Rita Cortese

In the Brazilian countryside, a family straining to care for their bedridden patriarch have their lives changed when a shady nurse offers a diabolical deal: put their elder to rest and host an Argentinian drug kingpin who urgently needs a place to hide.

Lucio, a prestigious university professor, takes the position of substitute teacher at a high school in the suburbs of Buenos Aires, where he grew up. Through tales, novels and poetry, he tries to distract his class from the harsh reality of their everyday lives. But soon, he must step out of his professional duties when Dilan, one of his students, is threatened by a local drug kingpin.

Rosario in the 80s. The disappearance of a man during the military dictatorship. Two young people from the court must do everything possible to solve the case while facing police corruption and various dangers that put their lives at risk.

Gato lives with his teenage daughter Emma and a small group of people, on an isolated farm, without phone or internet. But Emma, ​​tempted by curiosity, gets a mobile phone and activates it, making herself visible to the world. Hours later he runs away from the farm. Gato sets out on his search accompanied by his friend Sombra, with whom 17 years ago, they were about to be captured by a sect. Together they must rescue Emma who has been kidnapped by the same organization to carry out a bloody ritual.

Stella and her mother Clota must travel from Junín, where they live, to the town of Costa Bonita, in Necochea, to see some apartments that Stella's father left her. This will become a nuisance for Stella, since her mother is someone difficult to deal with: she complains, she is afraid of everything, she says hurtful things and she keeps remembering the past. Paula Hernández's new film narrates the journey by bus of these two characters, a simple premise for a film almost always in tension as its two protagonists, brilliantly played by Valeria Lois and Rita Cortese. The only respite for poor Stella, and for the film itself, are conversations she has with Primo (Sergio Prina), one of the bus drivers, moments of calm amidst so much storm that, later on, will become literal.

A single mother is an expert in black magic, but has never used it to do evil, until a prostitution network kidnaps her daughter.

In a town in the Northwest of the province of Buenos Aires, a group of neighbors is organized to recover the economy of the area, but when the corralito is implemented in the country and they suffer a fraud, their hopes disappear. Now, they will unite to recover the lost money and give the blow of their lives to their greatest enemy.

( 웰컴 투 땅콩항공 ) 한 비행기에 탄 승객들, 모처럼의 여행으로 들떠 있는 이들에겐 한가지 공통점이 있다. 모두가 한 사람을 알고 있다는 것! 그는 누구이며 왜 이들은 한 비행기를 타게 되었는지 밝혀지는데… ( 원수는 식당에서 ) 식당에 찾아온 한 손님. 웨이트리스는 그 사람이 아버지의 원수였던 남자인걸 알고 어쩔 줄 모른다. 식당 주방장은 그녀에게 음식에 쥐약을 넣자고 제안하는데… ( 분노의 질주 18 ) 한적한 도로에서 아우디를 몰던 ‘마리오’는 깐죽대며 추월을 방해하는 고물차 운전자에게 열이 받는다. 욕을 날리며 고물차를 추월하지만 잠시 후 타이어가 펑크 나 그것을 교체하는 사이 그의 앞으로 고물차가 오는데… ( 합법주차 불법견인 ) 자신의 차가 견인되어 억울한 남자. 불법주차가 아니었다고 아무리 공무원에게 항의를 해 보지만 전혀 들어주지 않자 그는 점점 화가 나는데… 과연, 그가 공무원에게 대항하기 위해 취한 행동은? ( 뺑소니의 최후 ) 뺑소니 사고를 친 말썽꾼 아들 때문에 아침부터 정신이 없는 아버지는 경찰이 오기 전에 모든 것을 해결하기 위해 고군분투한다. 그는 결국 집안 정원사에게 대신 죄를 뒤집어써달라는 거래를 제안하게 되는데… ( 이판사판 결혼식 ) 결혼식 날, 너무 행복한 신부! 그러나 그녀는 신랑의 친구 중 한 여인을 의심하기 시작한다. 결국 그녀는 신랑이 자신과 사귀던 중 바람을 핀 사실을 알게 된다. 점점 분노는 커지고 그녀는 핀트가 나가기 시작하는데…

A married man's death puts his widow and mistress in an unusual living arrangement.

