富家拍片

A soon-to-be first-time voter, the filmmaker’s thought-provoking journey into the Rust Belt and South captures four Asian American voters’ ardent first time grassroots political participation ignited by the 2016 rise of “Chinese Americans for Trump.” FIRST VOTE is a character driven cinema verité style film chronicling the democratic participation of four Asian American voters from 2016 through the 2018 midterm elections.

A policeman investigates an introverted signal-station manager suspected of raping a hotel clerk.

A 17 year old boy from a village in the Sechuan province leaves for the big city looking for his father, who left 6 years before and has not been heard of since. The fact that his mother still receives money his father does nothing to tame his anger. He his not looking for a warm reunion, it is unconcealed revenge that drives him. Totally lost, he roams the big city with his basket of ducks on his back...

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

Xuan is a young man working in the film industry in Beijing. To make a documentary film that he wants to present at international festivals, he decides to take advantage of the holidays of the Day of the Dead to return to Chengdu, his hometown located at the other end of the country. The documentary he is about to make is about his relationship with his own lover. He leaves for Chengdu, accompanied by another man, Bo, the cameraman of the film. The two men take the train to Chengdu where Hong, Xuan's lover, is waiting for them. From the first moment of their arrival at the station, Xuan and Bo begin to turn with their camera, Xuan having already explained to Bo what he wanted to film and that Hong would always be "playing", Bo then trusting in Xuan. But Hong is more and more opposed to this camera and the presence of Bo.

This "movie" is both hysterical and silent. Although starring "real people", it is in fact an "animated film" in the true sense of the word. A "stage" pulled out by the simultaneous forces of infinite expansion and infinite collapse. Eight "puppets" pulled by the "stage". Two "puppets" with broken strings that appear and disappear. They pull each other's hair, trying to get rid of the "stage". They can't do anything. The constant repetition of frustration only strengthens their urge to get rid of the "stage". Also, although you don't need to wear any glasses, you can watch this movie as a real 3D or VR movie. Take off the "glasses" you were born with and maybe "you" can "discover" something from this "world". "A little something

Xu Wangsheng, an elderly migrant worker who returned to his hometown, had a relationship with his son Xu Chao because of his years away from home and his wife's illness. The crazy girl and Xu Chao had no guesses, and later they were stimulated outside. On the night of the winter solstice, Xu Chao was seen by his father when he raped a mad woman. Since then, the mad woman has Xu Chao in her heart. Xu Wangsheng asked someone to find a daughter-in-law for his son. When the blind date, Xu Chao deliberately opposed the father, causing the blind date to fail. The father and son were completely overthrown. Xu Chao secretly went to Guangzhou. On the thirtieth night of the year, Xu Chao died unexpectedly on the way back from Guangzhou. Xu Wangsheng decided to find a ghost wife for his son ...

One long tracking shot through a park in Chengdu.

The mother of a murderer awaits and prepares to meet her son. The true story of a man who killed six Shanghai policemen after suffering police beatings as a punishment for riding an unlicensed bicycle. This film was produced as a part of the Jeonju Digital Project.

The Chinese police visit head-teacher Chen at home. Her daughter, a dissident filmmaker living in Hong Kong, plans yet another critical film about China's colonization of the small autonomous territory. The authorities demand that Chen travel to her daughter to stop the film project. What they do not take into account is that Chen and her daughter lost contact long ago.

Hong Kong, at the height of the protests. A young woman visits her father, whom she has not seen for a while. Her plan is to have lunch with him before the Umbrella Movement reaches a critical juncture. Celebrated, committed filmmaker Ying Liang contributed with a beautiful moving short with an special angle asking: Where do we live, and what is citizenship?

In this talk, Li Hongqi reviewed his transition from fine art to cinema, and his aesthetic and philosophical exploration from his early 'So Much Rice' to recent 'The The'. Dir. Li Hongqi also shared his strong anxiety of his existence(born with melancholia), his thought on cinema art (actually, I don't think there's any movie worth making), his epistemology, his religious view, his consideration on contemporary cinema, and what he learned about living in seclusion.

A highway is waiting to go through a quiet village in Hunan, a province in central China where Mao was from. Due to the high cost of construction, construction companies and migrant workers who live on road work rush to here like the tide. In the following four years, they root in this strange place for interests, paying sweat and blood, even their lives. With their arrival, local village and peasants are forced to change their lives. Many hidden interest lines and hidden rules about road construction of the nation are unveiled, together with the shocking truth and emerging secrets.

The core of the work is to explore and experiment the viewing mechanism of the image. Try to recreate the third space with the characteristic of "halo" through images. The halo points to ambiguity and a sense of distance, while the third space is the difference space constructed by reality and consciousness. The work uses fragments of daily life and poetic non-linear narrative as two narrative means, interspersing and advancing the narrative, which corresponds to the two viewing states of the audience, namely reverie and trance, and hopes to connect the audience with the image in the form of flowing water.

The work reflects on the relationship between technology and us by constructing an advanced technological product from the future. This future product will replace people's worship and spiritual sustentation of the power of gods and Buddhas in religion with technology, turning the invisible into visible. This paper probes into the possibility and influence of the deification of technology in the future, and puts forward the solution of "love, nostalgia and nature" to relieve the pain caused by the excessive intervention of technology.

A series of processes weave a dragnet, covering the lives of animals, and also trapped in the future of human beings. If we exchange identities with animals, will you choose to suffer or fight?

This "movie" is both hysterical and silent. Although starring "real people", it is in fact an "animated film" in the true sense of the word. A "stage" pulled out by the simultaneous forces of infinite expansion and infinite collapse. Eight "puppets" pulled by the "stage". Two "puppets" with broken strings that appear and disappear. They pull each other's hair, trying to get rid of the "stage". They can't do anything. The constant repetition of frustration only strengthens their urge to get rid of the "stage". Also, although you don't need to wear any glasses, you can watch this movie as a real 3D or VR movie. Take off the "glasses" you were born with and maybe "you" can "discover" something from this "world". "A little something

In a remote rural area of China, a middle-aged man took his father to a hospital to see a doctor. However, due to various conditions, he could only take care of his dying father at home while his child had to go to school. At this time, a colleague on the construction site said that there was a similar family in the next village. When they were feeding the old man with water, they lifted his arm and the old man choked and died.

The movie follows two unfortunate secret lovers who are constantly looking for a solution to their situation. Both of them are always arguing over their relationship. One day they went to a trip out of the city, into the outskirt. They hope they can solve their problems or at least escape them temporarily. They don’t have a solution, and they don’t understand why they are together. One thing that keeps them together is their love and care for each other. This is the second part of James Lee’s Love Trilogy which takes another look at unfaithfulness or rather faithlessness.

If It’s Not Now, Then When? mostly takes place in an apartment inhabited by three members of a family (though never at the same time): mother Pearlly Chua (from Tsai Ming-liang’s I Don’t Want to Sleep Alone), daughter Tan Bee Hung and young son Kenny Gan. Their father seems recently to have died. The mother leaves early and returns late, out on long walks in the park with a lover whom the daughter and her best friend try to spy on. The daughter pecks away at a computer at work and has a desultory affair with her married boss, which he carries on between his business and family phone calls. And the son breaks into cars and “recycles” the electronics he finds.