Eldon Rathburn

Go head-to-head with an icebreaker. Plunge down a twisting mountain gorge. Soar through the clouds in the nosecone of a jet, then speed along with a dog team as it races across a frozen Arctic lake. A sweeping, moving tribute to Canada's stunning geography and rich cultural heritage, Momentum leaps off your screen--and touches your heart. Momentum wowed audiences from around the world when it premiered at Seville, the greatest world's fair of the last quarter century.

Norman McLaren was a cinematic genius who made films without cameras, and music without instruments. He produced sixty films in a stunning range of styles and techniques, collecting over 200 international awards, and world recognition. In Creative Process, director Donald McWilliams demystifies the process of artistic creation. Drawing on McLaren's private film vaults, a gold mine of experimental footage and uncompleted films, McWilliams explores McLaren's methods, including his celebrated "pixillation" technique, and his daring forays into animated surrealism.

This documentary is about Bob Diemert of Carman, Manitoba, and his dream of building the world's next great fighter plane. His worldwide reputation as a genius at restoring "warbirds" enables him to finance his dream. The Defender is a lively, sometimes wild and funny, tale about a remarkable, modern-day folk hero.

Hopeful job candidate Buck Boom is dynamic, forceful, confident and creative. But can he convince Mr. Mudgin, the personnel manager, to hire him? You see, Boom is an animated character in a live-action world and Mudgin is not used to dealing with someone who is different.

This amusing short animation tells of a polite and timid young minister with a major shortcoming: he just cannot bring himself to say goodbye, and this causes him great grief and considerable consternation. On the first day of his vacation to visit friends, Melpomenus somehow stays and stays until, on the last day of his holiday, he finally departs in an unexpected way. Based on the Stephen Leacock short story, the film is set to toe-tapping ragtime music.

Pete Standing Alone is a Blood Indian who, as a young man, was more at home in the White man's culture than his own. Confronted with the realization that his children knew very little about their origins, he became determined to pass down to them the customs and traditions of his ancestors. This film is the powerful biographical study of a 25-year span in Pete's life, from his early days as an oil-rig roughneck, rodeo rider and cowboy, to the present as an Indian concerned with preserving his tribe's spiritual heritage in the face of an energy-oriented industrial age.

A short lyrical document about an ancient Oriental discipline, this film moves from the streets of China, where the people practice Tai-Chi daily, to North America, where the same movements are executed by a solitary figure in a park.

The coming-of-age of adolescent Brian O'Connal in small town Depression-era Saskatchewan is told. The son of the local pharmacist Gerald O'Connal, Brian is in many ways a typical boy, who dislikes school if only because of his run-ins with the nervous schoolteacher, Miss MacDonald, and who tries to catch gophers with his friends, Artie and Forbsie. His best friend and protector is slightly older Jonathan Ben, better known as The Young Ben (as his father is referred to as The Ben), who is highly regarded as a problem by those in town who see themselves as the moral authority if only because of The Young Ben's association to The Ben, the town still keeper and drunk. Brian's life takes a turn when his parents have to leave town temporarily, while Brian stays on his Uncle Sean's farm. That stint leads to a series of events which make Brian see life around him through slightly older and wiser eyes.

In this feature drama, a Canadian Indigenous youth attempts to find a place for himself. He faces culture shock as the educational system teaches him to be a white man and tries to find a way of life more meaningful to his Indigenous culture and ancestry.

A history of editorial cartooning in Canada.

This feature documentary follows one of the greatest Canadian baseball players of all time, Ferguson Jenkins, through the 1972-1973 season. From the hope and innocence of spring training to the dog days of an August slump, the camera gets up close and personal at the home plate and records the intimate chatter on the mound, in the dugout and in the locker room. It provides a glimpse into the rewards and pressures of sports stardom and the easy camaraderie of the quintessential summer sport.

This documentary explores a variety of projects undertaken by scientists at Environment Canada's Freshwater Institute in Winnipeg to study the processes that pollute or disrupt clean and balanced freshwater environments.

A family of seven lives on a New England island with nobody else. One winter, they got stranded because the bay froze over. This didn't much matter to them, but someone on the mainland remembered them and launched an aerial rescue mission; an unfounded story that one boy had appendicitis results in a larger rescue mission, with the situation rapidly escalating into a major catastrophe all because of the rescue mission.

This documentary film is about wolves and the negative myths surrounding the animal. Exceptional footage portrays the wolf's life cycle and the social organization of the pack, as well as film of caribou, moose, deer and buffalo.