Los Marziano reconstruye la oportunidad de un reencuentro entre dos hermanos tras un largo período de distanciamiento. Se trata de un relato que trabaja con profunda inteligencia -y con rasgos de comedia- el universo de las relaciones familiares.

They are both alone. They need each other but, at the same time, they despise each other. Siblings Marcos and Susana are unable to heal the old wounds festering within them after the death of their mother. When Susana sells their mother's flat, she deprives her brother of the home where he had cared for their mother his whole life. Marcos's need to start living again surfaces when his sister forces him to leave Buenos Aires for Uruguay.

Argentine history during the 20th century discovered by two teenagers, who investigate the lives of members of four different generations of the Lugones family.

The godmother and Perla are the world to "the little girl," a world defined by the four walls of a studio apartment with one window looking nowhere. Only space and alter the monotony, the blood transfusion sessions to which must be submitted Pearl and almost anonymous sexual encounters of the baby.

A unfulfilled man tries to find something to ling to, traveling from town to town, in one of them he'll find enough reason to stay.

Peter, a young German, enters a suburban Buenos Aires restaurant; seeking only directions, he instead accidentally ends up with a plate smashing into his head, thrown by the irritable Olinda, the 60 year-old Italian immigrant owner of the restaurant. The two develop a friendship once they discover that the reasons for their having moved to Argentina are strikingly similar.

Carmelo, who is 30-years old and extremely shy, finds it difficult to reveal his innermost feelings to Verónica, his co-worker. Carmelo's world collapses when he finds out that she intends to get married soon. Accidentally, she spots him demonstrating in a gay rally where he becomes a leader of that cause. Of course, Verónica assumes that Carmelo is gay, and he takes adv antage of this misunderstanding.

The lives of Alma (Araceli Gonzalez) and Leo (Pablo Echarri) did not seem destined to cross. She, a baker in the mouth, with her ​​family and her boyfriend Mario since adolescence. The, an architect with secure wedding date with Valeria. One night, fate brought them together and this unexpected encounter will not go unnoticed. Both Alma and Leo not be fidgety to what happens between them.

1947, in Patagonia, in a little village on the seaside. An abandoned house on the beach shelters Letty's dreams, her loneliness that only Miguel, a very young pianist, may share with her. Tomas, her husband, loves Letty and eagerly defends her against all the village, while she keeps playing her part of a 'femme fatale' with a romantic past and a very adventurous file. But on a windy day, a handsome and strange foreigner appears, coming from the sea, a man just as those Bette Davis used to fall in love with. For Letty, reality begins to look like the most incredible dreams of her. But this will call the police inspector's attention. With that mysterious spy, Letty will be involved in a story that will end as those stories she was so fond of when she was going to the movie theater of her little willage.

Two rival families of different origin join the force by the love of two young. The journalist Ariel Cohen falls in love for Carla Rosi, while investigating his father, Giancarlo, a wealthy shady business that is congressional candidate with presidential aspirations.

A judge falls from the roof of the Federal Courthouse. A woman is murdered. Between them and the three sons of the judge there is a connection that will be investigated by a woman judge who is determined to discover the truth.

A woman would rather forget her husband's forced disappearance at the hands of the government.

A history of Argentina's last military dictatorship (1976-1983). After "La Republica Perdida" was made, which covered 1930 to 1976, there was an important part of Argentina's history yet to be told, which was too recent to be covered by the first documentary. The first movie was made at the end of the last dictatorship. This second documentary covers this last dictatorship from 1976 to 1983.

Historical film that focuses on political and social events took place in Argentina during the beginning of the 30s. Santafecino Deputy Lisandro de la Torre complaint in Congress Argentine meat business with England.