to get the plans. As a distraction for the Cats, they also send a second agent - Seargent Lazy Dick - for the mission.
Black and White Short. Featuring collage centered around a drive through the country.
Weiler Róza
Zsuzsi
Marci, an impertinent crook buries his drunk parents and chooses to wander instead of becoming an apprentice.
Brunnerné
The protagonist of this farce is the enthusiastic, bald, spectacled Krebsz, an employee at the Prime and Sample Institute. He alerts the whole village to organise a beauty contest in the weed-field of Balatonszutykos. Hoping to win the grand prize, the leading role in a two-hour colour-film, the girls make all efforts and use all their tricks.
Mari
A young woman leaves a state orphanage to find her mother in this interesting examination of how the overt repression of women in the older pattern of village life has been replaced by the more subtle exploitation inherent in the apparently freer existence of young girls in the contemporary city.