A chain-smoking woman has an encounter with a vampire.

This feature-length documentary paints a lively portrait of Father of Confederation and first premier of Newfoundland Joseph Roberts Smallwood, or "Joey," as he is known to most Canadians. Following one of Canada’s most colourful political figures during a two-and-a-half-month period that included a stormy Liberal leadership convention, the film reveals a man misunderstood even by his close associates.

An indecisive young woman with an abnormal devotion to her father can't decide on which of her two boyfriends she should end her relationship with.

In the countryside of Quebec, a new phenomenon has appeared: violence. How does a handsome, tall, free and peaceful village boy let himself be led down the path of crime?

"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.

After literally swimming across the Atlantic Ocean, an Englishman takes a country trip across Canada on a railcar.

18 year-old Peter lives with his parents in a middle-class Toronto suburb and rebels constantly against their imposed middle-class goals and conventions and the materialist values they represent. He constantly mocks and belittles his family with his only real ally being his girlfriend Julie. Peter's relationship with his parents reaches its boiling point when he borrows his father's new car without permission and is left by him to spend the night in jail after Peter is arrested for reckless driving. Peter runs away from home and moves into a rooming house, and eventually gets a shady job as a parking attendant. His relationship with Julie becomes exponentially more complicated and he finally realizes that being alone in the real world is much harder than he ever imagined.

This 1964 documentary returns to the battlefields where over 100,000 Canadian soldiers lost their lives in the First and Second World Wars. The film also visits cemeteries where servicemen are buried. Filmed from Hong Kong to Sicily, this documentary is designed to show Canadians places they have reason to know but may not be able to visit. Produced for the Canadian Department of Veteran Affairs by the renowned documentary filmmaker Donald Brittain. (NFB)

A vivid recollection of the free west of the North American Indigenous Peoples and the vast herds of buffalo that once thundered across the plains. From paintings of the mid-1800s, the animation camera creates a most convincing picture of the buffalo hunt, both as the Indigenous People and, disastrously, the white hunters practiced it.

On Canada's Pacific coast this film finds a young Haida artist, Robert Davidson, shaping miniature totems from argillite, a jet-like stone. The film follows the artist to the island where he finds the stone, and then shows how he carves it in the manner of his grandfather, who taught him the craft.

Perhaps the only film whose content is totally based on the musical form known as canon. The first sequence is a simple demonstration of the canon "Frere Jacques" where four cubes dance and combine with one another on a checkerboard. The second sequence show four little human-like figures dancing in space. The third and most elaborate sequence shows a human going through several strange gesticulations. Through multiple printing we realize that the man, as in the previous sequences, is part of a visual canon and is making the gestures to himself. As we hear variations on the canonic theme so too do we witness visual variations: a woman and cat enters the canon. To show the musical technique of inversion, the image of the man is printed upside down.

This documentary shows how an Inuit artist's drawings are transferred to stone, printed and sold. Kenojuak Ashevak became the first woman involved with the printmaking co-operative in Cape Dorset. This film was nominated for the 1963 Documentary Short Subject Oscar.

Three separate sequences related to Christmas, animated in different styles: cutout animation of children dancing in the snow to "Jingle Bells," stop-motion animation of toys come to life, and cel animation of a man who seeks the ideal star to top his Christmas tree.

This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.

The epic story of the opening of the Canadian West and the drought that brought the Depression in the thirties. This is the saga of a family who left eastern Canada to stake their future in the Prairies.

This short film offers a picturesque tour through the maple-wooded hills alongside Québec's Lièvre River in autumn to the accompaniment of acclaimed poet Archibald Lampman’s poem Morning on the Lièvre. Trees are ablaze with colour, and their splendor is reflected in the mirrored surfaces of the water, offering a glimpse of the landscape Lampman knew so well through the poet’s eyes and words. Lampman’s poem is read by broadcaster and poet George Whalley, with accompanying score by composer Eldon Rathburn.

A young man of the Kainai Nation (Blood tribe) shows us contemporary life of people as he attends a Sun Dance ceremony with the tribe.

A triumph of film art, creating on the screen a vast, awe-inspiring picture of the universe as it would appear to a voyager through space, this film was among the sources of inspiration used by Stanley Kubrick for his 2001: A Space Odyssey. Realistic animation takes you into far regions of space, beyond the reach of the strongest telescope, past Moon, Sun, and Milky Way, into galaxies yet unfathomed.

