Jon Fishman

Through conversations with the world's greatest drummers, director Justin Kreutzmann explores the importance of music in bringing people together.

Recorded live on August 11, 1998 at Star Lake Amphitheatre in Burgettstown, Pennsylvania. The Star Lake 98 show was the 20th of summer to display the loose, experimental vibe of a tour that began in Europe and jumped to the United States enroute to the summer’s ending Lemonwheel festival.

On August 14th and 15th, 2010 Phish played their 12th and 13th shows at Alpine Valley Music Theater - all 2-night stands since 2003. "Alpine" as it is affectionately known, is a steeply-sloping amphitheater with a big lawn and raucous crowd perpetually bursting with energy right in the band's faces due to the angles of the place. The angles all aligned on Saturday August 14th - the focus of the Alpine Valley DVD.

Live In Utica was recorded on October 20, 2010 by the rock band Phish. This was their first ever performance at the Utica Memorial Auditorium in New York. With a capacity of only 5,500, Utica was the smallest venue on Phish's fall tour and the atmosphere was charged with electricity. The 2 DVD set presents three hours of Phish in an intimate venue with an inspired audience that returned the energy at every turn.

On November 2nd, 1996, Phish performed at Coral Sky Amphitheater in West Palm Beach, FL; the only outdoor shed show of the Fall Tour. The show combined the residual energy of Halloween with a tropical feel that could only have happened in South Florida in November. Amidst swaying palms and soft breezes, the band played a deeply experimental show. They were joined by percussionist Karl Perazzo (Santana), whose contribution helped extend and build upon the magic of Halloween, adding polyrhythms that explored new space within Phish's music.Set 1: Ya Mar[1], Julius[1], Fee[2] -> Taste[1], Cavern[1] > Stash[1], The Lizards[1], Free[1], Johnny B. Goode[1]Set 2: Crosseyed and Painless[3] -> Run Like an Antelope[4], Waste[1], Harry Hood[1] > A Day in the Life[1], Sweet AdelineEncore: Funky Bitch[5]

The Clifford Ball was an absolutely phenomenal, unequivocably religious, amazing event at the former Air Force Base in Plattsburgh, New York, in August 1996. Phish performed three sets and an encore on each of the two show days, of a Friday-to-Sunday event, where some 70-80,000 fans camped on site for three days.

On July 22, 1997, Phish performed the second show of their US summer tour at Walnut Creek Amphitheatre in Raleigh, NC. During the show, a thunderstorm of biblical proportions passed by, letting loose a torrential downpour with thunder and lightning that accentuated the electricity of the event. This DVD documents the collision between a force as imaginative and powerful as Phish and the supreme forces of Creation, and it contains the complete concert, uncut.

Specimens of Beauty is a documentary about the rock band Phish recording their 2004 album Undermind. Directed by famed photographer Danny Clinch, the film shows the techniques used by the band and album producer Tchad Blake, as Phish records what was to be their final album. Recorded at Trey Anastasio's recording studio, The Barn, outside Burlington, Vermont, the documentary features Phish in numerous takes of the Undermind track "Crowd Control." Specimens of Beauty was included with early copies of Undermind on a bonus DVD.

Specimens of Beauty is a documentary about the rock band Phish recording their 2004 album Undermind. Directed by famed photographer Danny Clinch, the film shows the techniques used by the band and album producer Tchad Blake, as Phish records what was to be their final album. Recorded at Trey Anastasio's recording studio, The Barn, outside Burlington, Vermont, the documentary features Phish in numerous takes of the Undermind track "Crowd Control." Specimens of Beauty was included with early copies of Undermind on a bonus DVD.

"It" is a two-disc DVD set chronicling Phish's two-day summer festival in Limestone, Maine on August 2 & 3, 2003. The first disc contains a full-length documentary originally aired on PBS in 2004 featuring interviews with the band, song excerpts, and images from the concert grounds and festival events. This was the sixth of eight major outdoor summer festivals held by Phish. The second disc contains a selection of complete live songs performed over the weekend. The DVD set, which clocks in at over four hours, was certified platinum in 2005.

