Director
A staff member of a game company came to a historical museum in the border city of China. They are Wu Mi, a second-generation rich man, Mei Feng, a graduating internationaire, and Andrew, a Russian drunkard. The three inadvertently crossed...
Director
어느 날 몸을 피해 잡화점에 숨어 들어온 3인조 좀도둑은 우연히 우체통을 통해 편지를 받게 된다. 장난스레 편지에 답장을 하던 이들은 그 편지가 과거에서 보낸 편지라는 사실을 알게 되는데… 첫 번째 편지, 가수의 꿈을 이루기 위해 도시로 나갔지만 가수로서 재능이 보이지 않아 고민하는 ‘시골 뮤지션’이 보내는 편지. 두 번째 편지, 마이클 잭슨 같은 스타를 꿈꾸지만 아버지의 사업 실패와 순간의 실수 때문에 가족과 헤어져 보육원에서 자라난 ‘하오보’가 보내는 편지. 세 번째 편지, 가족을 부양하기 위해 큰돈을 벌고 싶은 ‘길 잃은 강아지’가 보내는 편지. 아무에게도 말하지 못했던 모두의 고민이 모여드는 “나미야 잡화점” 하룻밤 동안 펼쳐지는 가슴 따뜻한 이야기가 당신을 찾아갑니다.
Director
A satirical yet delightful adventure about a village idiot who might just be a prophet, Mr. Tree is the auspicious second feature directed by Han Jie and produced by master filmmaker Jia Zhanke\ (from tiff.net).
Screenplay
A satirical yet delightful adventure about a village idiot who might just be a prophet, Mr. Tree is the auspicious second feature directed by Han Jie and produced by master filmmaker Jia Zhanke\ (from tiff.net).
Screenplay
Han Jie’s feature debut draws on his own experiences growing up in a desolate mining district in northern China’s Shanxi province. A Chinese road movie, Walking on the Wild Side charts a young gang’s continuous flights from one kind of trouble to the next. Mirroring the stark and barren landscape, the film relays the grim story of these delinquents’ dreams of liberty and easy money. Played by nonprofessional actors who are real life troublemakers, the film offers a realism that is at once oppressive, cruel, and sympathetic.
Director
Han Jie’s feature debut draws on his own experiences growing up in a desolate mining district in northern China’s Shanxi province. A Chinese road movie, Walking on the Wild Side charts a young gang’s continuous flights from one kind of trouble to the next. Mirroring the stark and barren landscape, the film relays the grim story of these delinquents’ dreams of liberty and easy money. Played by nonprofessional actors who are real life troublemakers, the film offers a realism that is at once oppressive, cruel, and sympathetic.
Director
On August of 2015, three men from Manzhouli, located on the borders of China, Russia, and Mongol, suddenly travel back in time to 1945, and experience the horror and tragedy of war between local guerilla unit and the Japanese stragglers.
