Oiled Up (2016)

A grizzled, hard-of-hearing cowboy, Slim, and his two friends, Dusty and Pete, capture a mysterious, well-dressed Frenchman.

A study of human anxieties about beauty, youth and objectification.

A meditation on eating people and quiet waitresses.

A man breaks into a large, seemingly abandoned old house to plunder the gold received. But the house is really abandoned?

Maya Deren’s shortest, two-minute A Study in Choreography for Camera seems like an exercise piece to capture a dancer’s movement on celluloid, which later on developed into her masterpieces such as Ritual in Transfigured Time and Meditation on Violence.

Short film made in 1997 while David Gordon Green was attending the North Carolina School of Arts that formed the genesis of his feature film debut, "George Washington".

A young agoraphobic woman is tormented by malevolent visions that begin to bleed into reality.

Two creatures wonder, 'What is a hole?' They have different points of view. Their debate leads to an idea, an idea that changes the world. This is a story of practical magic. This film was made as part of the 5th edition of the NFB's Hothouse apprenticeship.

A kitten who is being tormented by a bulldog finds a savior in a black cat (from the "Black Cat Bad Luck Company") who merely has to cross the dog's path for something very unlucky to happen to the bully.

To prove he's a true Indian Brave, Big Heel-Watha decides to catch a squirrel - but wouldn't you know it; Screwy Squirrel is the first one he sees...

The story of Joe and Paddy, whose childhood friendship is shattered by the troubles in Northern Ireland. Twenty five years later they are reunited.

Three stories based on O. Henry novels.

Arnold's source material is a piece of footage from the 1950s, eighteen seconds long and very typical for the period. A quiet take: A living room, a woman in an armchair. Her husband opens the door, kisses her, then moves out of the picture accompanied by a camera pan, his wife follows after him. In Arnold's film the sequence takes 16 minutes. Cadre by cadre, it becomes an exciting tango of movements. But Pièce Touchée is more than just a matter of forms; The reflections, distortions and delays it displays challenge cinema's stable system of space and time.

A short segment of film is played with musical backing at various speeds for a jarring effect.

Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.

Um homem e uma mulher caminham juntos ao longo de uma vereda. A mulher detém-se e puxa para cima a meia que lhe cobre a perna esquerda. O homem e a mulher sobem uma escada que os conduz a um quarto, onde a mulher começa a despojar-se das roupas, até ficar nua sobre a cama. O homem despede-se e parte. Mais tarde, o homem depara com a mulher que se encontra na rua a vender jornais e esta oferece-lhe uma estrela-do-mar encerrada num frasco.

Eggeling analisa objetivamente o movimento das formas enfatizando a linha em uma série de contrastes – vertical e horizontal, retas e curvas, claras e escuras, fortes e fracas, desaparecendo e emergindo – muito parecido com uma peça musical onde idiomas ou temas emergem.

When a burglar dressed as Santa Claus steals a family's Christmas presents, amateur detective Octavius sets out to recover the loot.

After confronting her fiancé, Paul, in a cheap motel, Betty discovers the horrifying secret that has kept him from sleeping for days.

Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.