how much is it uncomfortable for dogs to step out on a highway? (2022)

Gênero : Documentário

Runtime : 1H 21M

Director : Anna Petruželová

Sinopse

The primary motif of the documentary is the journey. A metaphorical journey, a spiritual journey, a tangible journey, a forest path, a road, a sidewalk, a drug trip, or a journey abroad. The director pastes together a collage of micro-stories of people and places that comment on the journey. Her documentary oscillates between playful absurdism, existentialism and existential questions, environmentalism, and social commentary. The dynamism and rhythm of the narrative are then determined by the jumps between different forms of video, such as analogue film, digital film, and mobile phone filming.

Atores

Tripulações

Anna Petruželová
Anna Petruželová
Director
Anna Petruželová
Anna Petruželová
Editor
Anna Petruželová
Anna Petruželová
Sound
Ondřej Novotný
Ondřej Novotný
Sound Designer
Rosalinda Hálová
Rosalinda Hálová
Editor

semelhantes

how much is it uncomfortable for dogs to step out on a highway?
The primary motif of the documentary is the journey. A metaphorical journey, a spiritual journey, a tangible journey, a forest path, a road, a sidewalk, a drug trip, or a journey abroad. The director pastes together a collage of micro-stories of people and places that comment on the journey. Her documentary oscillates between playful absurdism, existentialism and existential questions, environmentalism, and social commentary. The dynamism and rhythm of the narrative are then determined by the jumps between different forms of video, such as analogue film, digital film, and mobile phone filming.
Opening Night
A 1950s Hollywood actress struggles with addiction, mental illness, and intrusive media attention whilst presenting a falsely positive image for her adoring crowds.
Passportless Mess
An idiot for some, a genius for others. Zoran is an urban legend of a Serbian block of flats who allegedly travelled the whole world without a single ID on him. After that, he went nuts due to politics, war and MDMA. “I saw it with my own naked eye,” nodded a half-blind old man. Though a clear answer to the question who Zoran really was is not to be expected at the end of this semi-serious manhunt, it is more than sure that even if he did not exist, the locals must have had to think him up.
The Hunted
Following his kidnapping, Kyle must escape the forest before he’s killed by a vicious serial killer in a game of cat and mouse. After receiving a mysterious call about the disappearance of her brother, Anna must track him down before it's too late.
Lucifer, my love
A man's life becomes threatened after he goes on a date with a woman who's in love with the Devil.
Scrawl
A boy writes a comic book with his best friend, and finds situations depicted in the comic book coming to life. Along with the appearance of a mysterious girl, the boy is forced to face the reality of what he has written, and begins a battle to attempt to rewrite death.
Gen A: Do What You Love
Jakub Strach aka NobodyListen is a successful Czech DJ and music producer. A portrait of his life and work can be seen as a manifesto of the millennial club-going generation. After hundreds of shows and preparations for the upcoming, renowned Addict party, the DJ must deal with the consequences of inflicting a wound scarring his image. Footage from the club backstage mingles with scenes of everyday life in which NobodyListen ponders the dark sides of the club scene, like drugs and misogyny. During the shooting, the Covid pandemic strikes, revealing the insecurities of work in culture.
The Last Stop
A lone Commuter trapped in a speeding MRT train has to push against the force of the speed and escape before it crashes into the LAST STOP.
Dead Wake
A recent college dropout returns to her hometown only to discover that a string of missing people are connected to a mysterious creature haunting her dreams.
Każdemu to, czego mu wcale nie trzeba
Surreal film of non-sequiturs, swimming, death and the holocaust.
A Loaf of Bread
By the end of the second World War, three prisoners wish to escape from the train carrying them from one concentration camp to another. To make it happen, they need to get food first.
Hranice
Leshy
Karel is a passionate gamekeeper. He has been taking good care of the forest and there are many enviable trophies in his collection. In a remote part of the forest, poachers waken a creature who could prove to be Karel's equal.
Don’t Leave Me
A boy who is kicked out of his post-apocalyptic camp is forced to try and find a new home, as well as, civilisation without being caught by the unknown beings that lie ahead.
Glasswork
Like at the New Year’s Eve, showers of colourful light cut through the darkness. While fireworks dissolve into nothing after a thunderous sound, shattered glass leaves material artifact. Sharp pieces then become a reminder of the real track that fireworks leave in the sky.
Rabbit Bones
Johnny "The White Rabbit" Bones wants a $10,000 grand prize and has a 300lb opponent: what's the worst thing that could happen?
Vianočný dar
Down To The Bone
Little Michael has vicious allergies, and when babysitter Meredith arrives for a night of no-nonsense, he's swiftly dispatched to the yard...where his delicate condition takes a turn for the worse.
Psychopompos
A tragedy strikes the family of widow Svetlana and her two sons, Jan and Maxmilián. The villagers believe that the hated nobles surrounded by myths and superstitions - Madam and Sir De Blois - are responsible for it.
Moravian Hellas
Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.