Psychic Darkness Video 35 (2019)

France’s Henri-Francois Imbert is a constant presence in his short film Sur la plage de Belfast – both in voice-over and on-camera. His mission is to track down the family that he found captured on a roll of Super-8 film in a used camera.

The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.

From 1968-1984, 60 minutes worth of history, on Super 8 film, were recorded. Out of this footage there were forty minutes of weddings and in each case it was the bridge that was related to our family. In reviewing this public record of interpreted events, I found myself living within memories of events that could not be seen. While watching these familiar faces represented in this official history, I recalled other versions of the events recorded, as well as other events that didn't get recorded but had occurred at the same time. I began to ask what else was being recorded here and whose histories were these images claiming to represent?

Home movies and their unique place in popular culture are the subject of My Father's Camera. Director Karen Shopsowitz weaves the history of home movies together with footage shot by her father--amateur filmmaker Israel Shopsowitz. Equipped with her dad's old Super 8 camera, Karen traces the history of home movies from the 1920s through to the amateur explosion of the '30s and '40s and beyond. She interviews a lively line-up of scholars and collectors, such as early members of the Toronto Film Club, a Japanese-American archivist who sees home movies as an expression of cultural diversity and a collector who hosts popular Webcasts that highlight new acquisitions.

Miranda, a mermaid obsessed internet personality known for her quirky makeup tutorials, has placed an ad for a production assistant. Todd, the first of many to respond, has been chosen for an interview. Miranda films the interview process under the premise that she’d like her audience to connect with the person she chooses as well. During the interview, things get stranger and stranger, and the day quickly unravels into something Todd could have never expected.

A man returns to the childhood town where his brother was abducted 20 years earlier.

96th entry in the popular "Honto ni Atta. Noroi no Video" franchise.

Half lullaby for the dead, half lamentation on the twilight of the cinema.

In the fall of 1986, Richard Fung made his first visit to his father's birthplace, a village in southern Guangdong, China. This experimental documentary examines the way children of immigrants relate to the land of their parents, and focuses on the ongoing subjective construction of history and memory. The Way to My Father's Village juxtaposes the son's search for his own historical roots, and his father's avoidance of his cultural heritage.

"An experimental documentary on Reverend L.O. Taylor, a black Baptist minister from Memphis, Tennessee who was also an inspired filmmaker with an overwhelming interest in preserving the social and cultural fabric of his own community in the 1930′s and 40s. I combine his films and music recordings with my own images of Memphis neighborhoods and religious gatherings" -Sachs

Against the broader backdrop of modern India's political and social history, this lyrical documentary tells the story of the life of Krishna Sikand, the filmmaker's mother, from childhood to maturity. A rich mosaic of memory and impressions, DON'T FENCE ME IN captures the fragmented way in which we journey back through time. Evoking Krishna's earliest years in pre-independence Bombay as the daughter of a well-to-do Bengali family, the film also traces her post-colonial experiences--from marriage to a Punjabi army officer in the face of fierce family opposition, through the raising of two daughters and successful careers as an academic, small business entrepreneur, media consultant, journalist, and poet.

Called "an elegant documentary" by Sundance and "eloquent and deeply moving" by the LA Times, Toyo Miyatake: Infinite Shades of Gray is a penetrating portrait of this photographer's search for truth and beauty in a world of impermanence. Los Angeles' Little Tokyo's foremost studio photographer, Miyatake smuggled a lens and film holder into the U.S. WWII camp he was incarcerated in and captured life behind barbed wire with a makeshift camera made of scrap wood. Yet it was his little-known artistic pursuits before the war that honed his discerning eye.

Filmmaker Abraham Ravett attempts to reconcile issues in his life as the child of a Holocaust survivor in this experimental non-narrative film. Ravett reflects upon his relationships with his family, from his now-deceased father (who survived both the Lodz Ghetto and Auschwitz) to his own young children. He utilizes family photographs and film footage, archival film footage from the Ghetto Fighters' House in Israel, cell animation by Emily Hubley, and computer graphics to create a film about memory, death, and what critic Bruce Jenkins calls "the power of the photographic image and sound to resurrect the past."

In this non-narrative, meditative, and poignant film, footage of life from the Lodz Ghetto is juxtaposed with the chanting of "Kel Maleh Rachamim," a plea to God to let the souls of those "slaughtered and burned" find peace.

A journey into the 1920s and 1930s featuring restored and edited home movies taken by Japanese American immigrant pioneers.

Jake and his paranormal team are on their way to help a family with some paranormal issues, but the team never make it to their destination! They're abruptly interrupted by terrifying otherworldly beings. Who will survive?

A local news crew become horribly involved with a doomsday cult.

In 2011 a group of filmmakers go inside an abandoned monastery and install surveillance cameras as part of their preparation to shoot a pilot of a paranormal/ghost reality TV show.

The 11th installment of the series that contains the horror posted videos sent by viewers. "Raven" where a stranger entered the video that captured the game corner of a business hotel, "Blood-painted hut" that captured a child murdered in a hut on the outskirts of the town, and all the horrifying images of the world Contains 10 segments.

Xavier tells his friends that he's an alien, and he has 24 hours left on Earth before returning home. Although they don't believe him, they throw a party for him anyway.