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Homo Sapiens Project (201) (2002-2021) (2021)

Gênero : Fantasia

Runtime : 16H 39M

Director : Rouzbeh Rashidi

Sinopse

Homo Sapiens Project (201) was completed in 2021 as part of re-envisioning and restructuring Rashidi's filmography. This nineteen-hour experimental feature is constituted from many feature films produced between 2002 to 2014. These experimental features were made as a type of test or trial experiment. Rashidi assembled the films from footage accumulated over the years, archival footage, found footage and rushes donated by his close collaborators.

Atores

Rouzbeh Rashidi
Rouzbeh Rashidi
Ehsan Safarpour
Ehsan Safarpour
Pooria Nick Dell
Pooria Nick Dell
Mohammad Nick Dell
Mohammad Nick Dell
Atoosa Pour Hosseini
Atoosa Pour Hosseini
Behnam Fathi
Behnam Fathi
Ali Vakilian
Ali Vakilian
Borna Izadpanah
Borna Izadpanah
Reza Rashidi
Reza Rashidi
Nasser Rashidi
Nasser Rashidi
James Devereaux
James Devereaux
Mahasty Eslahy
Mahasty Eslahy
Ed Malone
Ed Malone
Nicki ffrecnh Davis
Nicki ffrecnh Davis
Toofan Nasehi
Toofan Nasehi
Esperanza Collado
Esperanza Collado
Maximilian Le Cain
Maximilian Le Cain
Alicja Ayres
Alicja Ayres
Norette Leahy
Norette Leahy
Kasia Lech
Kasia Lech
Eva Docolomanska
Eva Docolomanska
Cillian Roche
Cillian Roche
George Hanover
George Hanover
John McCarthy
John McCarthy
Anna Wolf
Anna Wolf
Jann Clavadetscher
Jann Clavadetscher
Rebecca Murphy
Rebecca Murphy
Dean Kavanagh
Dean Kavanagh
Farzad Fahim
Farzad Fahim
Patricia Klich
Patricia Klich

Tripulações

Rouzbeh Rashidi
Rouzbeh Rashidi
Director
Rouzbeh Rashidi
Rouzbeh Rashidi
Director of Photography
Rouzbeh Rashidi
Rouzbeh Rashidi
Sound
Rouzbeh Rashidi
Rouzbeh Rashidi
Editor
Rouzbeh Rashidi
Rouzbeh Rashidi
Writer

