Kimberlee McTaggart

The wedding of their youngest sister, Janet, brings Gwen and Kay home to St. John’s, Newfoundland. While Janet struggles to hide her family’s dysfunction, Kay can’t help but create chaos wherever she goes and Gwen finds herself paralyzed by a past secret. The complicated web of relationships between the sisters, their Aunt Maureen, their absent mother, and Kay’s young daughter Billie, is only illuminated by the wedding. Gwen’s attempts to get Kay to take responsibility for her daughter highlights her own abandonment of her ex, Tom, leading them all to a not-so-perfect storm of a reception.

Small Town Show Biz: 2 Dreams From A Harbourtown follows two middle-aged people – a Rock Singer and a Pin Up Model – who are dreaming big, while living in a small place. How do you chase your show-biz dreams when you’re far from the shine of big city lights? Small Town Show Biz examines the world of dreams – the ones that haunt us and the ones that inspire us.

Head Space is a hilarious and heartwarming film about Floyd (Struan Sutherland), an agoraphobic with no intention of ever leaving his basement. His past as a taller-than-average comedian and TV pitch-man has left him broken and unable to face his demons. That is until he finds himself both summoned for jury duty and under the constant harassment of the pizza delivery guy (Stoo Metz). With no other option, Floyd must confront his past, make friends with his enemies, and battle the great big scary unknown that is the outside world.

Architect Todd Saunders’s buildings on Fogo Island, Newfoundland embrace the excitement of being on the edge of nature and contemporary design while fulfilling the goal of doing ‘new things with old ways’. Saunders and commissioner, Zita Cobb, provide a personal account of the ideas and traditions that inspire this bold and socially ambitious architectural venture. Gorgeously photographed over the Island’s seven seasons, the film is a flowing, visual narrative that unfolds over time as the principal stage of the project, the Fogo Island Inn, approaches completion.

This is a film about a troubled teen, Sean Randall, who is falsely accused of planning a Columbine shooting scenario. It all begins when an unlikely bond forms between Sean (Connor Jessup) and a preppy teenage girl named Deanna Roy (Alexia Fast). Deanna's boyfriend is deeply threatened by Sean and Deanna's friendship, resulting in a violent confrontation. Seeking to protect himself, Sean issues a death threat online - and is swiftly arrested. When the police raid Sean's home, they find rifles, shotguns, knives and ammunition - all property of Sean's father Ricky (Michael Buie), an avid hunter. They also find a supposed "hit list" with twenty names of people who have tormented Sean. The authorities and the media proclaim another Columbine has been narrowly averted, and soon Sean faces a terrifying imprisonment in a youth detention facility. Sean's only hope is to overcome his dark image, and prove his innocence to Deanna and to his community.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

The evolution of the zombie from its roots in Haitian voodoo to its coveted role as the world's most popular monster: from being a clumsy corpse to becoming a cannibal killer and the main agent of every infectious pandemic, the zombie has come a long way in seventy years. A look at the rising tide of zombie culture examining why something so dead has so much life in viewers' nightmares and at the box office.

The evolution of the zombie from its roots in Haitian voodoo to its coveted role as the world's most popular monster: from being a clumsy corpse to becoming a cannibal killer and the main agent of every infectious pandemic, the zombie has come a long way in seventy years. A look at the rising tide of zombie culture examining why something so dead has so much life in viewers' nightmares and at the box office.