Roberto Benavides

Alejandra returns to Peru. She discovers that her father is alive and in prison. Soon, her journey will become a voyage of inner discovery that will bring her closer to her father, her country, and her own identity.

Sistu and her small community in the Andes discover the magic of cinema. This meeting causes a stir but also confronts them with their culture and highlights the limitations of the community to understand and read Spanish. As a solution, they choose Sistu so that every week he goes to town to see a movie and tells it to everyone in the square.

A current of thought unites the three episodes in a coherent way, embodied with few elements, and that makes of space, time, and movement, purely cinematographic modes of expression. Voice is not needed. Yes there are sounds, music, but not human voices, as in primitive cinema. There are faces, slow or fast movements, despair, fatality, a barely glimpsed horror, desire and fear of freedom. There is also love, perhaps as an illusion, rather than as a reality.

These plays, all written by Tony and Pulitzer-winning playwright and Steppenwolf ensemble member Tracy Letts, share at least one thread: a world off-kilter. These gripping pieces create the opening landscape of this season and will mark a bridge between where we have been and where we are going.

A mother in a remote Colombian coastal village teaches her young daughter to swim so she can harvest piangua shellfish alongside the community.

After 19 years without seeing each other, two former “guerrilleros” reunite to sign their divorce papers. As they catch up with their lives and revisit their shared romantic and political past, they unveil intimate secrets to finally discover who they truly are and how much their country and convictions still hurt them.

Balo, Villarán and Domingo are lifelong friends in their 80s, attending the funeral of their fourth comrade, Quique. On a whim, and fueled by their animosity towards the departed's shrewish wife, they steal the urn containing the ashes and are thrust into a series of misadventures.

The intense and unpredictable romance between a tailor and a young drama student, who commissions him to make the costumes for her graduation play, takes a dark turn when he meets her former lovers and opens up the relentless spiral of jealousy and distrust.

The documentary follows the steps of eminent journalist Edmundo Cruz of the investigation that he and other journalists conducted into the murder of the university professor and 9 students, arrested in 1992 during a military raid at the teacher training college of Enrique Guzmán y Valle, better known as "La Cantuta". The professor and students were never seen alive again. The remains of only five of the victims were ever found, among the barren hills on the road to Cieneguilla. The evidence led to the eventual conviction, in 2009, of members of the Grupo Colina death squad and of Former President Alberto Fujimori for human rights abuse crimes.

A Peruvian teen lusts after his wild sister while the new wife of their difficult, wealthy father tries to hide her lower-class background.

This is the endless story about an old couple lost at the end of their last days. The Oldman seems a baby who just eats, sleeps and watches television. The Oldlady seems a mum who cooks, cleans and speaks to him. This old couple could live anywhere in the world. Their country is death. Their only world is a long wait. The Oldlady has taken control of both lives because she is in much better mental and physical conditions than him. Day after day the Oldlady plans and organizes different ways to kill themselves. But for the moment she is not shooting well. Days will keep following until a small mistake or the correct shoot end the sadness of this harsh wait.

A Peruvian schoolteacher conspires with a journalist to assassinate the official responsible for her fiancé's murder.