Phish: Live in Vegas is a video of a complete live performance from rock band Phish recorded on September 30, 2000. It includes many rarities and songs that were brought out of "retirement" after long periods of inactivity. The performance was originally a live Internet webcast that came just days after Phish officially announced an indefinite hiatus from recording and touring. Anastasio used this opportunity to officially announce the hiatus to audiences across the globe via the Internet. Set 1: Walfredo, The Curtain With, Maze, Roggae, I Didn't Know, Mike's Song > Simple > Saw It Again, Esther > Weekapaug Groove Set 2: Timber (Jerry), AC/DC Bag, Colonel Forbin's Ascent > Fly Famous Mockingbird, Twist > Sand > A Day in the Life Encore: Emotional Rescue Bonus Tracks: Piper, Camel Walk (10.1.00 Phoenix, AZ

BITTERSWEET MOTEL takes a look at the iconoclastic musicians of Phish, one of rock and roll's most successful touring bands, a group Rolling Stone Magazine has called "the most important band of the '90s." This 84-minute documentary tracks the band over the course of a year — on and off stages across the United States and Europe and at home in Vermont. The film wraps with an extensive section devoted to one of Phish's grand festivals, "The Great Went," where 70,000 fans descend on the tiny village of Limestone, Maine, for a spectacular multi-day musical event. Director Todd Phillips, best known for his groundbreaking films, Hated (The GG Allin Story) and Sundance Award-winner Frat House as well as the blockbuster comedy Road Trip, reveals the fascinating phenomenon of the band — its music, loyal fans and spectacular live shows. Phillips presents a compelling film that every music fan will find fascinating.

This brutally honest comedy depicts the Jewish-Italian wedding reception of Lisa Weinstein (Deborah Gibson), as guests can't help but notice the romantic sparks among Lisa, the groom (Joey Scherr), the maid of honor (Mo Gaffney) and the bride's ex-boyfriend, the reception band leader (Martin Guigui). Meanwhile, various guests on both sides of the aisle pursue their own love interests at the event. Dom DeLuise co-stars.

Set 1: Tweezer Reprise, Chalk Dust Torture, Guelah Papyrus, Reba[1], Wilson > Cars Trucks Buses, Kung > The Lizards, Strange Design, Acoustic Army, Good Times Bad Times -> Tweezer Reprise Set 2: Also Sprach Zarathustra > David Bowie, Lifeboy, Sparkle > You Enjoy Myself > Purple Rain > Hold Your Head Up, Harry Hood, Suzy Greenberg Encore: Highway to Hell [1] No whistling. Teases: · Beat It tease in Harry Hood · Beat It, Stairway to Heaven, and Tweezer Reprise teases in Suzy Greenberg · Black or White tease Notes: Reba did not have the whistling ending. Perhaps responding to fan predictions of a Michael Jackson cover album on Halloween, the band teased Black or White before GTBT as well as Beat It before and in Hood and in Suzy Greenberg. Suzy also included Stairway to Heaven and Tweezer Reprise teases. The soundcheck's Dog Log contained YEM lyrics (Wash Uffizi and drive me to Firenze). This show is available as an archival release on LivePhish.com.

Tracking (1994) is a documentary about the band Phish and the recording of the album Hoist. It is directed by the band's bass player, Mike Gordon, who wrote, for the VHS packaging: While in the studio recording the album 'Hoister' (sic) I sported a video camera. Sometimes I pushed the record button. Others, the stop. Alas, I edited. Using machines small yet sweet, I assembled Tracking. This isn't about railroad tracks or stuffing things up the tender nostril. It's about 48 tracks of sound, adjacent on strips of plastic. Like mixing lilac petals, coriander, chunks of butter, and fennel into a soup. Tracking is the recording of different sounds, adjacent on strips of plastic. . . . Many of the musicians on the album, Alison Krauss, Béla Fleck, and actor Jonathan Frakes, are shown recording tracks that eventually wound up on the album. The documentary is approximately 25 minutes long and was produced by Cactus Films.

Tracking (1994) is a documentary about the band Phish and the recording of the album Hoist. It is directed by the band's bass player, Mike Gordon, who wrote, for the VHS packaging: While in the studio recording the album 'Hoister' (sic) I sported a video camera. Sometimes I pushed the record button. Others, the stop. Alas, I edited. Using machines small yet sweet, I assembled Tracking. This isn't about railroad tracks or stuffing things up the tender nostril. It's about 48 tracks of sound, adjacent on strips of plastic. Like mixing lilac petals, coriander, chunks of butter, and fennel into a soup. Tracking is the recording of different sounds, adjacent on strips of plastic. . . . Many of the musicians on the album, Alison Krauss, Béla Fleck, and actor Jonathan Frakes, are shown recording tracks that eventually wound up on the album. The documentary is approximately 25 minutes long and was produced by Cactus Films.

The Rev. Jeff Mosier (Blueground Undergrass) was contracted by Phish in the Fall of 1994, to help them learn Bluegrass. They flew him to Michigan and Mike Gordon picked him up in a limo, and they had their first lesson on 11/14/1994, same night as Grand Rapids.

A look at the amazing and diverse life on tour with Phish......