Nina Alisova

The story starts in a Siberia where world's biggest diamond was found. It is so valuable that it may not only pay off the enormous national debt, but also allow every Russian citizen to move to the Canary Islands. However, Mafia plans to steal the massive gem but a notorious thief, Vasia, ruins their plans. Mafia and militia begin chasing him, but soon Vasia learns that he has brothers as between the chase he runs into well known Jewish conductor and a gypsy baron who are triplet brothers.

An espionage thriller set aboard the train of the title. A group of agents try to thwart the Japanese-Soviet trade agreement by assassinating a Japanese businessman.

A story about life and love of a young girl Anna who moves from her village to a big city.

The film tells about the life of the Soviet country in the 30s of the twentieth century, based on the feuilletons and notebooks of famous writers Ilya Ilf and Eugene Petrov…

A story about a role of Vladimir Lenin in the electrification of Russia after Civil War.

The second film of the trilogy about Armenian Bolshevik revolutionery Simon Ter-Petrosyan (1882-1922) known as Kamo.

앙숙인 두 집안의 이반과 마리치카 부부의 불행한 사랑과 마리치카가 죽고 난 후의 이반의 삶과 결혼에 대한 이야기가 그들의 사랑처럼 험준하지만 아름다운 카르파티아 산지를 배경으로 펼쳐진다. 세르게이 파라자노프는 1970년대에 나타난 이른바 ‘소비에트 누벨바그’를 대표하는 감독 중 한 사람이다. 그는 자신의 조국 조지아의 예술적 전통을 영화에 녹여내려 했지만 당시 소련 당국은 영화의 뚜렷한 민족주의적 색채를 문제 삼아 그의 작품 대부분을 상영금지 시켰으며 감독 또한 수 차례 감옥에 가야 했다.

A parable centering on an old man who lives a secluded life in the desert, alone with only his memories and photographs. His wellspring, once a source of joy and hope for thirsty passersby, is now rarely used. No longer able to find comfort in his memories, he turns all his photographs to face the walls.

귀족은 아니지만 먹고 살만한 은행가 드미트리는 사십살 후반에 다 큰 자녀까지 두었지만 고집 센 아내가 싫어 바람을 피우는 낙으로 살아간다. 그는 서슴치 않고 여자를 '저급한 인종'이라고 평가하며 여자들과 있을 때만 생기가 돈다고 고백한다. 그는 무수한 엽색 행각을 벌이지만 항상 그러한 관계들에 별 미련을 두지 않고 끝을 내 버린다. 그러다가 그는 휴양 차 갔던 얄타에서 작은 개를 데리고 매일 산책을 하는 이십 대 유부녀 안나를 만나게 되는데...

The Second World War. A new L-2 heavy duty gun is being supplied to the Soviet Army. German intelligence needs to seize a new secret weapon.

The German conquerors are above nothing, not even the slaughter of small children, to break the spirit of their Soviet captives. Suffering more than most is Olga (Nataliya Uzhviy), a Soviet partisan who returns to the village to bear her child, only to endure the cruelest of arbitrary tortures at the hands of the Nazis. Eventually, the villagers rise up against their oppressors-but unexpectedly do not wipe them out, electing instead to force the surviving Nazis to stand trial for their atrocities in a postwar "people's court." (It is also implied that those who collaborated with the Germans will be dealt with in the same evenhanded fashion).

A comedy about a naive young architect and his wild designs for a “New Moscow.” The Soviet censors weren't at all amused and shelved it.

Ogudolova, unlike her sisters, refuses to obey her mother's wish that she marry a wealthy old man in order to collect a dowry

At a Crimean resort two friends try to pick up girls.