Enrique Zambrano

출생 : 1920-07-05, Monterrey, Nuevo Leon, Mexico

사망 : 1968-11-22

약력

If we think of a biopic about calm and smiling actor Enrique Zambrano, several moments occurred: from when he saw the light for the first time in the twenties, until when he died in the sixties. He was born with a character that later became the beautiful serenity that made him. He died leaving an orphan-hood and widowhood to a family to which he gave a promising future. We can refer to his life story as that of a tree. It could open on July 5, 1920 in Monterrey, Nuevo León, Mexico, where a family receives their newborn child with brown eyes, black hair and cupid-shaped lips saw the light for the first time. The parents of the Zambrano-Echeverría family named their baby Enrique Jesús, which meant, if we merged these names, "The Lord of the house and of salvation." With the passage of time, the little lord of the house, as we have said previously, became a handsome gentleman. But he got his artistic opportunity at the age of 23 in the cinema, something that would change his life forever and that led him to be part of the wonderful world of popular culture in the rest of it. The year was 1943. A very young Enrique Zambrano, set foot on the art world with the right foot, when he filmed his first film, María Candelaria, later released in 1944. And the rest is history. His most famous film was the 1950s disaster horror classic The Black Scorpion (1957), in which he played Cayetano, a linesman killed by a truck. Enrique's life was a life between artistic works and family life. Until his death, he was married to Mrs. Patricia Alpizar. As a result of this marriage, Enrique and Patricia founded a family. They became the proud and loving parents of four children: Patricia, Eugenia, Joaquín and Enrique Zambrano Alpizar. It was In the sixties, he ventured, in addition to being an actor and father, as a writer, producer and director. He was the creator of the Villalobos series, with two films: The Justice of the Villalobos (1961) and Here Come the Villalobos (1962). In this decade he also ventured into dubbing, as an actor, translator, adapter, and singer. Yes. He was the performer of many songs in his dubbing. But it was directing, translating and adapting where he dedicated himself the most. Of all the dubbing jobs he did, the one that made history for younger and older audiences, was directing the first two seasons of Gene Roddenberry's "Star Trek". In this 1960s television classic, Enrique also did secondary and incidental voices. The rest for him was pure direction. Between jobs and dubbing, Enrique's life continued normally, until in 1968, he was surprised by a worrying health problem: they found stones in his liver. So, he had to undergo surgery in a hospital in Mexico City, to prevent the pathology from advancing and consuming his body. According to testimonies by co-workers, Enrique was given a lot of anesthesia for his low-risk surgery. But unfortunately, the operation failed: Enrique ended up dying on November 22, 1968, at the age of 48, a victim of cardio respiratory arrest, due to medical negligence.

참여 작품

Aquí están los Villalobos
Director
Mexican feature film
Santo vs. the Infernal Men
Agent Joaquin recalls his latest mission while lying wounded in an ambulance: Joaquin has infiltrated into a band of smugglers. When the villains learn the truth about him, they kidnap Jouqin's fiancee. Santo comes to her rescue and fights the band.
Santo vs. the Evil Brain
Writer
The silver-masked hero must foil the plot of a mad scientist to create a zombie army.
Santo vs. the Evil Brain
Lt. Zambrano
The silver-masked hero must foil the plot of a mad scientist to create a zombie army.
Santo vs. the Evil Brain
Producer
The silver-masked hero must foil the plot of a mad scientist to create a zombie army.
El jinete negro
Masked horseman avenges the deaths of family members and resolves questions about a contested inheritance. One of four in a series ("Relampago").
Assassins of the Night
After serving a prison sentence, a guy goes after the gang-leader who framed him.
Pablo y Carolina
Torn between three lovers and bored by her typewriting classes, Carolina (Dillian) writes a passionate love letter to fictional Pablo Garza from Monterrey. The letter is sent by mistake and received by real Pablo Garza's girlfriend. Pablo himself (Infante) flies to Mexico City looking for an explanation. Carolina is rehearsing a musical show for her school dressed as a man. When Pablo meets her, she pretends to be her brother Anibal, a shy and feminine sailor. Pablo likes Anibal and invites "him" to a cabaret. After that, Carolina falls inlove with Pablo but resists to unveil her real self. Meanwhile, Pablo feels himself confused, because young "Anibal" is cute as an angel and has "those blue eyes..."
Cinco vidas y un destino
El Mudo
Jailbreak! Five death-row inmates run for the border.
Massacre
Munez
Lawmen and their captured gunrunners take refuge at a deserted mission to fend off attacking Indians. Western.
La engañadora
Camelia
Enrique's Friend (uncredited)
A woman of low estate is beloved of a promising young man, but sacrifices her love for him in order to protect his future and reputation.
Padre nuestro
Juanito
Pops is dismissed from his banking job for embezzlement, and his family have to adjust to a more modest lifestyle.
The Troublemaker
Peralvillo's Accomplice (uncredited)
Well-intentioned Tin Tan who is always making trouble for other people, sometimes on purpose and sometimes by accident.
Streetwalker
Doctor
The story of two estranged sisters, both of whom end up as prostitutes but for very different reasons.
In the Palm of Your Hand
Police Detective (uncredited)
A con artist seduces the widow of a millionaire, only to learn she'd plotted with her lover to murder the late husband. A tense game of cat-and-mouse ensues—but who's the cat? Perhaps the greatest thriller ever made in Mexico, starring Arturo de Córdova and Leticia Palma.
Una gringuita en México
A USA girl decides to vacation in Mexico and experience first hand all the stereotypical scenes she's seen in movies. When she gets there, everything isn't all charros and bandidos, though -- surprise, surprise!
Rondalla
Romantic triangle on the hacienda.
El cuarto mandamiento
Don Ricardo
A Mexican family drama.
Tania la bella salvaje
Eduardo
Rolando, a millionare, travels to a remote island and meets the young and tough Tania, a local woman with great dancing skills. He falls in love with her and takes the girl to Mexico, but their relationship gets awry when Tania cheats on him with another man.
Rayando el sol
Romantic triangle on the hacienda.
마리아 칸델라리아
Medic (uncredited)
마리아 칸델라리아는 모든 마을 사람들로부터 따돌림을 당하는 존재다. 그녀를 사랑하고 도우려고 하는 유일한 존재인 로렌조는 병에 걸린 마리아를 위해 약을 훔치다가 이로 인해 감옥에 갇히게 된다. 그를 감옥에서 구하기 위해 화가의 모델로 일하며 돈을 모으던 마리아는 누드모델이 되어 달라는 제안을 받고 거절한다. 하지만 그녀에게 알리지 않은 채, 화가는 다른 모델을 고용해서 누드화를 완성하고, 이 그림이 마리아의 것으로 오해를 받으면서 그녀는 비극적인 운명에 처하게 된다. 오로즈코나 리베라 등의 벽화화가들처럼 멕시코 문화의 가치를 드러낸 영화감독으로 인정받고 있는 에밀리오 페르난데스 감독의 세 번째 장편영화이자 그의 대표작.