Javier Lombardo

Solitary and sometimes attacked by an asthmatic crisis, Roque Waterfall leads, at age 30, an unproductive life and, little or nothing at work, lives on a small family inheritance. His passion is to collect videos of Atlanta, the club of his loves, and in one of his few nocturnal outings he meets Hans, a German intellectual nihilist who is in Buenos Aires to make a documentary film about people who have nothing. But when he meets Roque he decides that his film will be about someone who does not do anything, of course he is not sure if he wants to show himself before the camera, and while trying to escape the director he meets Carla, whose charm stimulates him to interrupt his sedentary life .

Shortly before his final return to Argentina, Juan Domingo Perón records his memories of living in exile.

The film tells two stories apparently very distant are slowly approaching each other. On the one hand is Babarimisa, a young man from Benin who suffers from a relentless disease for which seems to have no remedy. Desperate to save his mother, Morenike, a Yoruba priestess goes to invoke the power of the Orishas gods. Meanwhile in Argentina, Shantas is a young offender living in a marginal area tainted by the practices of Umbanda, a cult derived from African religions. None of us can even imagine the surprises that come in the destination.

Valeria (Manuela Pal) has changed his native Buenos Aires by Betanzos, a town of Coruña, in Spain from which his family. Eccentric, dreamy and fun, at 25 years old is in the most surreal emotional crossroads in his life: after the sudden death of her mature and attractive lover, Marcelo falls for the son of the deceased. Her friend Adela (Mary Bouzas), owner of the salon where they both work, will help clear up questions. A story about the universal desire to find their own identity, deciphering the collective love and live in a land that has nothing to envy to the boulevards of Paris.

The bad love, infidelity, and exhaustion put an end to a marriage after years of wear and tear in living together.

Mora (Bernarda Pagés) and Roberta (Victoria Onetto), a lesbian couple, want a child. But who will be the donor? The two decide that Mora's brother Felipe, Argentina's top turkey-inseminator, should be the lucky provider. Poor Felipe gets more than he bargained for when he flies in from the country. He wants to visit his girlfriend, to visit his sister, and to meet with a business partner. The ladies have another plan, a plan to extract their desire. Their hope is that Roberta will easily seduce Felipe after he consumes the buffet of oysters, Viagra, and other assorted snake-oil aphrodisiacs. Poor Felipe has a lot to digest in his one night in the city. He finds out that Faustina, his devoutly Catholic fiance, is pregnant. He learns that his sister is gay (and that she wants more from him than a visit). On top of all of this, his (hopeful) future business partner is poisoned. Nothing goes as planned during Felipe's hilarious night in town.

A cartoonist and painter who can not stand out and make a living, among other things, as a photographer of news magazines and a beautiful young woman who comes to Buenos Aires from inside the country to try to make it as a model and actress, living a love as passionate as fraught with disagreements.

Three people and a baby set off on separate journeys, along the same road; their disparate dreams and stories intertwine amidst the breathtaking deserted Patagonic route.

An absurd crash on the route causes the meeting between Freddy Fassano and "El Descanso", an old spa hotel from the 1930s, totally in ruins. Seduced by the idea of ​​recovering the good life of previous times, Freddy leads the extravagant project to reopen the hotel, gathering a diverse group of collaborators. But everything succumbs to the appearance of Doctor McDonell, a notable lawyer in the area who, alerted by the presence of strangers in the place, unleashes an unpredictable battle whose outcome produced the mysterious history of the hotel.