semelhantes

Endless Content Forever
A small Youtuber occasionally makes half ironic videos for few to see. A half narrative, half experimental view of the numb feeling of consuming endless amounts of content online instead of doing anything else, forever.
Only Human
A tale of people unfolds under the night sky. These doomed couples and lost individuals begin journeys and attempt to find resolution in their lives. Love is observed from a distance, sadness is in the air. With little sympathy for the loss and destruction caused to the characters, the stories progress and become neatly woven into a minimalistic portrayal of modern life.
TRAILERS
TRAILERS unites the most personal and experimental aspects of underground filmmaking with a scope that is as cosmically vast as a science fiction epic. Rashidi’s ongoing exploration into the nature of cinema sees a group of characters adrift in space, each locked into their own sexual rituals while a cataclysm of universal proportions unfolds. Humanity has become a mysterious burlesque show for alien eyes: the gaze of the film camera. This visionary spectacle uses multiple formats and visual textures in weaving an erotic anti-narrative suspended in its own space and time.
The Iron Sisters
Fey Iron, an amicable traveler, confronts her natural urges when she encounters a lone man in the desert. We follow Fey and her older sister Dylan through a day of their life. They are gentle with plants, animals and each other but in a world where the roles of men and women are reversed, can women really be held at fault for the dark side of their God-given tendencies?
Phantom Islands
Phantom Islands is an experimental film that exists at the boundary of documentary and fiction. It follows a couple adrift and disoriented in the stunning landscape of Ireland’s islands. Yet this deliberately melodramatic romance is constantly questioned by a provocative cinematic approach that ultimately results in a hypnotic and visceral inquiry into the very possibility of documentary objectivity.
Weird Weird Movie Kids Do Not Watch The Movie
Weird Weird Movie Kids Do Not Watch The Movie is the second collaborative feature film between Rouzbeh Rashidi and Maximilian Le Cain. This hypnotic, visually and sonically immersive exploration of a haunted space unfolds in two parts. In the first, a woman (Eadaoin O’Donoghue) dissolves her identity into the ghostly resonances she finds in the rooms and corridors of a sprawling, atmospheric seaside basement property. In the second, a man (Rashidi), existing in a parallel dimension of the same space, pursues a bizarre and perverse amorous obsession.
Window of Hell
Through our eyes, the universe is perceiving itself. Through our ears, the universe is listening to its harmonies. We are the witnesses through which the universe becomes conscious of its glory, of its magnificence.
Luminous Void: Docudrama
Um filme de Rouzbeh Rashidi
GAUDI
A vivid sampler of the great Barcelona architect-sculptor’s work in situ, Sokoloff constantly is seeking out the most anthropomorphic images embedded in the intricacies of Gaudi’s buildings.
Indwell Extinction of Hawks in Remoteness
An intimate stream of memories reaching out across time and space, taking on a uniquely experimental form that cuts the viewer adrift in a weave of old footage rising to the surface of consciousness like a dream.
Hades of Limbo
A bleak, cryptic vision of life in contemporary Iran that eschews overt social commentary in favour of a very personal vision of stifled lives. Directed remotely by Rashidi from Ireland over Skype, the making of this unique film reflects the alienation it so compellingly portrays.
Closure of Catharsis
A man (James Devereaux) sits on a park bench talking to the camera, trying to weave together a thought that won’t cohere while commenting on passers-by, his ‘guests’… Mysterious images intervene, overturning the serenity of the park-bench monologue. Rouzbeh Rashidi’s feature proves as engaging as it is elusive.
Forbidden Symmetries
Three witnesses to the invasion. Three accounts. Are they observing the same thing? Were there any warning signs? And, after all they’ve seen and heard, are they even competent to offer a reliable report? The purpose of this film is to demonstrate that an effort to construct functions known not to exist may on occasion produce interesting frauds.
HE
HE, the third work in the ongoing collaboration between Rouzbeh Rashidi and actor James Devereaux, is a troubling and mysterious portrait of a suicidal man. Rashidi juxtaposes the lead character’s apparently revealing monologues with scenes and images that layer the film with ambiguity. Its deliberate, hypnotic pace and boldly experimental structure result in an unusual and challenging view of its unsettling subject.
Bipedality
A relationship between a man and a woman discloses during the course of the film.
Ten Years In The Sun
An assortment of obscure private obsessions, conspiracies and perversions flicker on the verge of incoherence against the context of vast cosmic disaster in Rouzbeh Rashidi’s boldest film to date. This sensory onslaught combines a homage to the subversive humour of Luis Buñuel and Joao Cesar Monteiro with the visionary scope of a demented science fiction epic.
Self Decapitation
Self Decapitation is a Janus-headed self-portrait by Rouzbeh Rashidi and Maximilian Le Cain in which death and desire each take possession of this film in two parts. The ambiguities of inhabiting a human body are conjured by way of film technology in its faults, faulty memories and false promises. There is no escape from its haunting – except perhaps to haunt it in turn…
Homo Sapiens Project (100)
HSP 100 is a portrait of experimental filmmaker Maximilian Le Cain. As Le Cain discusses his life, work and relationship with cinema, Rashidi envelops him in a hallucinatory audio-visual ambiance that ultimately results in a poetic dialogue with the ideas and feelings he expresses.
Miss Orange
a lazy girl is depressed and confused of what to do next, after she realizes that she has grown up.
Planes
PLANES is an exploration of the corollaries between psychic space and the physical escape of consciousness beyond the earth's biosphere.