Rimini Protokoll: Uncanny Valley (2019)
Gênero : Drama
Runtime : 1H 2M
Director : Stefan Kaegi, Rimini Protokoll
Sinopse
We mostly think of robots as work machines, as efficient and precise executors of tasks. In German industry, they barely look like people, to avoid emotional complications. Unlike in Asia, where humanoid robots have already been developed for some time, for example for care-work or as sex partners. The external similarity to human beings makes the acceptance of machines easier. However, if the machine is too similar to a human, we begin to feel mistrust: what is human, what is machine? Japanese robotics researchers call this weird similarity the “uncanny valley”. For his play, Stefan Kaegi works with a writer and playwright for the first time: Thomas Melle allowed an animatronic double of himself to be made. This humanoid takes the author’s place and throws up questions: what does it mean for the original when the copy takes over? Does the original get to know himself better through his electronic double? Do the copy and his original compete or do they help each other?
Vivendo sozinho em seu pântano, o rabugento ogro Shrek um dia é surpreendido por um grupo de criaturas dos contos de fada que ali foram despejadas por ordem de Lord Farquaad, um excêntrico e nada amigável nobre.
A produção acompanha um ano das vidas de um pequeno círculo de amigos e artistas que vivem seus sonhos, enfrentam seus demônios, e celebram a vida nas ruas de East Village em Nova Iorque.
In County Durham, England, 1984, a talented young dancer, Billy Elliot, stumbles out of the boxing ring and onto the ballet floor. He faces many trials and triumphs as he strives to conquer his family’s set ways, inner conflict, and standing on his toes in a musical that questions masculinity, gender norms and conformity.
A história se passa 10 anos depois. 0 Fantasma fugiu de Paris e vive em New York entre aventuras inconsequentes e shows de horror de Coney Island. Embora tenha finalmente encontrado um lugar para expressar sua música, ele ainda sente falta do amor de Christine Daaé. Em uma aposta para reconquistá-la, Fantasma atrai Christine, seu marido Raoul, e o filho do casal, Gustave, de Manhattan, para o glorioso e brilhante mundo de Coney Island… mas eles não tem ideia do que os aguarda... Você não pode dizer que conhece Love Never Dies de Andrew Lloyd Webber até ver esta espetacular produção australiana, filmada no icônico Regent Theatre de Melbourne.
Tells the story of Elle Woods, a sorority girl who enrolls at Harvard Law School to win back her ex-boyfriend Warner, but discovers how her knowledge of the law can help others. A musical based on the novel and the film of the same name.
Baseado no filme de 1982, também protagonizado por Julie Andrews. Na Paris de 1934, Victoria Grant é uma cantora lírica desempregada que conhece Carroll Todd, um cantor homossexual que tinha sido recentemente demitido. Juntos eles articulam um plano, no qual ela se faz passar por um homem, o Conde Victor Grezhinski, e que é um transformista. Mas a farsa corre o perigo de ser desmascarada quando ela se apaixona por King Marchand, um gângster.
The stage musical Peter Pan starring Cathy Rigby has toured the world to great acclaim. An adaptation of the famous 1954 musical directed by Jerome Robbins and starring Mary Martin, this new version is lasting proof that J.M. Barrie's tale of the boy who would never grow up is one of the kingpins of family entertainment. All the elements are in good form for this video production shot at the Mirada Theater in 2000 for the A&E Network. Some new songs have been added to the fabulous Moose Charlap-Carolyn Leigh score (which includes "Tender Shepherd," "I Gotta Crow," "I'm Flying," and "I Won't Grow Up"). But the biggest asset to this production are the spectacular flying sequences: Peter even soars over the audience at times. Martin was a stronger actress in a close-up, but Rigby is magical with her athleticism and spark, most notably in a percussion-filled song and dance number "Ugh-a-Wug.".
Smokey Joe's Cafe, Broadway's longest-running musical revue, highlights the best songs by the legendary song-writing duo, Leiber and Stoller. Included numbers are "Neighborhood", "Fools Fall In Love", "Yakety Yak", "Charlie Brown", "Jailhouse Rock", "Hound Dog", "Love Potion #9" and "Stand By Me".
In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession.
Judy at the Palace. Sinatra at Carnegie Hall. Streisand at the Garden. Stritch on Broadway. Legendary performances come along so rarely. Elaine Stritch At Liberty is an autobiographical one-woman show written by Elaine Stritch and John Lahr. The show consists of spoken monologues from Stritch following her life and career, interspersed with showtunes and pop standards which compliment her stories. Many of these songs had been originated by Stritch in major Broadway productions, such as "The Ladies Who Lunch" from Company and "Civilization" from Angel In The Wings. Her experiences and relationship with show business are focal points, but she also explores more intimate, personal themes like her alcoholism and romantic relationships.
