Anabela Teixeira

A college professor and maverick exorcist recruits a bunch of gifted college misfits to help him on his most dangerous quest yet.

In the most anticipated interview of the year, sisters Adelaide, Carolina and Julia Paixão come together with their mother Anita - to recount the events that led to one of the most controversial crimes ever committed in Portugal.

Zézé Gamboa's sardonic historical drama follows a good-hearted, apolitical con man who, on the eve of Angolan independence in the mid-1970s, pulls off a massive swindle at the expense of the Portuguese colonial administration — and soon after finds himself hailed as a hero of the national liberation struggle.

A colonel working for Censorship, widower, learns that his wife read banned books in his absence, "New Portuguese Letters" and "My Lady of Me". The colonel will discover the woman he did not know in life through the poems that she read. As the revolution arrives in April 25, 1974, the Colonel will remain true to their convictions although the poems have already influenced his own life.

Shaken by a divorce in the 1920s, Portuguese poetess Florbela Espanca uses her writing to deal with her tumultuous relationship with men, eroticism and love.

Anna is a famous striptease dancer who falls for her body without shame. She is accused of theft and questioned the commissioner Lourenço, being dazzled by their strength, independence and freedom. The man will be caught by the passionate desire and the fatal attraction that she causes.

One bad thing never comes alone, says the people. The village Estrela is threatened by the waters of the new Alqueva dam. It will become an "island". But, as one bad thing never comes alone, the daily lives of the inhabitants of this small mountain village are changed by the death of Adriano. "In order to create, I destroyed myself; I have so much externalized within myself that within me I exist only outwardly. I am the living scene where various actors perform various plays." (from Livro do Desassossego by Fernando Pessoa), as Adriano liked to quote Adriano. He committed suicide on the day of the village feast, hanging himself in the main square. For Adriano, the main square of the village has long been the center of the world. Adriano felt surrounded, depressed, unable to escape his destiny. "No one can stop a man who travels with suicide on his lapel" Adriano repeated to Lisete, always to the point of exhaustion.

At the end of the seventeenth century, in Naples, still dominated by the Spaniards, a young pupil, Balthasar,is castrated to preserve the purity and beauty of his voice. The Duchess dies and her son, the Duke of Arcos, takes charge of the inheritance, which includes Balthasar. With the entrance of Maria Loffredo, former lover of the Duke, a triangle is established that unchains tragic consequences to the allegedly callous life of Balthasar.

An ice-cream seller lusts after the female employees in his shop.

Pierre, a middle-aged tourist guide, is the victim of a sudden failure : he does not recognize anything about him any longer. He goes back home and in his apartment he finds a mysterious young man who tells him he is here to avenge a young woman who has taken her own life. What share of responsibility does Pierre hold in this situation?

“Manual of Evasion LX94” is a thought-provoking Dadaist film about time by the Portuguese director Edgar Pêra. It was shot in Lisbon in 1994 and stars Terence McKenna, Robert Anton Wilson and Rudy Rucker. Time is explored from many unusual angles, while Pêra fills the screen with a wide variety of bizarre and mind-warping imagery.

A couple in search of a different life, move from the city to the countryside and confront unexpected events without breaking their union.

한 집안의 4대에 걸친 서사극으로 칠레의 정치적 격동기를 배경으로 했다. 쿠테타로 희생된 대통령의 가정, 한 사람의 남편, 가장으로서의 그의 몰락과 붕괴를 보여준다. 정치가의 딸 클라라(메릴 스트립)는 심령의 능력을 타고 났다. 그녀는 언니 로사가 독살당하자 로사의 약혼자였던 에스테반(제레미 아이언스)과 결혼한다. 그러나 에스테반은 결혼 후에도 바람을 피워 가르시아(빈센트 갈로)라는 아들을 낳아오고 성격은 점점 포악해진다. 그는 딸 블랑카(위노나 라이더)가 인디언 혈통의 사회주의자 페드로와 사귄다는 사실을 알고는 딸의 애인을 죽이려고까지 한다. 더 이상 견디지 못한 클라라는 딸 브랑카를 데리고 에스테반 곁을 떠난다. 그 사이 블랑카는 페드로(안토니오 반데라스)와 결혼해 예쁜 딸을 낳고 살지만 사회주의자라는 이유로 군부에 수감되는데...

In the summer of 1870, Raquel, who owns a farm, and lives secluded in her mansion with an old butler and a handful of servants, feels proud when an odd acquaintance comes by. Adriana and her daughter-in-law, Ermesinda, a very young girl, just happen to be visiting - the second time in 15 years for Adriana, and the first time for the teenager Ermesinda. The meeting seems to be pleasant, and yet, for reasons untold, there is coldness and reserve between Adriana and Raquel. Their ambiguous relationship will be revealed, when by accident old wounds are reopened.

Lina and Mariana run from an orphanage in Porto towards the south, in search of Lina's father. It is in a difficult and chauvinistic world that they end up finding Alberto who lives with Júlia on a hill somewhere in the Alentejo. Without informing that Maria is their daughter, they try little by little to know why she abandoned her. When they know the reasons, they both plan revenge ... and execute it.