Jacques Ledoux

Filmmaker Jonas Mekas films 160 underground film people over four decades.

A exploration of the origin, theory, philosophy and themes of Stephen Dwoskin's films from 1963 to 1984.

A wealthy French couple unable to bear children but determined to start a family agree to use an anonymous surrogate . Upon seeking a professional opinion on the matter, the couple is advised to seek out an anonymous surrogate. Though the procedure is a success, Jean-Paul becomes entirely consumed in his quest to discover the identity of the young woman (Willeke van Ammelrooy) who is currently carrying his child. Upon coming face to face with the ravishing young beauty, Jean-Paul initiates a torrid affair that will profoundly affect the lives of all involved.

German classic movie where you will see the best vintage genre, enjoy the sex of the beautiful women, and plenty of motorcycles..

Patrick is the secretary of Ducas, a rich industrialist; he is also his boss's provider of erotic entertainment. To further his imagination, and no expenses asked, he travels to Bangkok to study the local massage parlors. On the side, he takes six other commissions that he intends to fulfill well. Only, two young adventurers, Anna and Dorothée will cross his path, and make his jobs really difficult.

An atmospheric dark tale directed by Guy Maria (1973).

An interview with film director Josef von Sternberg, produced for Belgium television.

Shedding all traces of narrative in Plan of Brussels, Beavers filmed himself in a hotel room, both at his work desk and lying naked on the bed, while in rapid rhythmic cutting, and sometime in superimposition, the phantasmagoria of people he met in Brussels and images from the streets flood his mind. (P. Adams Sitney, Film Comment)

세계 제3차 대전이 발발한다. 파리의 오를레이 공항에 있는 한 산책로에서 다보스 헨릭이라는 남자가 헬렌 카텔린이란 여자를 바라보는데 원자 폭탄이 폭발한다. 그 후 영화는 핵 쓰레기로 가득찬 지상을 떠나 사람들의 지하 생활을 보여준다. 지하 생활자들은 더 이상의 파괴를 막기 위해 '과거와 미래를 오갈 수 있는' 약을 가지고 과거와 미래 세계의 사람들을 보내지만 결국 다보스 만이 성공한다. 68혁명에 대한 크리스 마커의 입장과 함께, 영화-이미지가 시간과 기억과 맺고 있는 관계성을 매체의 본질에서부터 추적하는 마르케의 작업물들을 대표하는 작품이다.

Paul fishes out of the water the body of his greatest enemy. To avoid accusations that he is a killer, taking steps that will clear his good name.