Juan José Gurrola

This film is a chronicle of painter Frida Kahlo, and her encounter with the personalities of her time. Despite being confied to a wheelchair as a result of polio, operations and amputations, she faces and traces some of the most colorful and controversial aspects of Mexican history, during the dominant time of Mexican muralism.

After being unjustly accused of corruption and seriously injured in prison, Miguel's personality will merge with the characters he reads in his police novels.

A young woman of wealthy class rejects the world that surrounds her and dies, but in her wake a shaman resuscitates her. She is dedicated to transgressing all the rules of her society. In the end a strange character offers him a flower and they both love each other.

A young woman of wealthy class rejects the world that surrounds her and dies, but in her wake a shaman resuscitates her. She is dedicated to transgressing all the rules of her society. In the end a strange character offers him a flower and they both love each other.

For Robarte el Arte [Stealing the Art] (1972), Juan José Gurrola together with Gelsen Gas and Arnaldo Coen supposedly stole an artwork during Documenta 5 in 1972 and represented it with an asterisk of scotch tape on a rock in the Wilhelmshöhe Park. Sequences of this performative action are montaged like in a silent movie with panels of cut-up newspaper text blocks, installation shots from the Documenta exhibition inside and outside Fridericianum, and scenes from a horror porn movie based on the story of the serial killer "Goyo" Cárdenas – his case became a sensation on Mexican media in the 1940s and inspired several copycat murderers imitating his crimes – and underscored with a dramatic soundtrack. With Robarte el Arte, the artists satirically destabilize Documenta’s institutionalized role to chart the current art developments and thus setting the foundation for a so-called canon as Eurocentric.

For Robarte el Arte [Stealing the Art] (1972), Juan José Gurrola together with Gelsen Gas and Arnaldo Coen supposedly stole an artwork during Documenta 5 in 1972 and represented it with an asterisk of scotch tape on a rock in the Wilhelmshöhe Park. Sequences of this performative action are montaged like in a silent movie with panels of cut-up newspaper text blocks, installation shots from the Documenta exhibition inside and outside Fridericianum, and scenes from a horror porn movie based on the story of the serial killer "Goyo" Cárdenas – his case became a sensation on Mexican media in the 1940s and inspired several copycat murderers imitating his crimes – and underscored with a dramatic soundtrack. With Robarte el Arte, the artists satirically destabilize Documenta’s institutionalized role to chart the current art developments and thus setting the foundation for a so-called canon as Eurocentric.

총잡이인 엘 토포는 어린 아들과 함께 사막을 횡단하다, 산적들에 의해 온 주민이 몰살당한 마을에 당도한다. 산적 두목의 여인이었던 마라와 사랑에 빠진 엘 토포는 그녀의 요구대로 사막의 총잡이들과 차례로 승부를 벌인다. 그러나, 승부 도중 부상을 당한 엘 토포는 사막에 버려진다. 혼수상태에 빠진 그의 몸은 깊은 동굴로 옮겨지고, 오랜 시간이 지난 다음 깨어난다. 난쟁이 여인과 함께 마을에 나갔던 엘 토포는 수도승이 된 아들과 조우하고, 그들의 운명은 비극으로 치달아간다. '폭력의 피카소' 조도롭스키는 이 기괴한 서부극 형식의 전위 영화를 통해 성경, 폭력, 권위, 성 등 기존의 금지된 주제들을 충격적인 영상을 통해 다루고 있다. 신부인지 총잡이인지 알수없는 한 사람의 여정을 따라가며 진행되는 이 영화는 기존의 어떤 영화와도 유사성을 찾을 수 없다. 관객에게 던져지는 문제들은 그 폭과 깊이에서 관객의 의식을 오랫동안 자극하게 된다.

Alberto Gironella was a Mexican plastic artist, considered one of the exponents of La Ruptura.

Two stories: 'Tajimara' the platonic love of a couple; and 'Un Alma Pura' (A Pure Soul) about the incestuous love of some siblings.

First of two films that make up the collaborative film "Los Bienamados" (The Beloved, 1965). It narrates the encounters and misunderstandings of a pair of lovers during the years, from their adolescence to maturity.

First of two films that make up the collaborative film "Los Bienamados" (The Beloved, 1965). It narrates the encounters and misunderstandings of a pair of lovers during the years, from their adolescence to maturity.

Two stories: 'Tajimara' the platonic love of a couple; and 'Un Alma Pura' (A Pure Soul) about the incestuous love of some siblings.