Konstantina Stavrianou

참여 작품

Day of the Tiger
Producer
31-year-old Vera is a vet in a small-town zoo veterinarian in Transylvania. After losing her new-born baby, she becomes obsessed with giving him the proper Eastern Orthodox burial rituals, spends more time at work and subsequently drifts apart from her husband, Toma. One day a tiger escapes from the zoo…
Octopus Skin
Associate Producer
Iris and Ariel are 17-year-old twins, who live with their mother and older sister in an old house in the middle of a rocky island covered with molluscs and birds. The teenagers have grown up isolated from the mainland, in a sibling relationship that surpasses the limits of normal intimacy. The abrupt absence of their mother deeply wounds the three siblings, and Iris, moved by a strong need of separating herself from her brother, decides to go alone to the city for the first time.
A Cup of Coffee and New Shoes On
Co-Producer
In today’s Tirana, Agim and Gëzim, two inseparable deaf-mute identical twin brothers in their forties, live under the same roof. Ana, Gëzim’s girlfriend, a young high-spirited woman in her thirties, visits them quite often. One evening, Agim is driving back home with Gëzim, when his sight gets blurred and a fatal accident nearly occurs. At the ophthalmologist, a few days later, the two brothers discover that due to a genetic and rare disease, they will separately, but progressively and irreversibly go blind. Slowly immersing into an unbearable silenced darkness, not being able to see the world and each other anymore, only Ana by their side, the two brothers have to make a strong decision around a cup of coffee with new shoes on.
양들의 복수
Producer
사채업자 스텔리오에게 돈을 빌린 '타나시'는 이자가 원금 2배 가까이 될 때까지 갚지를 못한다. 화가 난 스텔리오는 타나시의 농원을 찾아가 행패를 부리다 오히려 타나시에게 멱살을 잡히자 친구에게 부탁해 건달들을 마을로 보낸다. 한편, 타나시는 스텔리오에게 빚이 있는 친구들을 모아 강력한 목소리를 내기로 결심한다. 하지만 마을에 나타난 건달 두 명으로 인해 상황은 예상밖으로 흘러가고, 사채 빚에 시달리다 힘을 합하기로 했던 힘없는 업주들은 무리를 이루면서 어느 사이 먹잇감(양떼)이 아닌 잔인한 사냥꾼(늑대)으로 변해가게 되는데...
The Father
Producer
Vasil has just lost his long-time partner in life, his wife Ivanka. When a woman at her funeral proclaims that the dead woman called her cellphone, Vasil seeks out the help of a well-known psychic in order to try to contact his wife. His son Pavel tries to bring him to his senses, but Vasil stubbornly insists on doing things his own way… Following the internationally successful The Lesson and Glory, Grozeva and Valchanov return with an intimate family drama about the difficulties of connecting with those close to us. As the picture slowly gathers momentum, its story unfolds many of the carefully arranged absurd or comic situations typical for the Bulgarian filmmaking duo.
The Lesson
Producer
An honest, hard-working schoolteacher in a small Bulgarian town is driven to desperate measures to avoid financial ruin.
Late Season
Producer
In the opening scene we are witness to an old man’s lament about a world he no longer understands. Subsequent sequences gradually introduce us to various inhabitants of an unspecified southern Italian village and to the many bizarre situations in which the characters of the three vaguely adumbrated stories appear. Although some of them meet on a daily basis, the viewer receives scant information about their relationships, let alone their lives, and with no plot context. Nevertheless, the tone generated by the artfully composed shots and musical accompaniment suggests something inauspicious, even subliminally disturbing. The film, the script of which earned director Caputo the Mattador International Screenwriting Award, seeks to explore the typical Italian provincial world where the effort to be new and modern clashes with a commitment to deeply rooted traditions.
J.A.C.E.
Production Manager
Twice-orphaned Jace, a seven-year-old Albanian of Greek origin, witnesses a massacre that wipes out his entire foster family in Argyrokastron, and then falls in the hands of a bunch of ruthless gangsters who "export" children abroad for various profitable reasons (ranging from beggary to organ trade). Jace ends up in Athens, Greece, begging at street corners, exploring the secret horrors of brutal institutions for young offenders or, much later, serving obscure patrons, in an underworld where violent loss seems to be his only destiny. The movie follows Jace's inverted Odyssey in a dark universe of abuse, murder and fear, as he desperately (and silently) seeks for a "family" of his own or, at least, for a sense of belonging
The City of Children
Post-Production Manager
The arrival of children, as seen through the stories of four different couples, just when a pregnancy comes along and conflicts with their lives. A marital crisis becomes a family tragedy; a mad man's gun forces a young couple to reconsider a premature pregnancy; a long struggle of in-vitro fertilizations brings together and forces apart two sterile women who have shared the same man; and a young Iraqi immigrant, all alone in her apartment, is forced to give birth to her child with the help of her Greek stalker and next door neighbor. The stories unfold within a day and collide in a violent and fatal incident.
Smyrna: The Destruction of a Cosmopolitan City - 1900-1922
Post Production Supervisor
A unique exhibition of rare and unknown photographs of Smyrna from American and European archives and private collections.