Dejan Spasič

Boris Robič is, as we say, an ordinary kind of bloke. One evening, however, someone tries to shoot him. The investigations reveal nothing. No enemies, no suspects. You could say that Boris is the last person anyone would want to kill. After the police close the investigation, Boris decides to make his own inquiries. As he searches for the suspect, we see the tragi-comedy unfold of a man who discovers that a lot more people hate him than he ever realized and that the way he sees his own life was an illusion.

헝가리의 한적한 시골 마을. 마을 사람들은 늘 그렇듯 평범한 일상을 살아가고 있다. 그러던 어느 날 마을 주민 오로슬란이 세상을 떠나고, 그의 사망 소식은 순식간에 작은 마을 안에 퍼진다. 슬픔에 잠긴 마을 사람들은 오로슬란에 대한 개인적인 추억을 나누며 서서히 슬픔을 극복하고, 그들의 이야기로 재구성된 오로슬란의 삶을 돌아본다.

After being sent to a youth detention centre, 18-year-old Andrej has to fight for his place within the group of inmates while getting closer to Željko, their informal leader, and struggling to keep his repressed secret in the dark.

It focuses on Ana, the wife of tycoon Sašo. When her husband gets in trouble and disappears, she realizes she does not know anything about her husband or his business.

The lives of a wealthy married couple radically change in an instant. While the husband is in critical condition after an accident that occurred under strange circumstances, the wife tries to understand the situation and to salvage what she can… In this constricted, small-scale drama by a renowned Slovenian filmmaker, Pia Zemljič excels in the role of the resourceful wife.

Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.

Aleksandra is a student from Krško, a small town in Slovenia. She has a plan to conquer the world. Working as a prostitute, her life is heading to where she wants it, but an accidental death has her wrestling with new feelings of fear, loneliness, confusion and responsibility

Tanya is 35, with a successful career. Her husband Mare is an architect. One Friday, Tanya comes home late at night. Mare confronts her and they exchange some edgy words; Mare is clearly jealous, he loses control of himself and slaps her in the face. Obviously, it is not the first such incident. Tanya locks herself in the bathroom. They continue their conversation over the locked doors. Mare calms down, but when Tanya comes from the bathroom, he becomes abusive again. The noise wakes up a neighbor who reports them to the police. The police arrive and the couple calms down. When the police leave, the couple resorts to psychological abuse. What follows is the night of hateful and skillful twisting of words that unveils, step by step, all the dark secrets of their relationship. Behind a facade of a successful couple, there are suppressed feelings of inferiority, weaknesses, deceit, frustration and traumas from their youth.

The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.

Filip, a rabbit lover, gets into an argument with his boss Romana, who tries to get revenge on him and hurt him as much as possible.