Here is a graphic picture of the tobacco harvest in southwestern Ontario. At the end of July, transient field workers move in for a brief bonanza when the plant is ripe. The tobacco harvesters call it "the back-breaking leaf."

A color cocktail by Norman McLaren and Evelyn Lambart, translating into moving patterns of color and light the moods of music written for a jazz ensemble by Eldon Rathburn. Inscribed and colored directly on film.

In this pre-Christmas reminder to mail early, filmmaker Norman McLaren used an electric vibra-drill to engrave the images on black film, and included the occasional "subliminal" burst of lettering, which he hand-scratched on a few frames.

This short film is a re-enactment of the critical year in Dr. Frederick Banting's life when he discovered insulin for the treatment of diabetes at the University of Toronto. It depicts the odds against which he and his assistant, Charles Best, worked; the scepticism of other doctors and the final victory that gave thousands of diabetics hope for a healthier life.

The camera follows the Trans-Canada Highway from east to west, revealing the people, the resources and the geography of Canada. Included are some of the engineering feats accomplished in the building of the highway.

Why does a housewife concerned for her family's welfare feed them so inadequately that she endangers their very lives? The film is a humorous and satirical attempt to remind the average housewife that it is not enough to be aware of modern food facts; they must also be applied in daily food purchasing and preparation. (NFB)

The misbehaving public performs for the camera in a half-hour miscellany of misdeeds. In a behind-the-scenes look at the hour-by-hour operation of a large metropolitan police force, this film presents a fair sampling of what keeps Toronto's police officers busy twenty-four hours a day.

This classic short film depicts the Klondike gold rush at its peak, when would-be prospectors struggled through harsh conditions to reach the fabled gold fields over 3000 km north of civilization. Using a collection of still photographs, the film juxtaposes the Dawson City at the height of the gold rush with its bustling taverns and dance halls with the more tranquil Dawson City of the present.

In UPA-esque animation, the NFB entertainingly explains the causes of fish spoilage and the steps required to keep today's catch fresh until it reaches your dining room table.

This short film tells the heart-warming Christmas story of two Saskatchewan farm children and a pony named Pancho. There’s no real place for a horse on a fully mechanized wheat farm, but with will and heart they prove that one can be found.

A description of placer gold mining in the Yukon. East of Dawson City giant dredges cut deep into the creek beds, leaving behind monstrous coils of waste as the gold-bearing gravel is washed. The film shows how gold is trapped and hand-sorted, finally to emerge as precious gold brick.

This short puppet animation from the fifties tells the story of Magic Bow, a First Nations boy endowed with magic gifts. Magic Bow is in the big city for the first time, thrilling audiences with his tricks at the Wild West Rodeo. Outside the arena, cars, trucks and buses zip by at dizzying speeds. With the help of some savvy city dwellers, Magic Bow learns a few important traffic rules to help him navigate the streets safely.

Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.

This 1950s' film looks at the measures to preserve water flow from the Rocky Mountains. With the steady falling of the water table, the exploitation of timber stands and the recession of glaciers, water conservation was an urgent concern of the Alberta and federal governments.

This short documentary from 1950 captures the thrill of harness racing on Prince Edward Island. We follow Bellhop's career as a pacer, from his unwilling introduction to harness through trials with a bicycle sulky (or 2-wheel cart) to his first big race. The film culminates with scenes of trotters and pacers at Charlottetown's Old Home Week. - NFB

This short documentary profiles a 1949 meeting of the International Federation of Agricultural Producers in Guelph, Ontario. The IFAP plans to help solve the dire problem of world hunger—a problem sharpened by the birth of 55,000 more human beings, arriving "for breakfast," each day. Delegates emphasize the plight of the many nations who face starvation while others have a surplus of food. The conference challenges the world to succeed at implementing a proposed plan for the fair distribution of food.

This short 1948 documentary focuses on the people of Annapolis Royal, Nova Scotia, and their efforts to create a recreation center. People from every section of the community contributed their services to planning and establishing this center, which then offered activities as varied as softball and library services.

At the Canadian National Exhibition, a young boy gets separated from his parents and meets some celebrities.

This short documentary offers a panorama of ancient cities, palaces and temples whose splendor has awed mankind. The film moves from one tradition to another, illustrating how each reflects the sentiments and values of its time, from the massive temples of the pharaohs to the soaring skyscrapers of today.