Floor Onrust

A door-to-door excavation of the Nazi occupation that still haunts Amsterdam, and a journey through the last years of pandemic and protest.

As Brian cares for his severely mentally disabled brother over a sweltering summer holiday he is forced to grow up, and finds unexpected love and affection.

The story of the only three minutes of footage —a home movie shot by David Kurtz in 1938— showing images of the Jewish inhabitants of Nasielsk (Poland) before the beginning of the Shoah.

Grace, a Dutch-African girl with albinism, feels like an outsider with her white skin and poor eyesight. When she meets Kia, her African identity becomes more important. How far will she go, to fit in the group?

Lovers living together on a remote island but who are forced to remain physically apart after one of them contracts a virus. Their isolation is disrupted by the arrival of a third person who has immunity and as a result can come into direct contact with both of them.

Two men in a village are beaten up by a group of young­sters. A female detec­tive tries to find out why the two do not want to report the assault.

Business analyst Andriy, loaded with his work affairs and responsibilities, takes care of his father's post surgery rehabilitation. Trying to be in several places at the same time and worrying about the needs of others, Andrew forgets about his own.

When the temperamental Sylvie (17) is told that she has to give up her child when it’s born, she decides to escape the youth institution where she’s placed. In her eyes it’s the only solution to prevent that her child will have the same institutionalized youth as she endured.

Hannah travels through the Polish mountains with her ex-boyfriend Lex. During their journey the young woman finds out that Lex has prepared the perfect crime, with Hannah as his victim.

만화가였던 마리는 만화가라는 직업을 저버린 채 술에 찌들어 살아가고 있다. 그녀는 엄마가 돌아가신 후에 환상이나, 마치 환상 같은 일들을 종종 마주하게 된다. 그녀의 관점에서 바라보는 어지러운 세상과 그녀의 '인생은 각자의 관점이다' 라는 신념 그리고 그녀를 맞이하는 커다란 사건들.

Instead of making the planned trip to India, the 27 year old Fem becomes a backpacker in her hometown; Amsterdam. Fem does not dare to tell her boyfriend the truth and she gets tangled up in a crazy lie.

A young Polish-born, Berlin-based lawyer working on refugee cases is unexpectedly reunited with his father, who is his only tie left with his homeland.

With his familial bookshop on the verge of bankruptcy, Simon finds himself retreating more and more to his cabin in the woods. After witnessing the suicide of a stranger, a childhood trauma involving his bullied best friend resurfaces and he withdraws even further into the past, estranging himself from his wife and his responsibilities. The only glimmer of hope is a young girl who needs help with her book review. But there is more to the girl than there seems to be.

대학 입학을 앞둔 데니즈는 종교를 포함한 기성 세대의 생활 방식에 불편함을 느낀다. 데니즈는 친구들과 함께 미래에 대한 걱정을 나누거나, 파티에서 즐거운 시간을 가지며 일상을 보내고, 그때마다 데니즈의 표정은 고민과 희망, 들뜸과 슬픔을 숨김없이 드러낸다. 튀르키예 청년들의 일상과 고민을 여성의 눈을 통해 섬세하게 묘사한 작품. 2014년 베를린영화제 크리스탈베어 부문 상영.

A mix of land art, performance and stop-motion, Nation for Two is a surreal visual essay on the idea that “love knows neither nationality nor borders”. Inspired by the authors' own biographies, the film follows a man and a woman tunneling their way towards each other, from one end of the planet to the other, to be together, passing through forests, deserts, urban spaces or war zones. (bieff.ro)

A mix of land art, performance and stop-motion, Nation for Two is a surreal visual essay on the idea that “love knows neither nationality nor borders”. Inspired by the authors' own biographies, the film follows a man and a woman tunneling their way towards each other, from one end of the planet to the other, to be together, passing through forests, deserts, urban spaces or war zones. (bieff.ro)

A lively young boy befriends and attempts to raise an abandoned baby jackdaw unbeknownst to his choleric and disapproving father.

Marian, a middle aged nurse, devotes herself to her patients like a saint. Sometimes she even takes on the role of a redeemer, by helping the gravely ill to the soothing order of ultimate silence. When she gets linked to a neighbor in an act of common voyeurism, she becomes fascinated by him. Faced with the fragility of these newfound emotions, Marian surrenders to her human needs

The sun is shining, but it is not a cheerful day. Eight-year-old Linus sees it all happen. Mummy comes home with her nasty new friend to take away her stuff. Papa is sulking in the garden, while the neighbour peeps over the hedge. Even a pizza is no fun anymore. For a very short while, the familiar feeling of yesteryear is accidentally back, and then it is over. Big tragedy, captured in small details.

Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.

Following the death of her stepmother, a young woman leaves her life in the USA behind, and rekindles the bonds with her Indonesian-Dutch grandmother.

A dark evening. A father drives home with his daughter on the back seat. A head-on collision. A man awakes in a large empty room, where the father appears to want something from him. That night, victim and inflictor reconstruct the biggest mistake of their lives.

Two friends loiter on a square, with their mopeds. Loitering youngsters, moped girls: in any case, there is no sign of parents or school. The girls laugh, are silent and quarrel, joke about `nice tits', flirt with a Moroccan boy (and call him a fucking fundamentalist when he walks off with another girl). In between, they ride their mopeds. A loosely acted draft of two young lives.

A short directed by Diederik Van Rooijen.