Maya Booth

Organized like a dream, structured like a musical and with texts, both spoken and sung, that lead us to unexpected, chaotic and exciting situations, which try to grasp part of what the unattainable Alexandre O'Neill left us.

An adaptation of the story with the same name by Portuguese writer Alexandre Herculano.

1537년, 27살의 페르낭 멘데스 핀투는 부와 명예를 찾는 새로운 모험을 위해 인도로 항해를 떠난다. 시간이 흐른 뒤 그는 긴 항해 동안 겪은 잊을 수 없는 사건들을 책으로 옮긴다. 주앙 보텔료 감독은 이 책을 바탕으로 페르낭 핀투의 모험을 영상으로 옮기는 한편, 이 책이 쓰여진 당시 상황에 대해 자신만의 상상력을 더한다.

Marta and Jorge have been a couple for seven years. All their friends think they are living a perfect romance. Too perfect, perhaps, for the despair of all: Bruno, who is much younger than Marta but madly in love with her; Lígia, who is Bruno's sister and Marta's best friend and would love to see her brother happy; Carlos, Jorge's friend, who maintains a superficial romance with Lígia while secretly in love with Marta; and for Jorge himself, who is afraid this idyllic romance will imprison him and, convinced that his love and his lover's desire to marry will take away his freedom, decides to show her the way into Carlos arms.

A delirious sci-fi riff on the Arabian Nights' 'Tale of the Hunchback', that submerges us in a technological dystopia reigned by Dalaya.com, a mega-corporation that forces its employees to 'relax' at company-run medieval reenactments.

The tragedy and comedy in Carlos' life begins, grows and ends like the tragedy and comedy of Portugal. In the company of his close friend, João da Ega, allegedly a brilliant writer, Carlos, with his idle existence as an aristocratic doctor, spends his time to enjoying friends and lovers. Until he falls in love. She is a new character in this revolutionary novel. It's a vertiginous passion that goes beyond that past gloominess to reach a new and darker abyss, incest.

A dreamlike journey seen through the eyes of a trans-human as well as a kino-symphony of voices from the multiple personas of Fernando Pessoa, Lisbon Revisited shows alternative ways of looking at and hearing the city. Celebrating its greatest phantom and confronting his ambiguous and pervasive sexuality, the film is spoken in the three languages in which Pessoa wrote, Portuguese, English and French.

Shaken by a divorce in the 1920s, Portuguese poetess Florbela Espanca uses her writing to deal with her tumultuous relationship with men, eroticism and love.

On a day like any other, a woman leaves work and heads to a party in the outskirts of Lisbon. On her way there she sees a man ready to jump off a bridge. She stops the car and approaches the man, trying to save him.

A journey inside the tram crossing the city of Lisbon while listening to fragments of Fernando Pessoa's poetry.

Adaptation of a 1987 novel by Agustina Bessa Luis, a multi-generation exploration of a wealthy family with a mysterious past and a house on the island of Madeira.

Mozambique, 1969. What was meant to be a peaceful Christmas Eve ends up badly as a group of soldiers brings home a prisoner that will be murdered. Simultaneously, the Capitan's wife arrives in surprise, bringing along a Priest, who is supposed to celebrate the mass.

There are two months to the end of High School Spanish classes in Lisbon and it's time to decide the destination for the end of year trip. That decision will cause a real "Civil War" between two irreconcilable groups: the "class nerd", who propose the typical cultural trip to Paris, and "freeloaders" who prefer to enjoy the week in Benidorm, the "New York's Costa Blanca ".