Markus Jura Suisse (1996)

A well-preserved mammoth carcass is found in the remote New Siberian Islands in the Arctic Ocean, opening up the possibility of a world-changing “Jurassic Park” moment in genetics.

An account of the life and work of Swiss painter, sculptor, architect and designer H. R. Giger (1940-2014), tormented father of creatures as fearsome as they are fascinating, inhabitants of nightmarish biomechanical worlds.

"O Grande Silêncio" é o primeiro filme sobre a vida interior da Grande Chartreuse, casa mãe da Ordem dos Cartuxos, uma meditação silenciosa sobre a vida monástica. Dezessete anos depois de ter pedido autorização para filmar no mosteiro, é dada autorização para entrar ao realizador, que filmará a vida interior dos monges cartuxos. Sem música à exceção dos cânticos do mosteiro, sem entrevistas, nem comentários, ou artifícios. Evocam-se unicamente a passagem do tempo, das estações, os elementos repetidos incessantemente durante o dia ou as orações. Um filme sobre a presença do absoluto e a vida de homens que dedicam a sua existência a Deus. O filme ganhou os Prêmios de Melhor Documentário no Festival de Sundance e nos Prêmios Europeus do Cinema.

A Ópera de Paris está sob nova direção, e se prepara para levantar as cortinas com um novo espetáculo: 'Moisés e Aarão' de Schönberg. Mas o anúncio de uma greve e a chegada de um touro como ator coadjuvante podem complicar as coisas.

Ceschi and Stamm's documentary tells the incredible story of Monika Krause, a former East German citizen, who became Fidel Castro's Sexual Education Minister. After 20 years in Cuba, Krause set the Cuban sexual revolution in motion: in favor of a woman's right to sexual fulfillment and legal abortion, and against exclusion of homosexuals, she acquired the title "Queen of Condoms". A film about potent female agitators, staunch macho men and Caribbean love lives.

A documentary. David Sieveking takes the advice of his idol, David Lynch and tries out Maharishi Mahesh Yogi's transcendental meditation technique.

Os pastores Carole e Pascal se dirigem à Suíça francófona debaixo de neve com três burros, quatro cachorros e 800 ovelhas. Contornam estradas principais, trilhos ferroviários, casas suburbanas e estados industriais, passando por campos e florestas.

Filmmaker Peter Mettler embarks on a mission that takes him around the world. He is determined to record the diverse modes of transcendence that people in different cultures adopt in order to live life to the fullest. As he traverses civilization and wilderness and encounters a range of lifestyles and ideas, the filmmaker's mind-expanding trip around the world grows into a poem of images and sounds, reflecting the fragmented but alluring worlds it attempts to capture.

Croácia, 7 de janeiro de 1992. Durante a guerra, o corpo de um jovem jornalista é encontrado com o uniforme de um grupo mercenário internacional. Dezenove anos mais tarde, sua prima Anja Kofmel investiga essa história para tentar compreender o papel dele no conflito.

A disturbing exploration of what it means to be a man Desert Wind unveils the innermost thoughts of 13 men about their lives and male identity, making a clean sweep of clichés. Their revelations -- a glimpse of the hidden side that few men spontaneously reveal -- are of equal interest for women.

What does a baby's cry have in common with the echo of a mountain yodler, and what connects the head tone of a Tuvin nomad with the stage show of a vocal artist? The answer is: THE VOICE. Against a background of powerful alpine vistas and modern city landscapes, "heimatklänge" enters the wondrous sonic world of three exceptional Swiss vocal artists. Their universe of sound extends far beyond what we would describe as singing. In their engagement with local and foreign traditions, the powerful mountain landscape becomes a stage as do the landscapes and sonic backdrops of modern life.

Between 1947 and 1951, more than 80 000 Greek men, women and children were deported to the isle of Makronissos (Greece) in reeducation camps created to ‘fight the spread of Communism’. Among those exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, they managed to write poems which describe the struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda speeches constantly piped through the camps’ loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.

Memoirs of the Italian Opera by the singers and musicians of the Casa Verdi, Milan, the world’s first nursing home for retired opera singers, founded by composer Giuseppe Verdi in 1896. This documentary, which has achieved cult-like status among opera and music lovers, features former singers who reminisce about their careers and their past operatic roles.

This documentary follows swiss improvisation musicians and tells there stories.

It’s a black-and-white record of European cities in the dark (2-5am), from Basle to Belfast. Quiet, and meditative, what emerges most strongly is an eerie sense of city landscapes as deserted film sets, in which the desolate architecture overwhelms any sense of reality. The only reassurance that we are not in some endless machine-Metropolis is the shadow of daytime activity: a juggernaut plunging through a darkened village, a plague of small birds in the predawn light. The whole thing is underscored by a beautiful ‘composed’ soundtrack, from quietly humming streetlights to reggae and the rumble of armoured cars in Belfast. A strange and remarkable combination of dream, documentary and science-fiction.

Every summer, many people transit by sea between France and Algeria, between Marseille and Algiers. Cars loaded to the hood... packages of all kinds... men loaded with bags and stories. At sea, we are no longer in France and not yet in Algeria, and vice versa. From the singular confines of the boat, in the back and forth and the parenthesis of the journey, the crossing puts back in the heart of the passage these women and men brought up.

Em um edifício de Lausane, na Suíça, a chave da lavanderia é mais do que apenas uma chave para a porta de uma lavandaria comum, tradicionalmente localizada nos porões dos edifícios. Aqui, as pessoas usam um pequeno espaço no lobby do prédio para lavar suas roupas, enquanto os porões são reservados para a prostituição.

At the far end of the Alaskan peninsula, for filmmaker Roman Droux a childhood dream comes true. He discovers together with the bear researcher David Bittner the universe of wild grizzlies. The two adventurists face bears at smelling-distance, experience the struggle for survival of a bear family and witness dramatic fighting scenes. Driven by a desire to explore the unknown the film tells a personal story of wilderness, framed in breathtaking pictures of unique creatures.

The personal stories of the people from all around the world waiting for a decision in an asylum-seekers centre in one of most restrictive countries in the world, Switzerland.

How can structures, which take up defined, rigid portions of space, make us feel transcendence? How can chapels turn into places of introspection? How can walls grant boundless freedom? Driven by intense childhood impressions, director Christoph Schaub visits extraordinary churches, both ancient and futuristic, and discovers works of art that take him up to the skies and all the way down to the bottom of the ocean. With the help of architects Peter Zumthor, Peter Märkli, and Álvaro Siza Vieira, artists James Turrell and Cristina Iglesias, and drummer Sergé “Jojo” Mayer, he tries to make sense of the world and decipher our spiritual experiences using the seemingly abstract concepts of light, time, rhythm, sound, and shape. The superb cinematography turns this contemplative search into a multi-sensory experience.