Eugenio Bartilotti

Keta is a professional makeup artist with a big butt and large thighs, but she also has big dreams. The truth is that Keta with her overweight, her addiction to marijuana and her pink hair can not get a job anywhere, so she ends up as a drug dealer handing out goods to her neighbor - who is addicted to all kinds of painkillers-, to an actress of soap operas as schizophrenic as a cocaine addict; also going through a swinger couple, a prude housewife, a not so prude nun and a host of characters that will surely make more than one viewer is reflected.

Paz, a kind woman, has allowed everyone around her to treat her as if she were worth nothing, keeping silent so as not to hurt feelings. Until one day, in her head, a phenomenon forces her to express what she feels.

빵빵한 사운드를 갈망하던 펑크 밴드가 다운증후군을 앓지만 천재성이 엿보이는 키보드 주자 페페를 영입한다. 하지만 페페가 팬심을 독차지하면서 갈등이 고조된다.

Arter a tourist disappears inside a mine in Guanajuato, Mat Medina a young expert in mine engineering is hired to make a security diagnostic in the mines of a big company.

What happens back stage of a big theatre production? This document asserts the incidents that occurred during the rehearsals and run of a big scale Mexican musical, a show that unexpectedly turned into an attempt to verify that famous quote that said "the show must go on": laugh, tears, victory, deception, friendship and resignation.

Ulises is a friendly, aspiring actor with big dreams, who also has a weight problem and a compulsive eating habit. In a world where image is paramount, Ulises will do whatever it takes to climb out of the infomercial doldrums. His plans are shaken when he runs into Carolina, his childhood sweetheart, who has grown up to become a stunning, successful businesswoman. Determined to win her heart, Ulises decides to lose weight and earn big bucks, with the help of his best friend, El Charal, a carefree, charismatic kid from the wrong side of the tracks, whose big dream is to be on TV. Ulises, El Charal, and Carolina face hilarious situations and some tough lessons in this riotous romantic comedy.

Thomas is a young actor, the adopted son of Don Antonio, director and founder of the theatrical company to witch he belongs and where he presents his plays. When Don Antonio dies, Thomas is in the need to reestablish his artistic abilities and of the company to save the theater of falling in the hands of the very ambitious Mauro, nephew of Don Antonio who wants to tare it down in order to build a gymnasium. He sets up a web site where he offeres his services as an actor to anyone who needs them outside of the stage. Under those circumstances, Thomas knows Rebeca, mother of Lucia, who hires him to have Lucia fall in love in order to be able to collect an inherence.

Cecilia is seeking a new means of artistic expression. She doesn´t want to have children, they would hamper her development. An attempted robbery brings her together with Rafael, a 10 year old Chicano boy who can´t return to the USA. They inadvertently establish a mother-son relationship.

A lonely boy did not want to live until he meets a girl who pretends to be a star performer. An arrogant lawyer gets a lesson of life to get stuck in an elevator with a single servant. Through the Internet, a computer lover enters into a blind date, the stranger might be too known. Five elders decide to kill boredom and to get excited about planning to rob a bank.

Orlando (Juan Manuel Bernal) is a neurotic dubbing director of series B that desqui-ta of all your frustrations and anger with their coworkers. Orlando lives with Sonia (Mariana Gaja), a woman "new age" in quest for inner peace. He, in crisis, stifled by the love of So-nia and tempted by the novelty of another woman, can not desci-FRAR the complicated language of life as a couple of young people, and going from flower to flower revealing its inability of being alone. On the other hand we have to Mauritius (José María Yazpik), a young and awkward to relate hermit who loves and despises while René (Cecilia Suárez), a beautiful woman "postmodern"