Rosario Suárez

Stella and her mother Clota must travel from Junín, where they live, to the town of Costa Bonita, in Necochea, to see some apartments that Stella's father left her. This will become a nuisance for Stella, since her mother is someone difficult to deal with: she complains, she is afraid of everything, she says hurtful things and she keeps remembering the past. Paula Hernández's new film narrates the journey by bus of these two characters, a simple premise for a film almost always in tension as its two protagonists, brilliantly played by Valeria Lois and Rita Cortese. The only respite for poor Stella, and for the film itself, are conversations she has with Primo (Sergio Prina), one of the bus drivers, moments of calm amidst so much storm that, later on, will become literal.

Inspired by true events, the film recounts the story of the most notorious serial rapist in the history of Argentina, who lived in the college city of Córdoba, where he attacked more than 93 women between 1985 and 2004 while he held a parallel life as a dedicated husband and father.

여교사는 몸이 뜨거워지는 변화로 자기위로를 한다. 여러 남자와 여자까지 관계하지만 채워지지 않는다. 하룻밤을 보낸 교수와 끈적끈적한 밀당이 이어지고 마침내 진정한 사랑과 절정을 맛보는데… 여교사의 숨막히는 경험을 훔쳐본다!

피노체트 군부 독재가 극에 달한 1980년대 산티아고에서 예기치 못한 로맨스가 싹튼다. 늙고 가난한 신세로 전락한 크로스드레서 “퀸”은 어느 밤 청년 게릴라요원 카를로스의 도움을 받아 위기를 모면한다. 카를로스는 퀸에게 물건을 맡아 달라고 부탁하고, 호의로 부탁을 들어준 퀸은 자신의 아파트에 보관된 상자 속에 피노체트 정권을 무너뜨릴 무기가 들어있다는 사실을 모르는데…

아만다와 그녀의 형제 자매는 이혼한 두 부모님의 집을 오가며 산다. 그러던 어느 날, 아만다의 어머니가 아이들 양육에 무책임한 남편과 열악한 경제 상황에서 벗어나기 위해 다른 지역으로 이사를 가자고 이야기한다. 이제 아만다는 부모 중 누구와 살 것인지 선택해야 한다.

루이사는 십대가 된 딸 아나가 걱정스럽다. 기념일을 축하하기 위해 온 가족이 모인 집에서 사춘기에 접어든 아나가 몇 번이나 잠든 채 벌거벗고 돌아다니는 몽유병 증세를 보였기 때문이다. 가족 사이에 흥분이 점점 고조되고 비밀이 하나씩 드러날수록 긴장감이 더욱 증폭된다.

Only one month left until the premiere of The Golden Time, the long-awaited solo show by acclaimed actress Robertina. Far from focused on the preparations for this new production, Robertina lives in a state of continuous anxiety that turns her privileged life into an absurd and tumultuous landscape.

From first love to first divorce, Romina and Flor experience different stages of their lives together, in Argentinian director Constanza Novick's exploration of friendship between women.

I’m Paula. 35. Argentine. Over the past 10 years I've been compulsively shooting everyone and everything for no particular reason. All my love stories and breakups have been recorded and systematically stored. While I kept changing boyfriends every 2 years, I shot my friends with their boyfriends, husbands, their bellies and now surrounded by children. Yes, some of us just don't follow the norm. Should I settle down or remain a free spirit?

Two young urchins turn the streets of Buenos Aires into their own magical playground, in this vibrant portrait of young love.

In the summer of 1987 in a town in Córdoba, two teenage sisters, Elena and Lucia, are alone at home. The youngest is upset with her older sister, who thinks about how to get out of that town, to study and to live differently.

Five wanderers roam around Buenos Aires and it’s wild outskirts. God, schizophrenia and alcoholism is what gathers them in the search for salvation. A love triangle and the obsession over a little pig in the religiosity of the ghetto; a mental institution patient who finds an unstable emotional partner desperate for love; and the doctor of this story, an alcoholic, dangerous for himself and others, who heads without hesitation toward self destruction.

A summer vacation in the 70s. Lalo and Bruno are teenagers doing nothing on days full of nothing. But on a hot and humid afternoon, and without asking for permission, Lisa arrives smashing more than the letargy of the town. Thirty years later Lisa comes again to interfere in the lives of these two adults.

A young girl convinces herself that she will die on the same day that her brother will be born.

Eva and Lola are close friends. While Eva tries to cope with her past creating a fantasy life, Lola does not want to handle with the truth of her real identity. Two friends with different views of the same story.

Milagros is a cleaning lady in a TV studio. While working, the bloody 200 year Argentinian history occurs, bluring the line between fiction and reality.

Young Jorgelina feels estranged from her boy-crazy older sister, who has entered adolescence and doesn't want to hang around with little kids anymore. Finding refuge in their Boyita camper-van, Jorgelina travels with her father to the countryside, where her lifelong playmate Mario is undergoing some unexpected changes.

Buenos Aires. It rains. Alma is in her car, stuck in Buenos Aires' traffic. She has recently broken-up with her boyfriend, and she has been living in her little car since then. Suddenly, Roberto gets into the car. He's wet and hurt, he's tired of the rain, of broken dreams. He has come back after thirty years abroad. In this new city he has nothing and nobody, just a father in coma, whom he has no relationship. He promises to leave the car as soon as the rain ceases. Alma, not knowing exactly why lets him in. That night will be different. And the next few days too. There's something new to find in the depth of their hearts.

Argentine history during the 20th century discovered by two teenagers, who investigate the lives of members of four different generations of the Lugones family.

이그나시오와 조이는 아이 없이 무미건조하게 살아가는 부부다. 어느 날 조이는 남편과 사이가 좋지 않은 남편의 화가 동생 곤잘로를 찾아가 그림을 산다. 이그나시오는 조이와 곤잘로가 자신을 속이고 만난 사실을 알고 그림을 수영장에 버린다. 화가 난 곤잘로는 조이를 유혹하고, 조이와 곤잘로는 이그나시오가 출장을 간 사이에 잠자리를 갖게 되는데...

Argentinian sisters Elena and Natalia, who were separated, meet again in Texas in 1984.

This film follows the crisscrossed fortunes of, among others, a rock musician, a flight attendant, a dog walker with an alarming penchant for over-the-counter medication, and a cab driver, who doesn’t really care about his life spiralling out of control, as long as he can sit in his old Renault 12.