A collection of fairy tale characters head into the woods, and soon learn that fairy tales don't end at "happily ever after." This rendition of Stephen Sondheim's Tony Award-winning musical was recorded on the stage with its original all-star Broadway cast. Originally broadcast as part of "American Playhouse" on PBS (season ten, episode one).
A Sunday Afternoon on the Island of La Grand Jatte by Georges Seurat is one of the great paintings of the world, and in "Sunday in the Park with George," book writer James Lapine and composer/lyricist Stephen Sondheim bring a story based on the work brilliantly to life. While the painting depicts people gathered on an island in the Seine, the musical goes beyond simply describing their lives. It is an exploration of art, of love, of commitment. Seurat connected dots to create images; Lapine and Sondheim use connection as the heart of all our relationships. Winner of the 1985 Pulitzer Prize for Drama. Originally broadcast as part of "American Playhouse" on PBS (season five, episode nineteen).
Val Kilmer, master of reinvention, becomes Mark Twain, in a funny, moving, contemporary and reflective performance, based on the life of the man who was Samuel Clemens and on his writings as Mark Twain: his thoughts on politics, his family, his faith and God… Twain shows the greatness of his incomparable wit.
Forever Plaid is an affectionate musical homage to the close-harmony 'guy groups' that reached the height of their popularity during the 1950s. This quartet of high-school chums, and their earnest dreams of recording an album, ended (symbolically, and even literally) in death, when their cherry red '54 Mercury collided with a bus filled with Catholic schoolgirls on their way to see the Beatles' American debut on The Ed Sullivan Show. The girls were fine. The play begins with the wondrous and wondering Plaids returning from the afterlife for one final chance at musical glory.
Cole Porter's beloved classic receives "Another Op'nin, Another Show", in this masterful 1999 London revival of the Tony Award winning musical Kiss Me, Kate! When the egotistical Fred Graham mounts a musical adaptation of The Taming of The Shrew (with himself as director, producer, and star) he’s got the perfect leading lady in mind: his movie star ex-wife! The fireworks both onstage and off between the two seem destined to explode the entire production…or will a romantic flame that’s Too Darn Hot be rekindled? With backstage shenanigans, gangsters brushing up their Shakespeare, and a collection of Porter tunes that any Tom, Dick, or Harry will love, Kiss Me, Kate remains an all-time favorite of musical fans from Padua to Peoria.
Catharine Holly, a poor relation of a prominent New Orleans family, seems to be insane after her cousin Sebastian dies under mysterious circumstances on a trip to Europe. Sebastian's mother, Violet Venable, trying to cloud the truth about her son's homosexuality and death, threatens to lobotomize Catharine for her incoherent utterances relating to Sebastian's demise. Under the influence of a truth serum, Catharine tells the gruesome story of Sebastian's death by cannibalism at the hands of locals whose sexual favors he sought, using Catharine as a device to attract the young men (as he had earlier used his mother).
Crazy For You is a romantic comedy musical with a book by Ken Ludwig, lyrics by Ira Gershwin, and music by George Gershwin. Billed as "The New Gershwin Musical Comedy", it is largely based on the songwriting team's 1930 musical Girl Crazy, but incorporates songs from several other productions as well. Crazy For You won the 1992 Tony Award (Broadway), 1993 Olivier Award (London), and 1994 Dora Award (Toronto) for Best Musical. Originally aired on the PBS series "Great Performances" (season 28, episode 2).
Relive the dazzling show stopping songs, dances and production numbers from some of your favorite Broadway musicals. Great Broadway Musical Moments from The Ed Sullivan Show brings you legendary musical entertainment performed by a galaxy of great Broadway stars like Ethel Merman in "Annie Get Your Gun," John Raitt in "Oklahoma!," Julie Andrews in "Camelot," and more! This exciting event includes exclusive interviews with legends Shirley Jones, Joel Grey, and Rex Reed.
The musical uses the premise of a mysterious performance troupe, led by a Leading Player, to tell the story of Pippin, a young prince on his search for meaning and significance. In 1981, a stage production of Pippin was videotaped for Canadian television. The stage production was directed by Kathryn Doby, Bob Fosse's dance captain for the original Broadway production, and David Sheehan directed the video adaptation, with Roger O. Hirson in charge of the music. Ben Vereen returned for the role of Leading Player, while William Katt played the role of Pippin. However, this version was a truncated adaptation and several sections of the play were cut. An extended version running 135 minutes is also available.
This Pirates of Penzance is primarily a historical document, part of the Broadway Theater Archive television series. It presents, with some inevitable, tiny technical shortcomings, a live 1980 performance in Central Park, not the 1983 movie of the same name that also starred Linda Ronstadt and Kevin Kline. Those who remember that film, which had the benefit of retakes and editing, a lavish production budget, and the spaciousness of a Hollywood studio, may find this video less polished. On its own terms, it is nonetheless thoroughly enjoyable.
