Gabriela Roel

30 actresses and actors from Latin America, seek to evoke hope in the midst of the health and economic crisis unleashed by Covid-19, through the reading of fragments from the work of Gabriel García Márquez alluding to the plague of oblivion.

A couple arrives to an apartment complex where santeria and witchcraft are common practice.

A group of ambitious new filmmakers wants to sell a broadcaster a television program involving ghosts and paranormal events. They have lots of special effects, but special effects aren't necesary when something from beyond is lurking.

El Jeremías is a heartwarming comedy film about family love and the hard choices that come with opportunity. Set in Sonora Mexico, the film tells the story of Jeremías an eight year old who finds out he is a gifted child and initiates a journey of self discovery. When an opportunistic physiologist makes contact with Jeremías, a new world of experiences open up to him but at the expense of being away from the family he loves. Jeremías must choose between this exciting but lonely new world he finds himself in or returning home to his loving family.

A cop sets out to find a man who has been delivering too much of a good thing in this offbeat comedy. Police detective Martinez (Jesus Ochoa) has been handed a most unusual case -- a number of local prostitutes have been murdered, and it's up to Martinez to bring in the killer. What makes the case truly unusual, though, is the manner of death; it seems the hookers all died as a result of having orgasms so powerful they were literally fatal. Teaming up with cultural anthropologist Onofre (Daniel Giménez Cacho), Martinez hits the streets looking for clues, and eventually gets some unexpected help from Father Gorkisolo (Santiago Segura), a priest with a unusually deep knowledge of sexual matters. Asesino en Serio was the first feature film from director Antonio Urrutia; noted Mexican filmmaker Guillermo del Toro served as executive producer.

Sofia meets a stranger man who hacks the computer system where she works before she has an accident. After the accident, she is the only one that remember seeing this man, so she decides to search for him.

Old Max remembers the time as a child when he was taken to the jungle where he met a prophet, a circus man and other weird characters.

Tijuana is a mystical city and the scene of different stories, where the characters search for meaning in their lives.

In Santa Fe de Tierra Firme, an imaginary Latin American country, the indigenous dictator Santos Banderas rules with an iron fist. A group of rebels trying to seize power by force while some liberals try a change of government legally.

A retired union leader runs a restaurant by the highway with the help of his wife and his young son. One day a wounded criminal, his lover and his brother, all fugitives from law and being pursued by the woman's husband, forcefully seek out a hiding place. They take the family hostage until the delinquents are confronted.

Over more than thirty years, a department of the Condesa in Mexico City, is the setting in which they are carried out ten stories, mixed, form one whose only constant is the rupture. The passage of time and the outside world only guess through the windows and objects that come with the characters. The set is a great solitude, possible in a city of the blind.

In the wake of the Mexican Revolution, a band of pre-teen boys are forced to rely on their own resources for survival.

In this film festival favourite, every day is magical in the tiny logging town of San Miguel de Cruces, Mexico, thanks to director Juan Antonio de la Riva, who captures the rhythms of small-town life through the stories of its inhabitants. From a young couple facing separation as the husband prepares to seek work in the United States to a pair of teens on the cusp of adulthood to the local movie theatre operator struggling to stay open after the introduction of satellite dishes, Pueblo de madera portrays a town—and a people—in transition.

The story of an expedition down the Orinoco and Amazon rivers in 1560 by Spanish soldiers searching for the fabled city of gold, El Dorado.

"Alguien se acerca", "Viajeros", "Lilí" and "Azul celeste", four stories directed by Ramón Cervantes, Rafael Montero, Gerardo Lara and María Novaro, respectively.

While touring the towns, two revelers meet a beautiful woman who awakens greed and passion in both.

Family plans for a quiet weekend at the beach, but everything goes wrong.

After breaking out from jail and being rescued by an enigmatic driver, Maria begins a journey through Mexico City's nocturnal life