Bryan Donnell

참여 작품

더 툴박스 킬러
Director of Photography
Known as “The Toolbox Killer,” Lawrence Bittaker, alongside his partner Roy Norris, committed heinous acts. Bittaker remained silent about his crimes for 40 years until he met criminologist Laura Brand. Over the course of five years, Brand recorded her many conversations with Bittaker as he spoke from death row about his methods and motives, providing unique insights into the mind of a criminal sadist.
비친': 더 사운드 앤드 퓨리 오브 릭 제임스
Director of Photography
This profile of legendary funk/R&B icon Rick James captures the peaks and valleys of his storied career to reveal a complicated and rebellious soul, driven to share his talent with the world.
폴 위의 그녀들
Director of Photography
내 몸과 삶에 대한 자신감을 되찾고 싶다. 생소하고 선입견에 갇힌 봉춤을 배우는 여성들. 제 몸을 움직이며 기술과 의미를 익힌다. 그리고 그들에게 변화가 일어난다.
Hillbilly
Director of Photography
A documentary that examines the cultural stereotype of the people of Appalachia and how that has affected America's relationship with its rural communities.
코믹-콘 에피소드 포: 어 팬스 호프
Director of Photography
A behind-the-scenes look at San Diego Comic-Con, the world's largest comic book convention, and the fans who attend every year.
카운트다운 투 제로
Camera Operator
A documentary about the escalating nuclear arms race.
Housequake
Cinematography
Capturing political theater at its most basic level, this documentary recounts the Democratic Party's stunning takeover of the U.S. House of Representatives in the 2006 elections, inspired by the aggressive tactics of strategist Rahm Emmanuel.
Mother
Director of Photography
Originally shot in 1997, Mother begins with a study of my relationship with my own mother and ends with a questioning of Hong Kong's relationship with its motherland, China. The video features Super 8 footage of the city before the turnover.
The Well
Director of Photography
A Japanese soldier who has suffered from humiliation by his officer, is captured by Soviet soldiers in Mongolia and being thrown into a well, where he meets his worst enemy before his inevitible death.