Ťůťa jede na závody (1974)

No final da década de 1930, na Áustria, quando o pesadelo nazista estava prestes a se instaurar no país, uma noviça (Julie Andrews) que vive em um convento, mas não consegue seguir as rígidas normas de conduta das religiosas, vai trabalhar como governanta na casa do capitão Von Trapp (Christopher Plummer), que é viúvo, tem sete filhos e os educa como se fizessem parte de um regimento. Sua chegada modifica drasticamente o padrão da família, trazendo alegria novamente ao lar da família Von Trapp e conquistando o carinho e o respeito das crianças. Mas ela termina se apaixonando pelo capitão, que está comprometido com uma rica baronesa.

Por mais de trinta anos, e através de seu programa de televisão, Fred Rogers (1928-2003), apresentador, produtor, escritor e pianista, acompanhado de seus bonecos e seus muitos amigos, falou diretamente com crianças pequenas sobre alguns dos assuntos mais importantes da vida.

An alien duo arrive on earth and begin to enslave humans, using a local Public Access Children's show as a front. Things get out of hand when a human is forcibly turned into one of them and joins a resistance to overthrow the aliens.

A feature-length adaptation of the award-winning digital broadcast, "Tell 'em Steve-Dave". Sort of like the Muppets, but with much darker subject matter. Bry, Walt and Q (with occasional guests) host a weekly podcast #TESD to discuss the ups and downs of their life. For the first time ever, experience some of the most popular of their legendary tales through the medium of puppetry.

Tulio is forced by Sr. Manguera to put on a Christmas show, so he and the rest of the team put one together in record time. While Tulio discovers the true wrerwriwro of Christmas, Bodoque is in charge of going to look for the gifts, avoiding being tempted by Tío Pelado to bet on horse races.

The host of a children's TV show is really a psychopathic killer, and when he hears stories from the kids who watch his show about the abuse they get from their parents, he starts visiting the parents and murdering them.

Bravely going where no ventriloquist has gone before, Nina Conti concocts a virtual zoo of puckish characters for this world premiere show. Talk to the Hand is an hour of nimble, profanity-strewn stand-up from the vibrant Nina Conti and her touring companions: the scruffy monkey, a posh-sounding owl-poet with a taste for generic verse, a Scottish granny, and the vodka-loving Lydia, recently purchased from another ventriloquist and yet to find a voice she likes. Her alter-egos come face to face with apparitions, special guests and real live humans which means you can rely on consistent lashings of warmth, technical brilliance, and vibrant wit.

Focuses on the collaboration between cabaret and drag artist Joey Arias and master puppeteer Basil Twist, whose 2008 show brought them some of the biggest success of their careers.

Mario and Netta Show is a quite successful show. Mario is the ventriloquist, Netta is the puppet with whom he shares the scene. Theirs is a complicated relationship, not just on stage.

Monty is a young cute rat in a rat world living beneath the streeets of Manhattan. When exterminator Dollart gets a new lethal spray to kill all the rodents, Monty, his friend Isabella and Jean-Paul Canalligator have to travel to magic land to make things right.

Mounted on a modern set almost 32.8 ft, the show recreates the original spirit of the popular puppet news show. Tulio Triviño, Juan Carlos Bodoque, Patana Tufillo, Juanín Juan Jarry and the rest of the cast deliver live news of sublime importance: the launch of a giant pizza into outer space. In between, classics such as "Mi Equilibrio Espiritual", "Bailan Sin Cesar" or "Mi Muñeca Me Habló", in an online show dedicated especially to all that public that has accompanied them for all these years and who was left with the desire to be part of an unforgettable experience.

The curtains of a theatre open onto a smaller puppet theatre presided over by Marianne. The ringmaster waves her baton at three shadowy acrobats that climb one by one out of her hat. Each performs his number, although not without some difficulty. The clumsiness of the first, the mischievousness of the second, and the fieriness of the third trigger a few clashes that ultimately lead to chaos. How can Marianne create harmony without losing control? Will her show flop? Who's really calling the shots, the little puppet or her acrobats?