Nina Kellgren

An immersive installation by the artist and filmmaker. "Coda" to Looking for Langston.

Derek, in chronological order, records the work and life that stands at the foot of Derek Jarman's humour and spirit of being an artist. The filmmaker and actress, Isaac Julien and Tilda Swinton respectively, have produced and narrated a film on his life whereby the use of language is perpetuated to give some type of palpable meaning to British audiences alone, and to their own personal relationship with him.

DEEP WATER is the stunning true story of the fateful voyage of Donald Crowhurst, an amateur yachtsman who enters the most daring nautical challenge ever – the very first solo, non-stop, round-the-world boat race.

The true story of Stephanie Slater, a British estate agent who was kidnapped, raped, and held for ransom by Michael Sams, who imprisoned her in a coffin-like box for eight days.

Explores the life and work of the psychoanalytic theorist and activist Frantz Fanon who was born in Martinique, educated in Paris and worked in Algeria. Examines Fanon's theories of identity and race, and traces his involvement in the anti-colonial struggle in Algeria and throughout the world.

Shot entirely in Welsh, Endaf Emlyn's wry and gentle film captures the magic and innocence of a young boy's imaginative world as he grapples with demons that haunt his family life. Set against the wild, windswept backdrop of the Welsh coast, The Making of Maps charts Griff's journey into adolescence and his attempts to cope with the strife with in his own family. Pulled in different directions by his philandering father, reclusive mother and unloved sister, he tries to learn the secret that eats away at the fabric of his family life. His mother ran a dance academy, but during a picnic the school's star pupil, the beautiful, ethereal Alis, vanished. Afterward, Griff's mother took to her bed, fearful of leaving her darkened room. Griff's way of dealing with his life is to draw maps outlining his own attempts to comprehend a situation that everyone seems to want to forget. -Piers Handling

Documents an Indian-English family's attempt to give their Briticized daughter a traditional Indian arranged marriage, with as much photography as possible.

Memory mixes with desire as a museum attendant is caught up in sado-masochistic fantasies inspired by a 19th century painting of slaves in chains called Scene on the coast of Africa. The man remembers his past as a singer and delivers Dido's lament from Purcell's opera.

Two disc jockeys have a friend's murder to solve in the fringe-group melting pot of 1977 London.

A black and white, fantasy-like recreation of high-society gay men during the Harlem Renaissance, with archival footage and photographs intercut with a story. A wake is going on, with mourners gathered around a coffin. Downstairs is an elegant bar where tuxedoed men dance and talk. One of them has a dream in which he comes upon Beauty, who seems to reject him, although when he awakes, Beauty is sleeping beside him. His story and his visits to the jazz and dance club are framed by voices reading from the poetry and essays of Hughes and others. The text is rarely explicit, but the freedom of gay Black men in the 1920s in Harlem is suggested and celebrated visually.

A bittersweet and nostalgic short drama illustrating the spirit of modern families touched by the experience of migration. Miss T., from the Caribbean, lives alone in her one-room apartment, her children and husband having left her to pursue new dreams. When she dies her family and friends gather at her wake. The tapestry of words that interweave the drama convey the fragments of a life lived, but only partly remembered.

This highly stylized short asserts sexual desire over fear in gay romantic relationships.

Co-directed by Blackwood and Julien, the first full-length feature film by Sankofa Film and Video offers a radical and necessary interrogation into what constitutes 'post-colonial' identity at a time of political and social restlessness in Britain. Set within an isolated desert landscape contrasted with recognizable scenes of the intensity of family life, this vanguard work demonstrates the richness and variety of the black experience; it is a poetic and hard-hitting commentary on the complexities of race, gender and sexuality.